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    Alton Brown's Dallas Antics

    Food Network star Alton Brown eats Dallas BBQ and does what he can't do on TV

    Eric Sandler
    Oct 27, 2014 | 7:49 am

    Why did an almost sold-out crowd of Dallasites fill the Majestic Theatre twice on Sunday to see Food Network star Alton Brown? What could they possibly see in two hours that 200-plus episodes of Good Eats, The Next Food Network Star, Iron Chef America and Cutthroat Kitchen couldn't help them glean about the performer known for his obsessive attention to detail and nerdy devotion to food history?

    "These two hours are not about your pleasure," Brown said early in his performance. "They're about my pleasure and letting me do what no one will let me do on television."

    What were those things? First, Brown sang. The set opened with a rap called "TV Chef" about the compromises of celebrity chefdom and closed with "Cooking Lesson Lullaby Part 1" about the not-so-simple cooking tips a person should remember on "12 hands."

    The show allowed Brown to "rant, rave, preach and pontificate" about topics that might upset Food Network sponsors.

    He introduced the cooking demonstration in the second act with a Violent Femmes-inspired acoustic rocker called "Easy Bake" about the trials of a boy who just wanted to use a light bulb to make cookies, and he spun a countrified ditty called "Airport Shrimp Cocktail" about the dangers of eating improperly stored shrimp cocktail in an airport before a 5.5-hour flight.

    The show also allowed Brown to "rant, rave, preach and pontificate" about topics that might upset Food Network sponsors. Of course, as Brown explained about the tour, "I don't have any sponsors. I just have you." That allowed him to take gentle pokes at Sandra Lee ("there's nothing you can't do with crepe paper and a fifth of vodka") and Williams-Sonoma ("the single most stuck up place I've ever been").

    He shared seven pieces of wisdom billed as "things I'm pretty sure I'm sure about" that consisted of witty, oftentimes laugh-out-loud funny, observations about the world of cooking. For "chickens don't have fingers," he told the story of combating his daughter's request to serve chicken fingers to her friends by serving them fried chicken feet. For "look for the little things," he related a story of learning to make his grandmother's biscuits by observing that she couldn't bend her fingers as she mixed the dough due to arthritis.

    Other things Brown is sure about: "Trout don't belong in ice cream," "shower your 'shrooms," "don't leave out the NaCl," "raisins: always optional ('no recipe that ever called for raisins isn't better with M&M's')" and "never eat a shrimp cocktail in an airport" (see song reference above).

    Two cooking demonstrations marked particular high points. In the first, Brown made carbonated chocolate ice cream by shooting high-pressure chocolate cream at carbon dioxide from a giant fire extinguisher — a Good Eats-style prop he called the Jet Cream. In the second, he righted his boyhood slights by making pizza with the Mega Bake, a custom-built giant oven powered by fifty-four 1,000-watt lights capable of producing 1,026,000 lumens.

    With help from an audience member, Brown used the Mega Bake — "an oven you can see from space," he said — to make two pies topped with Pecan Lodge brisket he had saved from a lunchtime visit.

    Throughout, Brown kept the mood light and the quips flying. He called out a late arrival for being tardy and expressed shock when his pizza assistant, Andrea the psychotherapist, anticipated his recommended enzyme for repairing a hole in her crust by spitting on the unbaked pie.

    Highlights of the Q&A portion included his observation that the Dallas food scene is "coming along nicely" as more than a town known for Texas food like barbecue, and the promise of a Good Eats web series (premiere date TBA).

    Those expecting a two-hour-long, highly scientific Good Eats episode may have left disappointed, but Brown's light-hearted tone and surprisingly funny stage demeanor kept things from dragging. Some even gave him a standing ovation at the end. He'd earned it.

    Alton Brown visited Pecan Lodge while in Dallas and then used some leftover brisket during the show to make a pizza.

    Alton Brown at Pecan Lodge BBQ in Dallas
    Alton Brown Facebook
    Alton Brown visited Pecan Lodge while in Dallas and then used some leftover brisket during the show to make a pizza.
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    Movie review

    Adam Scott gets creeped out exploring eerie Irish hotel in Hokum

    Alex Bentley
    May 1, 2026 | 1:00 pm
    Adam Scott in Hokum
    Photo courtesy of Neon
    Adam Scott in Hokum.

    There are relatively few actors who can switch back and forth between comedy and drama easily, but Adam Scott is the rare exception. He’s equally as well known for starring in comedy projects like Parks & Recreation, Party Down, and Step Brothers as he is for dramas like Big Little Lies and Severance. He’s going the latter route again in the new horror film, Hokum.

    Scott plays author Ohm Bauman, who’s trying to finish his latest book. In an effort to avoid distractions and also pay tribute to his parents, he retreats to an Irish hotel where his mom and dad spent their honeymoon. Bauman, who is about as stand-offish as you can get, and the staff of the hotel are at odds almost right away, although Bauman finds a kind of kinship with Jerry (David Wilmot), a seemingly-homeless man he meets in a nearby forest.

    Bauman becomes intrigued with the story of the hotel’s closed-off honeymoon suite, which is said to be haunted. His curiosity, though, seems to trigger a variety of strange things, one of which ends with him in an extended stay at the hospital. He returns to the hotel determined more than ever to discover what’s really happening in the honeymoon suite, with things both normal and supernatural blocking his way at every turn.

    Written and directed by Irish filmmaker Damian McCarthy, the film’s approach to horror is both subtle and overt. On the good side is Bauman’s story, which gradually gets deeper as more is revealed about his past, especially the premature death of his mother. Bauman’s trauma over her loss influences his thinking and actions, and a possible connection between his current situation and his personal history broadens the scope of the plot.

    There is plenty of creepiness to be found in the film, starting with the dark and decrepit nature of the hotel itself. Any building where a particular room is off-limits naturally inspires intrigue, and McCarthy does a solid job of building tension. That’s why it’s strange and disappointing that he gives in to the lamest of horror tropes - a sudden appearance by an odd-looking person accompanied by a big screeching noise - on multiple occasions.

    The film is at its best when it features weird moments that are never or only slightly explained. A dead body in a rabbit suit is echoed by the unexplained broadcast from Bauman’s youth featuring a terrifying TV host with bulging eyes and rabbit ears. Bauman’s explorations take him into the hotel’s basement via a dumbwaiter, where he encounters all manner of strange things, including what seem to be witches. Because most of these things are left to the audience’s imagination, they hit harder in the moment.

    Scott is known to be understated in his acting, and that skill works well in this particular role. Although he clearly plays Bauman as freaked out, he never indicates panic, and that level-headedness makes his character someone you want to follow no matter how dark the path might be. The mostly-Irish supporting cast is not well-known, but Wilmot and Florence Ordesh make the most of their short time on screen.

    Hokum - a title that is also not explained - is a horror film that earns its bona fides through mood more than action. Even though not much of consequence happens throughout the film, it still keeps you on the edge of your seat trying to figure out what will happen next.

    ---

    Hokum is now playing in theaters.

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