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Weekend Event Planner

These are the 10 best things to do in Dallas this weekend

Alex Bentley
Oct 27, 2016 | 6:00 am

It's Halloween weekend, but that doesn't mean you have to be constrained by spooky events. There are plenty of other things going on, including several big-name concerts, a new air show, a new opera production, one of the last outdoor festivals of the year, and more. By the way, if you are looking for the best Halloween weekend events around Dallas-Fort Worth, you can check them out here.

Below are the best options for your precious free time Thursday through Sunday. Don't like what you see? Lucky for you, we have a much longer list of the city's best events.

Thursday, October 27

Decks in the Park - Halloween Edition
Costumes are highly encouraged at Decks in the Park's annual Halloween Bash. In addition to music from more than seven DJs, guests get a sneak preview of the Red Bull Flying Bach show coming to the Majestic Theatre in January. There's also an after-party at the Foundation Room for those who want to keep the party going.

Celtic Thunder in concert
The new show from international megastars Celtic Thunder, Legacy, celebrates the influence of Irish and Celtic music around the world. It features a mix of lively, fast-paced, and upbeat songs, including “A Place in The Choir,” “Galway Girl,” and “Raggle Taggle Gypsy,” and slower classic ballads like “Danny Boy” and “Noreen." The concert takes place at Verizon Theatre in Grand Prairie.

Friday, October 28

Commemorative Air Force presents 2016 Wings Over Dallas WWII Airshow
The inaugural Commemorative Air Force Wings Over Dallas WWII Airshow commemorates the 75th anniversary of Pearl Harbor and features Tora! Tora! Tora!, an award-winning re-creation of the surprise attack on Pearl Harbor. Dozens of other WWII-era aircraft are being exhibited on the ramp and in the air throughout the event. The show takes place at Dallas Executive Airport through Sunday.

Dallas Symphony Pops Series: Disney's Fantasia Live in concert
If you've never seen Disney’s classic movie, Fantasia (or even if you've seen it a 100 times), seeing it with live symphony accompaniment makes it feel completely different. The Fantasia concerts, presented four times through Sunday at Meyerson Symphony Center, include works from the original 1940 film as well as selections from Fantasia 2000.

Dallas Opera presents Eugene Onegin
Set in late 19th century Russia, innocence and passion collide in the Dallas Opera's latest, Eugene Onegin​. After the aristocratic and arrogant Onegin rejects a country girl's advances, the roles are reversed many years later when the two meet again at a royal ball. The opera plays four times at Winspear Opera House through November 5.

Evanescence in concert
For a band that has only released three official albums, Evanescence have had an outsized impact on the music world. The band, led by Amy Lee, has sold nearly 25 million albums since their 2003 debut, Fallen, featuring the hit, “Bring Me To Life.” They are playing at South Side Ballroom in support of their soon-to-be-released box set.

Saturday, October 29

Frontiers of Flight Museum presents Star Wars Day
Spend the day at Frontiers of Flight Museum on the “dark side” with the 501st Legion and the Rebel Legion “good guys.” The day includes special Star Wars-themed activities, including a red carpet costume contest. Guests get to meet characters from all sci-fi genres, as the Star Wars universe joins forces with the USS Joshua Sci-Fi fan club and the DFW Ghostbusters fan group.

2016 Trinity River Wind Festival
The fifth annual Trinity River Wind Festival, postponed from June, is a day of high-flying outdoor adventure and fun. The event, taking place at the Commerce Street Viaduct, includes the Blackland Prairie Raptor Center and stage show, homing pigeons from Trinity River Audubon Center, Texas Discovery Gardens butterfly display and crafts, performances by kite teams and the Alma y Corazon Tejano Ballet Folklorico, a kid’s fun zone, and more.

The Fray in concert with American Authors
The Fray achieved national success with their 2005 debut album, featuring the hit singles "Over My Head (Cable Car)" and "How to Save a Life," which went double-platinum. Anybody who buys a ticket for this concert at House of Blues Dallas receives a digital download of The Fray's new Greatest Hits Through the Years. They're joined by American Authors.

Sunday, October 30

Stevie Nicks in concert with The Pretenders
If you weren't lucky enough to catch the reunited Fleetwood Mac when they came to town in 2014, you can now see one of their most prominent members, Stevie Nicks, as she revisits her long and storied career. As if that weren't enough, the opening act for the concert at American Airlines Center is another legendary band, The Pretenders, making this the ultimate two-for-one night.

Stevie Nicks plays at American Airlines Center with The Pretenders on October 30.

Stevie Nicks
Photo courtesy of LiveNation
Stevie Nicks plays at American Airlines Center with The Pretenders on October 30.
music event-planner opera concerts festivals families kids symphony
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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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