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    Movie Review

    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy

    Alex Bentley
    Nov 2, 2018 | 1:22 pm
    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy
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    When con artists are depicted in movies, they typically come in the form of suave and sophisticated people who know just the right way to manipulate others so that they get what they want. A much less refined type of scammer is at the heart of Can You Ever Forgive Me?, a movie that is all the richer for her lack of social skills.

    Melissa McCarthy plays Lee Israel, a real-life author who has fallen on hard times in the 1980s. Unable to get momentum for her passion project about vaudevillian Fanny Brice, Israel has to resort to selling things, like a personal letter from Katharine Hepburn, to pay rent. A chance discovery of a real letter by Fanny Brice soon thereafter makes her realize the value of such documents, starting her down a path of celebrity forgery.

    In the midst of her new criminal enterprise, an old acquaintance, Jack Hock (Richard E. Grant), comes back into her life. The two soon become co-dependent in both drinking and life in general, with Jack a little too supportive of Lee’s choice to commit fraud.

    Directed by Marielle Heller and written by Nicole Holofcener and Jeff Whitty, the film is about as unglamorous as they come, starting with the plain and frumpy look of Lee. Everything from her helmet hairstyle to a severely dirty apartment suggests that she has long given up on trying to prove her worth to anybody else.

    That extends to her letter fraud scheme, one that she is able to accomplish almost despite herself. Her interactions with various book dealers throughout New York are so awkward they’re almost comical, with her literary knowledge her only saving grace.

    Lee’s friendship with Jack plays as both entertaining and sad. Their interplay can be highly amusing and they seem to have a genuine connection, but underlying everything is the fact that they are each serving as one of the other’s few lifelines. They are each surviving by the skin of their teeth, and one mistake could send one or both tumbling out of control.

    It’s no exaggeration that this is the best performance of McCarthy’s career. Her Oscar-nominated role in Bridesmaids has made her a go-to comedic actor, but she is better served with a role like this that allows her to slow down and consider every line she delivers. With Grant as an ideal foil, she hits every note perfectly, and should be a contender come Oscar season.

    Can You Ever Forgive Me? is not a showy film, as it mostly deals with the day-to-day life of a woman who can’t seem to get out of her own way. But with fantastic performances and some sneaky humor, it still sits toward the top of the heap of movies in 2018.

    Melissa McCarthy in Can You Ever Forgive Me?.

    Melissa McCarthy in Can You Ever Forgive Me?
    Photo by Mary Cybulski
    Melissa McCarthy in Can You Ever Forgive Me?.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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