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    Movie Review

    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy

    Alex Bentley
    Nov 2, 2018 | 1:22 pm
    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy
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    When con artists are depicted in movies, they typically come in the form of suave and sophisticated people who know just the right way to manipulate others so that they get what they want. A much less refined type of scammer is at the heart of Can You Ever Forgive Me?, a movie that is all the richer for her lack of social skills.

    Melissa McCarthy plays Lee Israel, a real-life author who has fallen on hard times in the 1980s. Unable to get momentum for her passion project about vaudevillian Fanny Brice, Israel has to resort to selling things, like a personal letter from Katharine Hepburn, to pay rent. A chance discovery of a real letter by Fanny Brice soon thereafter makes her realize the value of such documents, starting her down a path of celebrity forgery.

    In the midst of her new criminal enterprise, an old acquaintance, Jack Hock (Richard E. Grant), comes back into her life. The two soon become co-dependent in both drinking and life in general, with Jack a little too supportive of Lee’s choice to commit fraud.

    Directed by Marielle Heller and written by Nicole Holofcener and Jeff Whitty, the film is about as unglamorous as they come, starting with the plain and frumpy look of Lee. Everything from her helmet hairstyle to a severely dirty apartment suggests that she has long given up on trying to prove her worth to anybody else.

    That extends to her letter fraud scheme, one that she is able to accomplish almost despite herself. Her interactions with various book dealers throughout New York are so awkward they’re almost comical, with her literary knowledge her only saving grace.

    Lee’s friendship with Jack plays as both entertaining and sad. Their interplay can be highly amusing and they seem to have a genuine connection, but underlying everything is the fact that they are each serving as one of the other’s few lifelines. They are each surviving by the skin of their teeth, and one mistake could send one or both tumbling out of control.

    It’s no exaggeration that this is the best performance of McCarthy’s career. Her Oscar-nominated role in Bridesmaids has made her a go-to comedic actor, but she is better served with a role like this that allows her to slow down and consider every line she delivers. With Grant as an ideal foil, she hits every note perfectly, and should be a contender come Oscar season.

    Can You Ever Forgive Me? is not a showy film, as it mostly deals with the day-to-day life of a woman who can’t seem to get out of her own way. But with fantastic performances and some sneaky humor, it still sits toward the top of the heap of movies in 2018.

    Melissa McCarthy in Can You Ever Forgive Me?.

    Melissa McCarthy in Can You Ever Forgive Me?
    Photo by Mary Cybulski
    Melissa McCarthy in Can You Ever Forgive Me?.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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