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    Movie Review

    Billy Lynn's Long Halftime Walk is too complex to enjoy fully

    Alex Bentley
    Nov 17, 2016 | 4:30 pm
    Billy Lynn's Long Halftime Walk is too complex to enjoy fully
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    Though it’s not an exact science, movies about war tend to go in cycles. Movies made between 2005 and 2010 were usually critical of the ongoing Iraq and Afghanistan wars, and more recent films like American Sniper and Lone Survivor have celebrated individual heroics while mostly eschewing overt politics.

    Both sides of the aisle are touched upon in the new film Billy Lynn’s Long Halftime Walk, based on the acclaimed novel by Ben Fountain. Set at a Dallas Thanksgiving Day football game in 2004, it follows Billy Lynn (newcomer Joe Alwyn) and his fellow Bravo Company members as they make the final stop on a U.S. tour celebrating their heroics in Iraq.

    Lynn was caught on camera attempting to save the life of a fellow soldier, an image that was said to have inspired many stateside. But for Lynn and his team, being lauded for, as he says, “the worst day of my life,” is a supremely odd experience. Add in being forced to participate in a halftime show with Destiny’s Child, possible PTSD symptoms, and other oddities, and it’s no wonder they feel overwhelmed.

    There’s a lot to keep track of in the film, including the sometimes perplexing camaraderie of Bravo Company; flashbacks to their time in Iraq; an insistence by Lynn’s sister, Kathryn (Kristen Stewart), that he stay home to be tested for PTSD; a Hollywood agent, Albert (Chris Tucker), trying to set up a movie deal for the company; a spark of a relationship with a cheerleader (Makenzie Leigh); and the machinations of Norm Oglesby (Steve Martin), a Jerry Jones-esque figure.

    There’s so much going on, in fact, that it’s a little difficult to make the necessary connections to any of the subplots. That’s part of the point, naturally; Billy is being pulled in so many different directions at once that it’s a wonder he doesn’t have a breakdown every few minutes. But it also makes for a less-than-fulfilling movie experience, as you can only get comfortable for a few minutes before Billy is pulled in a different direction.

    Then there’s the way director Ang Lee chose to shoot the film. The ultra-high frame rate version will only be seen in certain theaters (you can see a version of it at AMC Highland Village on the Parkway 9 in Addison), but the intense reality for which Lee was aiming is clear. At multiple points, he fills the screen with a single actor speaking directly into the camera, an unnerving technique that often seems to have no real purpose.

    Fortunately, Alwyn is up to the task of cutting through everything to the heart of his character. His large, expressive eyes and open demeanor allow him to transform Billy for whatever situation arises. It also helps that he can play off the pure id of squad leader Dime (Garrett Hedlund), whose instinctual and visceral reactions make Billy seem calm and rational in comparison.

    Billy Lynn’s Long Halftime Walk neither glorifies nor condemns the things that arise due to war. It’s an intensely personal journey through the immensely complicated life of one particular soldier, but it could’ve been made a tad less complex in order to make the story work better.

    Joe Alwyn in Billy Lynn's Long Halftime Walk.

    Joe Alwyn in Billy Lynn's Long Halftime Walk
      
    Photo courtesy of Sony Pictures
    Joe Alwyn in Billy Lynn's Long Halftime Walk.
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    Movie Review

    Dark comedy Friendship covers male bonding with copious cringing

    Alex Bentley
    May 16, 2025 | 4:16 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara) and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin - a weatherman at a local TV channel - even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, there are many things in the story that go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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