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    Movie Review

    Killer cast and Steven Soderbergh make No Sudden Move sing

    Alex Bentley
    Jul 2, 2021 | 1:00 pm
    Killer cast and Steven Soderbergh make No Sudden Move sing
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    Although the same could be said about a number of people, there is simply no filmmaker working today like Steven Soderbergh. He has released five movies in the past four years — including one just seven months ago — and not one of them bears any resemblance to the others. He has a unique ability to switch among genres, tones, and types of actors, and still deliver a result that is identifiably his own.

     

    His latest film is the HBO Max original No Sudden Move, a crime movie that falls somewhere between his own Out of Sight and the Coen Brothers’ Fargo. Set in Detroit in 1954, three seemingly small-time crooks — Curt (Don Cheadle), Ronald (Benicio Del Toro), and Charley (Kieran Culkin) — are recruited to do what’s supposed to be a simple heist. Naturally, things don’t go exactly as planned, and the bulk of the film is spent trying to clean up the mess, with double crosses abounding.

     

    And with the killer cast that the film boasts, you never know from where the next bit of duplicity is coming. David Harbour plays an accountant for one of the big three automakers, who’s having an affair with his boss’ secretary. Brendan Fraser plays an intermediary for a crime syndicate. Jon Hamm plays a police officer who may or may not be on the level. Ray Liotta plays a criminal nobody seems to want to work with. Bill Duke plays the leader of another crime syndicate. And a surprise big-name cameo in the film’s third act brings the whole thing together in a fantastic way.

     

    Soderbergh, working from a script by Ed Solomon, has a knack for trying wonky things and making them work. For most of the film, he utilizes a fish-eye lens that distorts the edges of the frame while keeping the center in sharp focus. It’s an unusual technique and there’s no doubt that the effect can be distracting at times. However, the majority of the time it serves its purpose of directing the audience’s attention wherever Soderbergh wants it.

     

    While the story starts off relatively straightforward, it quickly gets complicated, with the various characters creating multiple side plots. The particulars can be difficult to follow, especially when the story tangentially brings up mid-century ideas like automaker collusion and systemic racism. The film is not quite as fun as some of Soderbergh’s other movies, but the personalities of the characters give it some needed lightness.

     

    And those characters get those personalities from the immense talents of all of the performers. Cheadle, ostensibly the lead of the film, plays a character who seems to be older than he is, and he uses a voice and demeanor that shows what a versatile actor he is. The previously mentioned supporting actors and others, including Amy Seimetz, Julia Fox, and Noah Jupe, all deliver standout performances, making it an actors showcase no matter which way you turn.

     

     No Sudden Move is the latest example of Steven Soderbergh figuring out how to work the system for his maximum benefit. Whether his films appear in theaters, on Netflix, or now on HBO Max, the director works fast and efficiently, knowing how to get the most out of his band of actors.

     

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    No Sudden Move is now streaming on HBO Max.

    Don Cheadle and Benicio Del Toro in No Sudden Move.

    Don Cheadle and Benicio Del Toro in No Sudden Move
      
    Photo by Claudette Barius
    Don Cheadle and Benicio Del Toro in No Sudden Move.
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    Movie Review

    Lazy 'I Know What You Did Last Summer' remake hooks nothing but nostalgia

    Alex Bentley
    Jul 17, 2025 | 1:45 pm
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer
    Photo by Brook Rushton
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer.

    When the original I Know What You Did Last Summer came out in 1997, it was riding the coattails of Scream, which came out in 1996. Like that film, it featured hot young actors of the time, albeit with a story that was much more standard than the inventive Scream. Still, it made enough of an impact for some studio executive to think it was worth reviving nearly 30 years later with its own legacy-quel.

    In the new I Know What You Did Last Summer, a group of five high school friends - Danica (Madelyn Cline), Ava (Chase Sui Wonders), Milo (Jonah Hauer-King), Teddy (Tyriq Withers), and Stevie (Sarah Pidgeon) - have reunited at the engagement party for Danica and Teddy on the 4th of July. While on an impromptu trip to watch fireworks on a twisty road in the nearby hills, Teddy goofs off in the middle of the road, causing a truck to swerve and drive off the cliff.

    A year later, having sworn to each other to not speak of the accident to anybody, they start getting stalked by a mysterious person in a fisherman’s slicker carrying a hook. With Teddy’s rich father, Grant (Billy Campbell), actively trying to cover up what his son did (as well as the fallout), it’s up to the group to figure out who is coming after them and how to stop that person.

    Written and directed by Jennifer Kaytin Robinson, and co-written by Sam Lansky, the film doesn’t try to reinvent the wheel; in fact, it barely builds something that can roll. It might just be the laziest and most incompetent attempt to capitalize on an existing piece of intellectual property. There is almost zero effort put into establishing a connection between the members of the friend group, making them feel like strangers for the entire film.

    It doesn’t help that the young male actors in the film - which grows to include Wyatt (Joshua Orpin), a new fiance for Danica - serve no purpose other than to be generically good-looking. The most impactful of the men in the film is the returning Freddie Prinze, Jr., who - along with Jennifer Love Hewitt - has his old character from the first two films shoehorned into the new story. The filmmakers undercut any good feelings from their return by giving them hardly anything to do and then having Hewitt deliver the line, “Nostalgia is overrated.”

    The film as a whole never has a sense of momentum. The inciting incident is so tame - they even attempt to save the driver before the truck goes off the cliff - that the guilt they feel and the anger of the person going after them doesn’t feel warranted. Once the attacks start, it is shocking at how low-energy the sequences are, providing no sense of suspense or thrills. The filmmakers resort to the lamest of horror movie tropes, turning the film into a paint-by-numbers affair.

    Cline (one of the stars of Netflix’s Outer Banks) and Wonders (The Studio on Apple TV+, Bodies Bodies Bodies) are the clear stars of the film, but their characters are made into inert scream queens, negating any acting talent they possess. Hauer-King, Withers, and Pidgeon don’t bring anything interesting to their characters, existing merely to have someone else for the killer to go after.

    Even the worst films can have some kind of redeeming value if you look hard enough, but the only thing I Know What You Did Last Summer has to offer is that it becomes so comically bad by the end that you can’t help but laugh at its ineptitude. Both fans of the original and fans of horror movies in general will feel cheated by the experience.

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    I Know What You Did Last Summer opens in theaters on July 18.

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