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Actor Spotlight

History-making Dallas actress lays out her other dream roles

Lindsey Wilson
Nov 30, 2016 | 5:10 pm

Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

Name: Sally Nystuen Vahle

Role in A Christmas Carol: Scrooge

Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

Hometown: Menomonie, Wisconsin

Where you currently reside: Junius Heights, East Dallas

First theater role: Ngana, the little girl in the musical South Pacific

First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

Special skills: Audio prompting and whitewater canoeing.

Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

Current pop culture obsession: The Walking Dead

Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

Favorite song: "Annie's Song" by John Denver

Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

Favorite food: Pizza

Must-see TV show(s): The Walking Dead

Something most people don’t know about you: I would be very content to live off the grid.

Place in the world you’d most like to visit: India

Pre-show warm-up: Lots of stretching and focus work

Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

Career you’d have if you weren’t in theater: Psychologist

Favorite post-show spot: Lakewood Landing

Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

---

Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

Vahle is a member of the DTC Brierley Resident Acting Company.

Dallas actor Sally Nystuen Vahle
Photo courtesy of Dallas Theater Center
Vahle is a member of the DTC Brierley Resident Acting Company.
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news/arts

GIFTED AND TALENTED

SMU historian Ariel Ron wins prestigious $800k MacArthur genius grant

Brandon Watson
Oct 2, 2026 | 10:36 am
Ariel Ron
Photo courtesy of the John D. and Catherine T. MacArthur Foundation
SMU historian Ariel Ron will receive $800,000 — no strings attached.

Three Texans have been named 2026 MacArthur Fellows, one of the most prestigious honors in the U.S. for artists, scientists, and scholars. Among them is Dallas historian and author Ariel Ron, who directs the Clements Center for Southwest Studies at Southern Methodist University.

San Antonio's Vincent Valdez and San Marcos-based anthropologist Kate Spradley were also on the 2026 list of 20 recipients of the “genius grants” given by the John D. and Catherine T. MacArthur Foundation. Each fellow will receive $800,000 over five years, with no strings attached.

Individuals do not apply for the honor. The grants are awarded via a confidential, multi-step process managed by the foundation, and many recipients express surprise that they were considered for the fellowship.

“While individuals will have a track record of significant achievement, the fellowship is not a lifetime achievement award — it is an investment in a person's originality, insight, and potential,” wrote MacArthur on its website. “The Fellows Program is proactively working to foster and enable innovative, imaginative, and ground-breaking ideas, thinking, and strategies.”

Ron's research focuses on how Northern agriculture shaped economic growth and federal power in 19th-century America. Grassroots Leviathan: Agricultural Reform and the Rural North in the Slaveholding Republic, his 2020 book, challenges the notion of an industrial North versus an agrarian South.

"My approach is to identify and look carefully at things that everyone knows to be important but are somehow too obvious-seeming to look at closely," Ron says in a video on the MacArthur Foundation's website. "If you scratch the surface a little bit, you discover that there are a lot of interesting things that might change the way we think about bigger questions."

Valdez, who splits his time between San Antonio and Houston, is known for large, hyperrealistic drawings and paintings of Mexican American life. More recently, he has turned his focus to broader sociopolitical issues in works like The Strangest Fruit, a series of paintings confronting the lynching of Latinos.

At Texas State University in San Marcos, forensic anthropologist Spradley founded Operation Identification in 2013 — a program that identifies and repatriates the remains of migrants who died along the Texas-Mexico border. She is also a cofounder of the Forensic Border Coalition, which pushes for policy changes at the local and national levels. Spradley is the school’s first MacArthur Fellow.

A full list of the 2026 MacArthur Fellows can be found online.

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