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    Actor Spotlight

    History-making Dallas actress lays out her other dream roles

    Lindsey Wilson
    Nov 30, 2016 | 5:10 pm

    Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

    Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

    This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

    Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Sally Nystuen Vahle

    Role in A Christmas Carol: Scrooge

    Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

    Hometown: Menomonie, Wisconsin

    Where you currently reside: Junius Heights, East Dallas

    First theater role: Ngana, the little girl in the musical South Pacific

    First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

    Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

    Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

    Special skills: Audio prompting and whitewater canoeing.

    Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

    Current pop culture obsession: The Walking Dead

    Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

    Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

    Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

    Favorite song: "Annie's Song" by John Denver

    Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

    Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

    Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

    Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

    Favorite food: Pizza

    Must-see TV show(s): The Walking Dead

    Something most people don’t know about you: I would be very content to live off the grid.

    Place in the world you’d most like to visit: India

    Pre-show warm-up: Lots of stretching and focus work

    Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

    Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

    Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

    When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

    I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

    Career you’d have if you weren’t in theater: Psychologist

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

    Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

    It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

    ---

    Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

    Vahle is a member of the DTC Brierley Resident Acting Company.

    Dallas actor Sally Nystuen Vahle
    Photo courtesy of Dallas Theater Center
    Vahle is a member of the DTC Brierley Resident Acting Company.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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