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    Experimental Film Showcase

    Video Association of Dallas experiments with new mini-fest at the MAC

    Alex Bentley
    Dec 2, 2014 | 1:14 pm

    If you were wondering where all the experimental films were at the 2014 Dallas VideoFest, it turns out that the Video Association of Dallas had something up its sleeve. In January 2015, it will present a new event called Dallas Medianale at McKinney Avenue Contemporary that will give video art and experimental media its own showcase.

    Bart Weiss, head of the Video Association of Dallas, says that the decision to split off the experimental works from the regular festival was borne out of necessity.

    “By having all of the video art and experimental work as part of the regular festival, it got lost, and I didn’t want that to happen,” Weiss says. “So we pulled 98 percent of it out of the fall festival and decided to create its own new event.”

    Dallas Medianale will be a blend of new and old works, ranging from iconic early video art to pieces that radically repurpose obsolete video technology.

    The Dallas Medianale will feature installations, screenings and intermedia performances in the galleries and black box theater of the MAC, showcasing the work of internationally renowned artists working in film and video. It will be a blend of new and old works, ranging from iconic early video art to pieces that radically repurpose obsolete video technology.

    Featured artists include Bruce Naumaen, Joe Sola, Francis Alÿs, Gary Hill, Owen Kidd, John Whitney, James Whitney, Jennifer Reeder, Kyle Evans and James Connolly of Cracked Ray Tube, Sean Miller, Liz Larsen of LZX Industries, William Sarradet, Andrew Blanton, and more.

    Holding the Dallas Medianale at the MAC represents a kind of homecoming for Weiss, who was one of its original founding members. The event, which will have multiple activities continuing through March 2015, will serve as the venue's January exhibit.

    The event is being curated by art writer Charles Dee Mitchell, video art writer Danielle Avram-Morgan, artist Michael A. Morris and artist Carolyn Sortor. The one name missing from that list is Weiss, a situation with which he is wholly unfamiliar.

    “When the bulk of this happened, I was in the middle of preparing the regular VideoFest, and there was just no way I was going to be able to give it the attention it deserved,” Weiss says. “I have to say, it’s really odd for me — I’ve been doing this for 27 years — to not be curating anything.”

    But Weiss will be far from absent during the proceedings. In addition to overseeing the entire event, he'll also act as a DJ during the first weekend, re-creating the club video work he did back in the 1980s with digital media.

    That relatively hands-off approach has given Weiss a new perspective on things and has him excited at what the curators will bring to the table.

    “This really is dealing with Mike Morris’ sensibility and Dee’s sensibility,” Weiss says. “They both are really great with the programming they’re picking, but they are completely different visions of what video art and experimental media are.

    “To have them together is an incredibly cool juxtaposition.”

    Dallas Medianale will feature multiple events, beginning with two days of screenings and performances in the black box space of the MAC on the weekend of January 9. An exhibition of video and film installations in the galleries of the MAC called “Call and Response” will have two openings on January 17 and February 13. Dallas Medianale will close with a special program on March 7.

    Scene from Infinite Leaks in the Memory Palace, also showing as part of Dallas Medianale.

    Infinite Leaks in the Memory Palace
    Photo courtesy of Video Association of Dallas
    Scene from Infinite Leaks in the Memory Palace, also showing as part of Dallas Medianale.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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