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    Queen Nefertari reigns

    New DFW museum exhibition journeys to afterlife with ancient Egyptian queen

    Stephanie Allmon Merry
    Dec 4, 2020 | 10:49 am

    First things first: It's Nefertari, not Nefertiti.

    Her name means "the most beautiful of them all" and "the one for whom the sun shines." She was one of the most educated, influential, and celebrated queens of Egypt, and the beloved royal wife of Pharaoh Ramesses the Great. Most importantly, she is the heart of the Kimbell Art Museum's new exhibition, "Queen Nefertari's Egypt."

    The Fort Worth museum's first new special exhibition since re-emerging from its COVID-19 shutdown opens Sunday, December 6 for a three-month stay.

    The exhibit showcases 230 pieces — including statues, vases, jewelry, papyrus, steles, mummies, wooden coffins, and stone sarcophagi — and celebrates royal women during the height of Egyptian civilization, the New Kingdom Period (1550-1070 B.C.). It explores not just royal wives, but sisters, daughters, and mothers of pharaohs, and even women who were pharaohs themselves.

    The exhibition was organized by the Museo Egizio of Turin, Italy (from which all the pieces are drawn), in collaboration with StArt and the Kimbell.

    “Ancient Egypt has long fascinated the modern world,” says Kimbell director Eric M. Lee, in a release, “and we are thrilled to present this remarkable exhibition that is altogether alluring, grand, exotic, and captivating."

    As organizing curator Jennifer Casler Price emphasized in an exhibition preview, one reason ancient Egyptian women are an enchanting subject now is that they were considered equal to men, some 3,000 years ago. They could own property, operate businesses, and bring cases to court. Yet, they were largely still tasked with running the household and raising children.

    Exhibition pieces such as musical instruments, boxes and jars for cosmetic powders, bronze mirrors, and precious jewelry help illuminate women's roles in daily life, as well as in religion, life in the palace, and their beauty and adornment customs.

    "These astonishing treasures showcase the legacy of these amazing women, whose status often verged on divine," the Kimbell says in the release.

    Why, then, make Queen Nefertari the center of attention?

    Besides the fact that she is one of the most regaled queens of ancient Egypt (alongside Cleopatra, Hatshepsut, and the oft-confused Nefertiti), the discovery of her tomb by Italian archaeologist Ernesto Schiaparelli in 1904 was a monumental find that yielded a trove of ancient Egyptian treasures.

    Nefertari’s tomb was built around 1250 B.C. and contained two chambers connected by descending staircases. "The structure evoked a convoluted path that the deceased had to follow to reach the afterlife," the Kimbell says.

    Its elaborately painted walls earned it the nickname “the Sistine Chapel of Egypt." They depict Nefertari, along with gods and goddesses, animals, and insects and hieroglyphic magic spells, "illustrating the intricate process of passing through the underworld to eternal life," the museum explains.

    A historic wooden model was built following the discovery and is on view in the exhibition. Objects found inside the tomb — and showcased in the display — include fragments of Nefertari’s pink granite sarcophagus lid, a gold and faience amulet in the shape of a djed-pillar (a symbol of stability), wooden shabtis (small figures who could perform manual labor in the afterlife), and a pair of woven palm-leaf sandals (U.S. women’s size 9).

    Veering on the macabre, the exhibition also displays a pair of mummified knees considered Nefertari's only surviving mortal remains.

    The exhibition closes with elaborately decorated human-form coffins from tombs of two sons of Ramesses III, which Sciaparelli also discovered.

    “I hope visitors will appreciate the high level of artisanship in these works,” says Casler Price, “whether it is a majestic carved stone sculpture, an exquisite piece of jewelry, a precious perfume jar, a beautifully painted piece of domestic pottery, a humble painter’s brush, delicately painted papyri, intricately painted coffins, or even a queen’s pair of unassuming palm sandals.”

    ---

    "Queen Nefertari's Egypt" runs December 6, 2020-March 14, 2021 at the Kimbell Art Museum, 3333 Camp Bowie Blvd., Fort Worth. Admission is $14-$18; free for children under age 6. For more information, including a schedule of special events, visit www.kimbellart.org.

    Stela of Nakhi, ca. 1300 B.C.E., made of painted sandstone.

    Queen Nefertari's Egypt
    Photo courtesy of Kimbell Art Museum
    Stela of Nakhi, ca. 1300 B.C.E., made of painted sandstone.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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