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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas theater for December

    Lindsey Wilson
    Dec 6, 2016 | 5:26 pm

    We get it: December is busy. There are parties upon parties, not to mention holiday travel and traditional outings. But there's still room for theater, especially if you need a holiday palate cleanser. Dallas is serving up a variety of shows this month, and not all of them are coated in syrupy seasonal sentiment.

    Here are the 10 shows to see, in order by start date:

    Sister’s Christmas Catechism: The Mystery of the Magi’s Gold
    WaterTower Theatre, December 2-23
    WaterTower newcomer Nonie Newton Riley is on the hunt for the Magi's gold in this holiday mystery, which also mysteriously hints at including the vocal talents of Sarah Elizabeth Price. It's from one of the playwrights of Late Night Catechism, the popular solo show that's part catechism class, part stand-up routine, so expect lots of laughs.

    Holy Bone
    Dead White Zombies, December 1-January 1 (perhaps)
    To try to explain this experimental troupe's latest project is to still not fully understand it. Founder Thomas Riccio promises this to be DWZ's "most ambitious and adventurous performance project" in the company's five-year history, and it's set to play out over the next several months. Where? Well, everywhere. Doing what? Well, everything. The immersive project is co-created with the City of Dallas, and scenes could take place just about anywhere, at any time. The promise is that the project "will grow and be shaped by community responses, interactions, and suggestions. Where it goes, what it will say, and what effect it will have will be shaped by the community."

    Broadway Christmas Wonderland
    Dallas Summer Musicals, December 6-18

    A glittering, high-kicking extravaganza, this holiday revue is a mish-mash of classic tunes ("White Christmas," "Silent Night," "Jingle Bells") and production numbers from a chorus of 24 lithe and leggy dancers. Expect sparkle, expect snow, even expect ice skating.

    Gloria
    Dallas Theater Center, December 7-January 22
    This new play from 2016 MacArthur Fellow Branden Jacobs-Jenkins does what so many other movies, plays, and books love to focus on — the "cutthroat world of magazine publishing." But we're still holding out hope that there's more to this work than a cliché. A small cast of six, lead by Leah Spillman, plays multiple roles in the intimate studio space at the Wyly Theatre, under Christie Vela's direction.

    Black Nativity
    Bishop Arts Theatre Center, December 8-18
    Langston Hughes' poetic and soulful take on the birth of Christ returns, as told through gospel, spirituals, and dance. Written in 1961, the play was one of the first penned by an African American to be performed Off-Broadway and has become a tradition at theaters around the country ever since.

    It's a Wonderful Life, a Live Radio Play
    Firehouse Theatre, December 9-18
    It wouldn't be Christmas without that bell ringing, but there are plenty more aural joys to be found in this innovative take on George Bailey's holiday crisis. A troupe of actors gathers in a 1940s radio studio to bring the well-known story to life, using vocal effects and an original score by Scott A. Eckert. There are a couple of musical cameos too, making it really feel as though you've traveled back in time.

    In a Dark Dark House
    Proper Hijinx Productions, December 9-18
    To round out its first full season, this new company is presenting the regional premiere of Neil LaBute's dark tale of a dysfunctional family. LaBute is hardly warm and fuzzy holiday fare, which is what makes this show so refreshing. Amphibian Stage Productions is lending its stage, and Jeff Burleson, Aaron White, and Madeleine Morris star.

    Nearly Naked Nutcracker
    Broads and Panties Burlesque, December 16-17
    To see a different kind of stocking this season, head to Viva's in the Design District for this sixth annual burlesque take on the holiday ballet. The show — which mixes dance with traditional vaudeville humor — is for mature audiences only, of course, but it's something you should put on your calendar if you want to hang out on the naughty list for a while.

    The Book of Mormon
    AT&T Performing Arts Center, December 20-31
    When the doorbell rings this time, it's not carolers. Instead it's a return engagement of Trey Parker and Matt Stone's award-winning and utterly inappropriate musical about Mormon missionaries. If you somehow missed the blockbuster the other two times it's been here, now's your chance. There are even a limited number of $25 tickets up for grabs with the lottery, which is held an hour-and-a-half before each performance.

    I Love You, You're Perfect, Now Change
    Theatre Three, December 29-February 12
    A new cast has been tapped for the musical romp through male-female relationships, now in its 17th year. Janelle Lutz, Calvin Scott Roberts, Trey West, and Allison Bret will embody young lovers, mature marrieds, and everyone in between as this favorite plays the basement space at Theatre Three.

    The Book of Mormon returns to the Winspear.

    The Book of Mormon national tour 2016
    Photo by Joan Marcus
    The Book of Mormon returns to the Winspear.
    theater
    news/arts

    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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