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    Beach Babies

    Girls make waves — and fall down the stairs — on The Bachelor bikini fest

    Jennifer Chininis
    Jan 22, 2013 | 12:19 am

    Episode three starts with the obligatory working-out scene, so we can get an eyeful of a shirtless Sean. But just wait, ladies. There is more shirtlessness to be had, at the beach, the site of the group date. But first, we must endure the one-on-one date with Lesley M.

    We’ve already seen that Lesley isn’t afraid to lay one on her man while the cameras are rolling, so Sean takes her on a date in which they attempt to set the Guinness world record for longest on-screen kiss.

    Piece of cake, Sean. Give her a real challenge next time, will ya? Naturally, that record-setting lip-locking earns her a rose.

    Next, Sean takes 12 girls to the beach, where they frolic in the ocean, throw the football and have a gay old bikini-clad time. But then host Chris Harrison shows up. The ladies know this can’t be good.

    Competition time. They split up into two teams, and they must duke it out on the sand volleyball court to get quality time with their main squeeze. The girls are neck-in-neck for a while, but, eventually, one team emerges victorious.

    The losers are devastated; model Kristy, who was so confident during the Harlequin photo shoot, suddenly loses it. "I played terrible," she says. "I let everyone down."

    The hot model isn’t so hot at volleyball, it seems. She cries.

    Among the winners is Lindsay, whom you might remember as the drunkard in the wedding gown from the first episode. Shockingly, Sean thinks she is adorable.

    “Oh my gosh. I’m so amazed by you,” she says. “You’re everything I’m looking for.”

    This earns her a kiss. Clearly Sean has forgotten about the wedding gown. (Clearly we have not.)

    Even more amazing is what transpires with Kacie, who thinks she will look like a hero if she tells Sean about the increasing tension between Desiree and Amanda. The bizarro conversation goes something like this:

    I feel like I’ve been punched in the face. I don’t feel like it’s my place, but … I’ve been caught between a rock and a hard spot in the house. ... It’s between Desiree and Amanda.

    Desiree has felt that there is something negative in Amanda that she needs to stay away from. But Desiree and I are friends. So it’s put me in the middle. Desiree has confided in me. There is just different dynamics between the two, and I can’t be myself.

    Of course, Sean asks the obvious question: “Why are you saying something to me? They both seem fine. Neither one of them has said anything to me about it.”

    “And I don’t want to be the person who does,” Kacie replies. “But at the same time, I’m stuck in the middle. So I have to tell you what’s going on.”

    Um, no you don’t.

    “Why are you involving yourself?” Sean asks. “Why focus any of your attention on it, you know?” Good question, dude.

    “My plan just doesn’t seem to be panning out the way I thought it would,” Kacie says later. “This is not what I expected at all. This has been a night I’d prefer to rewind and start again or completely forget about.”

    Poor Kacie. She ought to take some pointers from Tierra, whose drama is somehow endearing, rather than crazy — at least to the one person who counts. Just minutes before Sean’s one-on-one date with AshLee, the personal organizer from Houston, the bachelorettes hear a loud thud. Tumbling Tierra has fallen down the stairs.

    For a brief moment, the girls are worried. But then they just get agitated that her antics caught the attention of The Man. Tierra even refuses treatment by the paramedics; all she needed was to curl up with Sean on the couch. Suddenly, she feels so much better!

    AshLee is not buying it. “I think Tierra is the boy who cried wolf,” she says. “I think that’s her way to grab attention. I’m a smart woman. I can see through it.”

    But AshLee has nothing to complain about, really. She gets her quality time with Sean, at Six Flags Magic Mountain, which they get all to themselves — well, save for two very special girls.

    With help from the Starlight Children’s Foundation, Sean arranges for Emily and Brianna, who both suffer from mitochondrial disease, to join AshLee and him at Six Flags. The girls are best friends, brought together through the foundation’s private social network, but they haven’t had the means to meet in person. Until now.

    I’m just going to stop right here and say that I, too, am smitten by the bachelor and The Bachelor. Contrived or not, the show made it possible for these girls to forget about their disease, at least for a day. And they got to hang with a hot guy and listen to a private concert by the Eli Young Band to boot.

    The moment is not lost on AshLee. “It says a lot about him,” she says. “It shows a great character. And great integrity.”

    She’s a goner for sure. Can’t say I blame her. He’s got game.

    And that’s probably why, back at the house during the rose ceremony, the girls do everything they can to embarrass themselves, by fighting each other for his attention.

    “Girls are being ruthless,” he says. “It makes me nervous. I know the night is running out. I’ve got my hands full.”

    Kacie — sporting some terrible tennis player-meets-hooker get-up — makes a last-ditch attempt to save herself. But the damage is done. In another moment of integrity, Sean walks her out to the limo, to save her from having to sit through the rose ceremony.

    Meanwhile, accident-prone Tierra gets her rose. You got more drama, girl? Bring it.

    Frolicking in the water is fun!

    The Bachelor, Sean Lowe
    Photo courtesy of ABC
    Frolicking in the water is fun!
    unspecified
    news/entertainment

    Movie Review

    Lust eclipses romance in new adaptation of 'Wuthering Heights'

    Alex Bentley
    Feb 12, 2026 | 2:15 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years, each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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