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    What Sure Thing?

    The unthinkable happens on Top Chef Seattle restaurant wars

    Teresa Gubbins
    Jan 17, 2013 | 2:00 am

    In the history of Top Chef, no season has ever telegraphed a winner more clearly than this one, season 10, Top Chef Seattle.

    From the beginning — and especially since the departure of Dallas firebrand John Tesar — cheftestant Kristen has been the shoo-in, the hands-down favorite, the sure thing. Her dishes so perfect, her flavors spot-on.

    This has left us, the viewers, to numbly tally the other chefs, falling like dominos, until her inevitable victory. But there's no drama there — and that brings us to episode 11, part two of restaurant wars, a.k.a. the day the unthinkable happens.

    Kristen is so eager to take the blame for Josie's crappy bouillabaisse that she practically begs the judges to kick her off.

    Hints are dropped early of the shocking conclusion to come. The two teams — the all-girl French concept Atelier Kwan led by Kristen, and the all-boy Filipino restaurant Urbano led by Sheldon — are huddling when "Benedict Arnold" Josie sidles over to the boys to gripe about micromanager Kristen.

    Their conflict deepens when Josie — wearing a helpful red terrycloth headband that says "CHEF JOSIE" — botches her bouillabaisse. She starts it too late, then flubs the sauce. Kristen must serve it without its all-important gelatin. (Is it rude to ask what kind of $%#! bouillabaisse has gelatin?) Brooke diplomatically calls the Josie-Kristen conflict a "clash of styles."

    Brooke has other things on her mind. Make that one thing on her mind: impressing judge Danny Meyer. He's flat and monotonous as a pancake, with a strange, mechanical delivery that makes your skin crawl. But he's a VIP New York restaurateur. As violins play, he'll spot her across the room in her gossamer hostess dress and see her for the credible, talented chef she is. Oh, Danny.

    The judges like the girls' service, but they like the boys' food. They hate hate hate Stefan's Germanic brusqueness. He fails to describe the Filipino balut that Dallas chef Josh Valentine made and, OMG, the moaning and crying and kvetching. It puts them in a total snit. Judges, he's doing you a favor: It's a 24-day old duck embryo boiled in its shell. You don't want to know.

    Besides, Stefan is responsible for the episode's one good line, when he explains his interest in floral arrangements.

    "Everybody thinks that every European is gay, but we just do like flowers," he says.

    In the end, the boys' team wins. That means one of the girls will go home. Do they boot Josie for crappy bouillabaisse? Or do they ax team leader Kristen, so eager to take the blame that she practically begs them to kick her off? Padma The Witch gnashes her teeth at Kristen, and so Kristen is banished from the forest.

    She pats herself on the back for having integrity and marches on to Last Chance Kitchen. Hey, she won a bucket of cash. And we'll surely see her again. These days, with these shows, you always do.

    Judge Tom Colicchio consults with chefs Josie and Kristen.

    Top Chef Seattle, Josh Valentine, Tom Colicchio
    Photo courtesy of Bravo
    Judge Tom Colicchio consults with chefs Josie and Kristen.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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