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Theater Review

The Curious Incident of the Dog in the Night-Time disorients in the best way

Alex Bentley
Jan 13, 2017 | 3:11 pm

Right from the start of The Curious Incident of the Dog in the Night-Time, the Tony Award-winning play running at Winspear Opera House through January 22, the production attempts to disorient the audience. A loud electronic sound comes out of nowhere, thrusting the audience into the confusing world of Christopher Boone (Adam Langdon).

Christopher, an autistic 15-year-old English boy, has discovered his next-door neighbor’s dog dead with a pitchfork sticking out of it. This sight would make anyone out of sorts, but for a person with Christopher’s condition, it’s particularly disturbing. With a mind that needs to make sense of the nonsensical, Christopher sets out to track down the dog’s killer.

His quest, which is discouraged by his father, Ed (Gene Gillette), leads him to interact with many of his neighbors for the first time. With a lack of “proper” etiquette, Christopher manages to unearth more than he intended, including some secrets that might have been better left hidden.

The set, comprised of four electronic screens and multiple square blocks, is as sparse as they come, but it only serves to highlight the confusion that Christopher experiences on a daily basis. Some, if not all, of the actors are almost constantly moving, creating a swirl of activity. When things get especially overwhelming for Christopher, the screens become a mass of images and the sound gets pushed up to extreme levels.

Christopher has a particular predilection toward math, which helps him make order of his life. The screens bring this to life as well, creating his drawings and equations to give a better insight into how his mind works. Also helping is narration by Siobhan (Maria Elena Ramirez), a teacher who reads a book Christopher has written detailing the events in his life.

It all adds up to a deep dive into the brain of someone whose thought processes and actions can be as mysterious as everyone else’s are to him. Christopher’s inability to process emotions normally winds up, ironically, being the driving force behind the play’s biggest emotional moments, as his father and others struggle to connect and communicate with him.

Langdon’s performance is supremely affecting, as his delivery and body movements create a fully realized character. His reactions to and interactions with everything and everyone on stage are engrossing, something that’s particularly important since he is the only character who is in every scene.

Despite some familiar elements, you’ve likely never seen anything like The Curious Incident of the Dog in the Night-Time. Autism is still as baffling as ever, but works of art like this, and the book on which it’s based, help to create avenues for conversation that might not otherwise exist.

Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.

Adam Langdon and cast of the national tour of The Curious Incident of the Dog in the Night-Time
Photo by Joan Marcus
Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.
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Musical Theater

Broadway Dallas launches intimate Club 909 cabaret shows at Fair Park

Alex Bentley
Jul 13, 2026 | 12:00 pm
Reeve Carney
Photo courtesy of Reeve Carney
Broadway star Reeve Carney will be the inaugural performer at Broadway Dallas' Club 909.

Broadway Dallas, which hosts the national tours of Broadway shows, is expanding its offerings with Club 909, an all-new cabaret concept at the Music Hall at Fair Park.

According to a release, the new venue, located in the Music Hall's transformed Crystal Terrace, will open with a performance by Grammy Award winner and Broadway star Reeve Carney, September 3-5.

It marks Broadway Dallas' first dedicated cabaret programming in the organization's 85-year history.

Carney is best known for originating the role of “Orpheus” in the Tony Award-winning musical Hadestown. He is currently starring as “Jay Gatsby” in The Great Gatsby on Broadway.

At Club 909, he will present “Reeve Carney: Broadway Divas," featuring his takes on Broadway's most iconic songs, selections from the Great American Songbook, and original music from his debut album, Youth Is Wasted.

Club 909 will be an intimate venue, seating only 200 guests per evening in a cabaret-style setting complete with full tableside service, including specialty drinks and chef-created light bites. The menu comes from Broadway Dallas' restaurant partner Culinaire.

In addition to the ticket price for the Club 909 show, a $30 food and beverage minimum will be charged per person.

Seating is general admission and includes table and bar seating. A limited number of reserved VIP seats are also available.

Seating is decided on the night of the show at the discretion of house management, the release says. Guests may be seated at shared tables with other attendees, and large parties may not be able to be seated together.

"Broadway Dallas has always believed that musical theater has the power to move, uplift, and connect us, and cabaret is one of the purest expressions of that power," said Ken Novice, President & CEO of Broadway Dallas, in a statement. "Club 909 gives us the opportunity to offer our audiences something deeply personal and intimate"

Tickets for the debut event, which go on sale on Friday, July 17, start at $75 and will be available at BroadwayDallas.org or by calling 800-982-2728.

A very limited number of VIP seats are also available and include a meet and greet with Carney.

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