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    Theater Review

    The Curious Incident of the Dog in the Night-Time disorients in the best way

    Alex Bentley
    Jan 13, 2017 | 3:11 pm

    Right from the start of The Curious Incident of the Dog in the Night-Time, the Tony Award-winning play running at Winspear Opera House through January 22, the production attempts to disorient the audience. A loud electronic sound comes out of nowhere, thrusting the audience into the confusing world of Christopher Boone (Adam Langdon).

    Christopher, an autistic 15-year-old English boy, has discovered his next-door neighbor’s dog dead with a pitchfork sticking out of it. This sight would make anyone out of sorts, but for a person with Christopher’s condition, it’s particularly disturbing. With a mind that needs to make sense of the nonsensical, Christopher sets out to track down the dog’s killer.

    His quest, which is discouraged by his father, Ed (Gene Gillette), leads him to interact with many of his neighbors for the first time. With a lack of “proper” etiquette, Christopher manages to unearth more than he intended, including some secrets that might have been better left hidden.

    The set, comprised of four electronic screens and multiple square blocks, is as sparse as they come, but it only serves to highlight the confusion that Christopher experiences on a daily basis. Some, if not all, of the actors are almost constantly moving, creating a swirl of activity. When things get especially overwhelming for Christopher, the screens become a mass of images and the sound gets pushed up to extreme levels.

    Christopher has a particular predilection toward math, which helps him make order of his life. The screens bring this to life as well, creating his drawings and equations to give a better insight into how his mind works. Also helping is narration by Siobhan (Maria Elena Ramirez), a teacher who reads a book Christopher has written detailing the events in his life.

    It all adds up to a deep dive into the brain of someone whose thought processes and actions can be as mysterious as everyone else’s are to him. Christopher’s inability to process emotions normally winds up, ironically, being the driving force behind the play’s biggest emotional moments, as his father and others struggle to connect and communicate with him.

    Langdon’s performance is supremely affecting, as his delivery and body movements create a fully realized character. His reactions to and interactions with everything and everyone on stage are engrossing, something that’s particularly important since he is the only character who is in every scene.

    Despite some familiar elements, you’ve likely never seen anything like The Curious Incident of the Dog in the Night-Time. Autism is still as baffling as ever, but works of art like this, and the book on which it’s based, help to create avenues for conversation that might not otherwise exist.

    Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.

    Adam Langdon and cast of the national tour of The Curious Incident of the Dog in the Night-Time
    Photo by Joan Marcus
    Adam Langdon and the national tour cast of The Curious Incident of the Dog in the Night-Time.
    reviewstheater
    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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    news/arts
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