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    Smash Hit Returns to the Stage

    Time-traveling rock musical On the Eve flies into Theatre Three

    Lindsey Wilson
    Jan 14, 2014 | 8:41 am

    On January 16, Theatre Three mounts the professional premiere of On the Eve, a homegrown musical about a space cowboy, Marie Antoinette and a time-traveling hot-air balloon (the world's first, in fact).

    The quirky show landed on practically every critic's best-of list when it was workshopped in Fair Park a little over a year ago by Nouveau 47 and Spacegrove Productions. (There was also a staged reading in 2011.) It features the literary talents of Kitchen Dog Theater artistic company member Michael Federico and musical skills of Seth and Shawn Magill, who front local theatrical rock band Home by Hovercraft.

    "We had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn Magill of Home by Hovercraft.

    What is it about On the Eve that captures audiences' imaginations? The score, for starters, which also doubles as Home by Hovercraft's debut album, Are We Chameleons?

    "From the onset, we had a clear vision for the music in the show, wanting it to have that raw and powerful energy you experience in a rock concert setting," says Shawn, a classically trained pianist who leads the onstage band. "We wanted the songs to shed light on our characters with introspective or declarative moments, versus always moving the plot forward physically."

    The theatrical songs incorporate instruments and elements not normally found in a musical — or rock band, for that matter. A tuba, cello and mandolin all figure prominently, as does percussive Irish step dancing performed by Abbey Magill and Shannon McCauley.

    The plot, which tackles politics, religion and revolution, also includes a talking statue, a lonely wife and a crazed scientist. Rather than bewildering audiences, the time-bending tale connected thanks to the intimate and innovative staging.

    "For me," says book writer Federico, "the most exciting part of the process was trying to create a world in which all these disparate elements — music, time travel, impending doom, gender politics, class warfare, etc. — came together to support story and character. Those things are all fun and crazy to take on, but at the end of the day, they're just means to tell what you hope is a good story about interesting characters."

    Says Seth Magill, who plays leading man Chase Spacegrove, "It's hard to relive the open heart and imagination I possessed as a kid, but this show and its people, some of whom have been with us on this ride for over three years now, did just that and more."

    Most of the cast is returning for the professional premiere, as is Theatre Three artistic associate Jeffrey Schmidt. He directed the first time around and is back to steer the ship — er, balloon — to Routh Street.

    "As the director, it's easy to feel isolated and that you're carrying the weight of the entire show on your shoulders," Schmidt says. "However, having an ensemble and production team that is so energetic, earnest and committed to this project, there's never a shortage of ideas and solutions. The trick is to put the ego on simmer and not jump off the train (or out of the balloon)!"

    ---

    On the Eve plays Theatre Three from January 16 to February 16.

    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.

    The musical "On the Eve" played sold-out shows last year in Dallas.
    Photo by Jeffrey Schmidt
    Seth Magill, Ian Ferguson and Martha Harms in On The Eve during its workshop run.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

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