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    Actor Spotlight

    Not even the sky's the limit for this community-minded Dallas actress

    Lindsey Wilson
    Jan 20, 2017 | 4:28 pm

    Being an artist in Dallas-Fort Worth is all about the hustle, says Anastasia Munoz. And she would know. Not only is this actress onstage practically everywhere in town, she's behind the scenes, in a recording booth, and helping build up Oak Cliff with a new co-working and education center.

    She's also gearing up to portray one of history's most determined women, 19th-century astronomer Henrietta Leavitt, in Silent Sky at WaterTower Theatre. It will be the regional premiere of Lauren Gunderson's play, and run January 20 through February 12.

    Before Munoz travels back in time to shake up science, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Anastasia (Tasia) Munoz

    Role in Silent Sky: Henrietta Leavitt

    Previous work in the DFW area: Orlando in Orlando (Stage West), Eurydice in Eurydice (Undermain Theatre), Kate Hardcastle in She Stoops to Conquer (Shakespeare Dallas), Brutus in Julius Caesar (Shakespeare in the Bar), Squeaky Fromme in Mean (Ochre House), Mayella Ewell in To Kill a Mockingbird (Dallas Theater Center and Casa Mañana).

    Hometown: Dallas

    Where you currently reside: Dallas

    First theater role: I was in the chorus of Give My Regards to Broadway in middle school.

    First stage show you ever saw: I saw a church production of The Sound of Music with my grandmother.

    Moment you decided to pursue a career in theater: There have been several moments of devastation and triumph on my path to pursuing a career in the theater. I've had to choose it many times over.

    However, I made a very prudent choice as a second grader, when we were asked to write a paragraph on what we wanted to be when we grew up. I wrote a three-page paper, including all the universities I wanted to attend and all the careers I wanted to have: doctor, marine biologist, archeologist, etc. After reflection, I decided I should probably be an actor, so I might just have the chance to play characters with all those jobs.

    Most challenging role you’ve played: Brutus in Julius Caesar for Shakespeare in the Bar.

    Special skills: Rollerskating! And goal coaching!

    Something you’re REALLY bad at: Keeping up with old out-of-town friends and family members, though I love them so, so, so much and miss them dearly. Henrietta and I may have that in common.

    Current pop culture obsession: Tasty videos.

    Last book you read: Station Eleven

    Favorite movie(s): The Fall

    Favorite musician(s): Beyoncé and Sam Cooke

    Favorite song: "All I Want for Christmas Is You" by Mariah Carey

    Dream role: Kate, Beatrice, Rosalind, Hedda, Blanche ...

    Favorite play(s): Anything by Sarah Ruhl.

    Favorite musical(s): Cabaret

    Favorite actors/actresses: Cate Blanchett and Alan Cumming

    Favorite food: Tacos and barbecue! A brisket taco?! Yaaaaasss! Like a good Texas girl.

    Must-see TV show(s): Game of Thrones, Girls, The Leftovers, Drunk History

    Something most people don’t know about you: My true claim to fame is my anime voice-acting career.

    Place in the world you’d most like to visit: North Africa: Morocco and Egypt.

    Pre-show warm-up: Its different for every show. I imagine this pre-show ritual will consist of standing outside and looking up.

    Favorite part about your current role: Henrietta is a badass #bosslady. She was fearless and bold in a time when she wasn't allowed to be, but that thought never even crosses her mind. I love her. I'm so honored to bring her to life.

    Most challenging part about your current project: I wish I had more time to spend on this project.

    Most embarrassing onstage mishap: I was playing a giant Ukrainian mob boss named Vladimir Komekissme in Coppertone II: The Pope of Chilitown at the Ochre House, and I make a grand entrance right in the last moment of the play and deliver a long monologue, wrapping up the whole show, then launching into the final fight scene.

    The character was a bunraku puppet, so I was dressed all in black including a black mask covering my face, and the puppet was strapped to my body.

    I made my entrance one night and completely forgot my monologue. So I just stood there, blank-faced, unseen by the audience with my puppet mouth held agape and said, "Uh ... um ... soooooo ... I've come to ... kill you all." Then launched into the final battle. It was actually the most amazing end of the show we had all run.

    Career you’d have if you weren’t in theater: I would run an artist co-working and education center in a restored historic church. Which I actually do. I'm the artistic and education director for Arts Mission Oak Cliff, opening in early 2017.

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The best thing about DFW is that you can actually make a living as a working theater artist. You have to hustle hard, but you can do it. We have a vibrant performance art scene. Exciting things are happening in this city, with more to come.

    Most memorable theater moment: I racked my brain trying to think of a memorable acting moment of my own, but the most memorable theater moment would have to be the curtain call of the first middle school production I directed.

    I had been standing in the back, beaming, clapping, and marking all the choreography. It was in the same cafetorium where I performed my first play, and fell in love with theater. The kids were amazing. What I thought was impossible, all came together. The audience rose all around me in a standing ovation. My heart leapt. My eyes leaked. Magic.

    Anastasia Munoz stars in Silent Sky at WaterTower Theatre.

    WaterTower Theatre presents Silent Sky
    Photo by Karen Almond
    Anastasia Munoz stars in Silent Sky at WaterTower Theatre.
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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