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Actor Spotlight

Not even the sky's the limit for this community-minded Dallas actress

Lindsey Wilson
Jan 20, 2017 | 4:28 pm

Being an artist in Dallas-Fort Worth is all about the hustle, says Anastasia Munoz. And she would know. Not only is this actress onstage practically everywhere in town, she's behind the scenes, in a recording booth, and helping build up Oak Cliff with a new co-working and education center.

She's also gearing up to portray one of history's most determined women, 19th-century astronomer Henrietta Leavitt, in Silent Sky at WaterTower Theatre. It will be the regional premiere of Lauren Gunderson's play, and run January 20 through February 12.

Before Munoz travels back in time to shake up science, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

Name: Anastasia (Tasia) Munoz

Role in Silent Sky: Henrietta Leavitt

Previous work in the DFW area: Orlando in Orlando (Stage West), Eurydice in Eurydice (Undermain Theatre), Kate Hardcastle in She Stoops to Conquer (Shakespeare Dallas), Brutus in Julius Caesar (Shakespeare in the Bar), Squeaky Fromme in Mean (Ochre House), Mayella Ewell in To Kill a Mockingbird (Dallas Theater Center and Casa Mañana).

Hometown: Dallas

Where you currently reside: Dallas

First theater role: I was in the chorus of Give My Regards to Broadway in middle school.

First stage show you ever saw: I saw a church production of The Sound of Music with my grandmother.

Moment you decided to pursue a career in theater: There have been several moments of devastation and triumph on my path to pursuing a career in the theater. I've had to choose it many times over.

However, I made a very prudent choice as a second grader, when we were asked to write a paragraph on what we wanted to be when we grew up. I wrote a three-page paper, including all the universities I wanted to attend and all the careers I wanted to have: doctor, marine biologist, archeologist, etc. After reflection, I decided I should probably be an actor, so I might just have the chance to play characters with all those jobs.

Most challenging role you’ve played: Brutus in Julius Caesar for Shakespeare in the Bar.

Special skills: Rollerskating! And goal coaching!

Something you’re REALLY bad at: Keeping up with old out-of-town friends and family members, though I love them so, so, so much and miss them dearly. Henrietta and I may have that in common.

Current pop culture obsession: Tasty videos.

Last book you read: Station Eleven

Favorite movie(s): The Fall

Favorite musician(s): Beyoncé and Sam Cooke

Favorite song: "All I Want for Christmas Is You" by Mariah Carey

Dream role: Kate, Beatrice, Rosalind, Hedda, Blanche ...

Favorite play(s): Anything by Sarah Ruhl.

Favorite musical(s): Cabaret

Favorite actors/actresses: Cate Blanchett and Alan Cumming

Favorite food: Tacos and barbecue! A brisket taco?! Yaaaaasss! Like a good Texas girl.

Must-see TV show(s): Game of Thrones, Girls, The Leftovers, Drunk History

Something most people don’t know about you: My true claim to fame is my anime voice-acting career.

Place in the world you’d most like to visit: North Africa: Morocco and Egypt.

Pre-show warm-up: Its different for every show. I imagine this pre-show ritual will consist of standing outside and looking up.

Favorite part about your current role: Henrietta is a badass #bosslady. She was fearless and bold in a time when she wasn't allowed to be, but that thought never even crosses her mind. I love her. I'm so honored to bring her to life.

Most challenging part about your current project: I wish I had more time to spend on this project.

Most embarrassing onstage mishap: I was playing a giant Ukrainian mob boss named Vladimir Komekissme in Coppertone II: The Pope of Chilitown at the Ochre House, and I make a grand entrance right in the last moment of the play and deliver a long monologue, wrapping up the whole show, then launching into the final fight scene.

The character was a bunraku puppet, so I was dressed all in black including a black mask covering my face, and the puppet was strapped to my body.

I made my entrance one night and completely forgot my monologue. So I just stood there, blank-faced, unseen by the audience with my puppet mouth held agape and said, "Uh ... um ... soooooo ... I've come to ... kill you all." Then launched into the final battle. It was actually the most amazing end of the show we had all run.

Career you’d have if you weren’t in theater: I would run an artist co-working and education center in a restored historic church. Which I actually do. I'm the artistic and education director for Arts Mission Oak Cliff, opening in early 2017.

Favorite post-show spot: Lakewood Landing

Favorite thing about Dallas-Forth Worth: The best thing about DFW is that you can actually make a living as a working theater artist. You have to hustle hard, but you can do it. We have a vibrant performance art scene. Exciting things are happening in this city, with more to come.

Most memorable theater moment: I racked my brain trying to think of a memorable acting moment of my own, but the most memorable theater moment would have to be the curtain call of the first middle school production I directed.

I had been standing in the back, beaming, clapping, and marking all the choreography. It was in the same cafetorium where I performed my first play, and fell in love with theater. The kids were amazing. What I thought was impossible, all came together. The audience rose all around me in a standing ovation. My heart leapt. My eyes leaked. Magic.

Anastasia Munoz stars in Silent Sky at WaterTower Theatre.

WaterTower Theatre presents Silent Sky
Photo by Karen Almond
Anastasia Munoz stars in Silent Sky at WaterTower Theatre.
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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