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Redefining Philanthropy

5 reasons why no Dallasite should miss MTV RE:DEFINE

Kendall Morgan
kendall Morgan
Feb 5, 2015 | 11:47 am

Spring is upon us, so it is merely a moment before your social calendar is packed to the gills with essential events. Before you fill your diary, please pencil in April 10, 2015, for MTV RE:DEFINE at the Goss-Michael Foundation.

Four years in, there’s no doubt it’s a fundraising powerhouse for AIDS research, with nearly $4 million to date benefiting the MTV Staying Alive Foundation.

Easily accessible by the purchase of an all-access DalPass 2015 (which also includes entrance to such tony events as the Art Ball after-party and the Dallas Art Fair opening soiree), MTV RE:DEFINE is a particularly energetic highlight of a very exciting week.

To simplify things, we’ve picked five reasons why this is a must-see, can’t-miss, gotta-go-there, choose-your-outfit-now occasion:

1. The Return to Goss-Michael
There’s no place like home. Although raucous and revered in its guest jaunt at the Dallas Contemporary last year, MTV RE:DEFINE belongs right where it started, at the Goss-Michael Foundation. “We’re going back to the original feel of the event and making it a more intimate affair,” says Goss-Michael curator Kevin Rubén Jacobs. “Last year we raised a lot of money with over 100 works, and we’re looking to raise even more with a smaller amount — 60 or 70 works.”

In other words: all killer, no filler. Dapper Paddle8 founder and auctioneer Alexander Gilkes will return for his second year of charming repartee.

2. The Honoree Artist
To call Michael Craig-Martin a legend wouldn’t be an inaccurate statement. The godfather of British contemporary art, we have him to thank for the likes of Sarah Lucas, Damien Hirst and Gary Hume, to name but a few.

During his time as a tutor at Goldsmiths College in the ’80s, he singlehandedly paved the way for what we now know as the YBA (Young British Artist) generation. Famed for his hyper-colored digital portraits, Craig-Martin’s work can be seen at the Tate London, the Modern Museum of Art in New York and the Centre Georges Pompidou.

While in Dallas, he’ll be launching his new memoir/instructional guide On Being An Artist, a tome of which no Dallas talent should resist nabbing a signed copy.

3. That Host Committee
Supermodels, super entrepreneurs and super collectors are just the start. From art-world movers and shakers to chic boutique owners to elegant editrixes to up-and-coming gallerists, really anyone in the city you’d want to schmooze with is present and accounted for in the nearly 200-strong list of hosts. The only question is, are you ready to join them?

In addition to Dallas’ best and brightest, art chair Elisabeth Karpidas, director of one of the most comprehensive collections of contemporary art in the world and the daughter-in-law of supernova art patron Pauline Karpidas, will be on hand to lend a supportive yet critical eye. The stylish Schlegel sisters — Kari, Krystal and Kimberly — are co-chairing the event.

4. The Covetable Art
Ever felt like getting up close and personal with art by Julian Schnabel, Dan Colen, Loris Gréaud, Richard Phillips, David Salle and Nate Lowman? A well-curated contemporary museum or gallery might help you achieve this goal, but RE:DEFINE allows a greater opportunity to view pieces by these artists and actually take one home — not to mention well-curated works by Donald Baechler, Zoe Crosher, Dzine, Ian Davenport, Phil Collins, Ryan Gander, Rachel Howard, Jason Michael Lee, Richard Patterson, Michael Rey, Adriana Varejao and Aaron Young.

5. The Public Works
Although artist Ben Eine adorned the city during the 2011 RE:DEFINE, this year’s event brings a much more expansive approach to street art, transforming walls by the Dallas Museum of Art, Dallas Contemporary and Le Bilboquet with Craig-Martin’s work. Timed to coincide with both the event and the Dallas Symphony’s Soluna Festival, the 10 pieces will be RE:DEFINE and Craig-Martin’s gift to the city, and they should be up through May.

Michael Craig-Martin is the honored artist at this year's RE:DEFINE.

Artist Michael Craig-Martin
Photo by Mike Hoban
Michael Craig-Martin is the honored artist at this year's RE:DEFINE.
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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