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    Costume Change

    Chagall exhibit at the Dallas Museum of Art reveals the artist's obsessions

    Rachael Abrams
    Feb 14, 2013 | 5:39 pm

    Marc Chagall (1887-1985), the Russian-born French artist, is probably best known for his stained glass windows and whimsical paintings with poignant, humorous and religious undertones. But Chagall was also commissioned to create costumes and backdrops for theatrical performances throughout the world.

    "From the very beginning, Chagall was interested in volume, space and theater," says Olivier Meslay, associate director of curatorial affairs for the Dallas Museum of Art.

    Chagall's costumes and set designs are the centerpieces of "Chagall: Beyond Color" at the DMA, which runs February 17-May 26. The costumes were made for Léonide Massine's ballet Aleko, which first premiered in Mexico City and later in New York in 1942. This is the first time in more than 70 years that these treasures have been unearthed in the United States.

    Other important works in the show include costume sketches from Igor Stravinsky's 1949 New York ballet The Firebird and sketches of the ceiling for the Paris Opera, which André Malraux requested in 1962. In addition, the exhibition includes Chagall's more familiar paintings, ceramics and sculptures.

    Chagall's granddaughter Bella Meyer, who is visiting Dallas for the opening of the exhibit, says that her grandfather met with Massine in 1942 and together they "built the ballet." She says to understand the ballet, "[Chagall's wife] Bella read the plays over and over, and he was always listening to Tchaikovsky."

    Unlike most costume designers, Chagall did the bulk of the work himself. His wife and the stage manager went to the markets in Mexico City and brought back the fabric to Chagall. From there, he went to the Mexican dressmakers to help bring his designs to life.

    "Chagall painted the costumes himself," Meyer says. She points to one of the dresses in the exhibit and says, "This is similar to how my grandmother dressed," alluding to the fact that Chagall's wife added a personal touch to the work. Mexican motifs are also evident in some of the patterns.

    Chagall was known as much for his diligence as for his collaboration. "Chagall sometimes stopped the dancers to add more paint," Mesley says.

    Meyer remembers her grandfather often asking for approval — that he was insecure about his work until someone he loved admired it.

    "He was obsessed by love," Mesley says.

    The final study for the ceiling of the Paris Opera, gouache on paper.

    Chagall, ceiling of the opera
      
    Photo courtesy of James French Photography
    The final study for the ceiling of the Paris Opera, gouache on paper.
    unspecified
    news/arts

    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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