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    Actor Spotlight

    This Dallas actor and Cara Mía Theatre regular sounds like a good husband

    Lindsey Wilson
    Feb 18, 2015 | 8:42 am

    Dallas actor Ivan Jasso has a history of playing non-humans: a Chihuahua, a man-eating plant, an ancient Aztec god and, now, the moon.

    But these are just a testament to his talent onstage, the ability to swing from animal to human, Shakespeare (in both Spanish and English) to Mel Brooks. Next up, the busy actor is playing two roles in José Rivera’s Obie-winning References to Salvador Dalí Make Me Hot at the Latino Cultural Center, presented by Cara Mía Theatre Co. from February 20 to March 8.

    First he’s Benito, the war-scarred husband of the lonely housewife Gabriela. He’s also Gabriela's confidant the Moon, whom she turns to when Benito grows more and more distant. Cara Mía's production will use actors from its artistic ensemble as well as current SMU students, and place the audience onstage to foster an even more intimate experience.

    In advance of Salvador Dalí, Jasso took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Ivan Jasso

    Role in References to Salvador Dalí Make Me Hot: Benito and The Moon

    Previous work in the DFW area: Skippyjon Jones, Mariachi Girl, Don’t U Luv Me?, Junie B. in Jingle Bells Batman Smells, Señora Tortuga (Dallas Children’s Theater); Antony and Cleopatra, Twelfth Night (Shakespeare Dallas); Zoot Suit, Teotl, The Magic Rainforest, Romeo y Julieta, Dreamers: A Bloodline, El Viaje De Tina, Nuestra Pastorela, The House on Mango Street, Crystal City 1969 (Cara Mia Theatre Co.); Working: A Musical, Angels Fall, The Night of the Iguana (Contemporary Theatre of Dallas); The Producers (Uptown Players); Long Way Go Down (Kitchen Dog Theatre); 42nd Street (Garland Summer Musicals).

    Hometown: Dallas

    Where you currently reside: Mesquite

    First theater role: A wolf and a prince in a middle school production called Magic To Do. It was written by the director with help from the students.

    First stage show you ever saw: I don’t really remember what it was. The first clear memory I have is Comic Potential at Theatre Three.

    Moment you decided to pursue a career in theater: I have a memory of making a quick change offstage during one performance of the previously mentioned middle school production, Magic To Do, where I realized “Hey, this is fun! I want to do this more!” I never did theater in high school. But the moment I made the decision was after a calculus class in college.

    I was going to be an electronic engineer at first, but it just didn’t feel right. So that afternoon, I decided to change paths and continue finding that joy I had found years before. And it’s still fun.

    Most challenging role you’ve played: Jose Angel in Crystal City 1969

    Special skills: Patience, growing facial hair, creating a meal from whatever ingredients are left in the fridge and pantry.

    Something you’re REALLY bad at: Leaving dirty socks on the floor.

    Current pop culture obsession: Comic book-related things (movies, TV shows, articles, etc.). And playing Clash of Clans.

    Last book you read: Prey by Michael Crichton

    Favorite movie(s): The Goonies, Scott Pilgrim vs. The World, The Shawshank Redemption, From Dusk Till Dawn, Pulp Fiction (or any Tarantino flick), Tombstone, Back to the Future trilogy, Who Framed Roger Rabbit, Star Wars (IV, V, VI), The Dark Knight, most of the Marvel Comics films, Goodfellas, The Fifth Element, Tropic Thunder, and many more.

    Favorite musician(s): The Beatles, Led Zeppelin, The Roots, Los Lobos, Prince, Jack White, Mariachi Vargas de Tecalitlan, Jimi Hendrix, Michael Jackson, James Brown, The Black Keys, Justin Timberlake, Kanye West, Timbaland, Dr. Dre, RZA, Billy Joel, Outkast, Elton John.

    Favorite song: Depends on the mood and the moment.

    Dream role: Again, I don’t know if there is just one. I’ve always wanted to play Usnavi in In The Heights, or Iago in Othello, or Danny in Danny and the Deep Blue Sea.

    Favorite play(s): Danny and the Deep Blue Sea, Top Dog/Underdog, The Motherfucker With The Hat, Othello, Macbeth, Zoot Suit, Gruesome Playground Injuries

    Favorite musical(s): Little Shop of Horrors, In The Heights, The Book of Mormon, Dr. Horrible’s Sing Along Blog, Into The Woods, Urinetown, City of Angels

    Favorite actors/actresses: Benedict Cumberbatch, Emma Stone, Leonardo DiCaprio, Tilda Swinton, James McAvoy, Edward Norton, Michael Keaton, Bryan Cranston, Kristen Wiig

    Favorite food: All of it!

    Must-see TV show(s): Black Mirror, Key and Peele, Parks and Recreation, Breaking Bad, Lost, Archer, The Office, Sherlock, New Girl

    Something most people don’t know about you: My first language was Spanish, so I had a bit of an accent when I spoke English. When I began studying theater and film, I had to practice vocal exercises to neutralize my English.

    Place in the world you’d most like to visit: Australia

    Pre-show warm-up: Depends on the show. Usually includes leg and back stretches. Some vocal articulation warm-ups. If I have to sing, I play vocal warm-up tracks in my car on the way.

    Favorite part about your current role: I get to play opposite my wife (Stephanie Cleghorn Jasso).

    Most challenging part about your current role: Working out to feel and look the part.

    Most embarrassing onstage mishap: I was doing Guys and Dolls and the crotch of my pants split open during a stretch five seconds before the curtains went up for the big dance number. I don’t think any audience members noticed, but would they have mentioned it?

    Career you’d have if you weren’t in theater: I’d like to think firefighter.

    Favorite post-show spot: Home with the wife relaxing.

    Favorite thing about Dallas-Forth Worth: It’s my home.

    Most memorable theater moment: Opening night, during the curtain call of Crystal City 1969. Most of the theater was packed with folks from Crystal City, Texas. A lot of them had lived through the events portrayed in the play. Some were watching themselves portrayed on stage.

    There was an incredible energy emitting from all the people. I had never felt that before! Tears formed as that energy surged through me and the rest of the cast.

    Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.

    References to Salvador Dali Make Me Hot
    Photo by TZOM Films
    Ivan Jasso (right) and his wife, Stephanie Cleghorn Jasso, in References to Salvador Dali Make Me Hot at Cara Mía Theatre Co.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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