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    Season announcement

    Texas Ballet Theater steps right up to 'Cirque' world premiere next season

    Stephanie Allmon Merry
    Feb 28, 2022 | 12:15 pm
    Choreographer Garrett Smith’s Imbue will be performed as part of "Modern Masterpieces."
    Choreographer Garrett Smith’s Imbue will be performed as part of "Modern Masterpieces."
    Photo by Amitava Sarkar

    Texas Ballet Theater's 2022-2023 season will fly high in its first "Cirque"-style presentation, then tumble down the rabbit hole for Alice in Wonderland.

    The nonprofit dance company's new season, announced February 28, includes a world premiere, mixed repertoire performances, and classic favorites like The Nutcracker — spread out, per tradition, across Fort Worth and Dallas.

    “The season truly has something for everyone,” says TBT artistic director Ben Stevenson in a release. “It is full of fantasy and engaging stories, presented by our talented company of dancers. The whole family can come and enjoy the ballet all season long.”

    The season opens with Cirque du Ballet, described as "a world premiere production featuring an array of characters and choreography from the world’s most popular ballets." Stevenson will choreograph the production, running at Dallas' Winspear Opera House from September 16-18, 2022, then at Fort Worth's Bass Performance Hall from September 30-October 2, 2022.

    Next comes the annual blockbuster production of Stevenson's The Nutcracker. The holiday favorite will first play at Winspear Opera House, November 25-December 4, 2022, before a run at Bass Hall, December 9-24, 2022.

    Lucky Fort Worth gets the one-night-only, pop culture-filled parody ballet The Nutty Nutcracker, presented at Bass Hall December 16, 2022.

    Spring 2023 brings "Modern Masterpieces," a mixed repertoire production featuring Stevenson’s Bartok and Image, as well as choreographer Garrett Smith’s Imbue. (TBT canceled its in-person presentation of Bartok/Image/Imbue in 2020 because of COVID-19.) The production will run at Wyly Theatre in Dallas from February 24-26, 2023, then at Bass Hall the following month, March 17-19, 2023.

    The season will close with the return of Stevenson’s Alice in Wonderland, which follows the classic children’s story but introduces a unique element not typically seen in ballet — dialogue and narration by characters. The show will take the stage at Winspear Opera House on May 19-21, 2023, then move to Bass Hall on May 26-28, 2023.

    Mix-and-match season packages are on sale now on the TBT website and 877-828-9200 (option 1). Single tickets go on sale July 5.

    Choreographer Garrett Smith’s Imbue will be performed as part of "Modern Masterpieces."

    Texas Ballet Theater, Imbue
    Photo by Amitava Sarkar
    Choreographer Garrett Smith’s Imbue will be performed as part of "Modern Masterpieces."
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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