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    Actor Spotlight

    Dallas actor who plays LBJ likes a challenge, not a kale smoothie

    Lindsey Wilson
    Mar 2, 2016 | 12:15 pm

    Brandon Potter wasn’t originally cast as our 36th president in All the Way, a co-production between Dallas Theater Center and Houston’s Alley Theatre. But when the first actor had to step down for medical reasons, Potter found himself in the spotlight.

    For the Brierley Resident Acting Company member, who has been consistently earning good notices for his supporting roles, it’s a chance to make his mark as a leading man. Potter recently played Richard III for Shakespeare in the Bar, and he more than proved his star quality then.

    Before All The Way opens in Dallas on March 3 at the Wyly Theatre, after previously playing Houston, Potter took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Brandon Potter

    Role in All The Way: Lyndon Baines Johnson

    Previous work in the Dallas-Forth Worth area: King Lear, A Christmas Carol, The Book Club Play, Sense and Sensibility at Dallas Theater Center

    Hometown: Weatherford, Texas

    Where you currently reside: Knox-Henderson in a super-cute apartment with my amazing wife, Ardis Campbell, and my stupid cat, Toots.

    First theater role: Harmony Rhodes in Weatherford High School’s production of Daddy’s Dyin’ Who’s got the Will? The whole show was double cast except for my role, which meant I got to kiss two different casts of girls.

    As a 14-year-old boy, I thought I had beat the system. Little did I know I was just working twice as hard.

    First stage show you ever saw: One of the King Johns or maybe one of the Henrys. It was Shakespeare Dallas, and it was bloody!

    Moment you decided to pursue a career in theater: It was in high school. I realized I could fulfill my elective by either sharing a shower with a bunch of football players, or by sharing a dressing room with a bunch of theater chicks. I chose wisely, I think!

    Most challenging role you’ve played: LBJ

    Special skills: Oh, I don’t know if I have any skills that are truly special. I can, however, get super interested in one thing and pursue it doggedly no matter how bad I am at it. I think this is something most creative people do. It leads to being able to do neat party tricks like juggling and handstands, and being able to play a few tunes on the piano or standup bass.

    There was a while a year or two ago when I was able to a back handspring. It always weirded people out to see a pudgy bald guy bust out some gymnastics.

    Something you’re REALLY bad at: REALLY bad at, huh? The all-caps REALLY puts the pressure on to find the thing that I’m on record for being the worst at.

    Ooooh, I know! There was this one time I talked my way into being a copywriter at this super hip Internet startup in SoHo back in New York. I was TERRIBLE at it. ALL CAPS TERRIBLE. About a week into the job I realized that I was out of my league. It took them another week to come to the same conclusion.

    Current pop culture obsession: The Expanse. Best sci-fi TV show in years.

    Last book you read: Indomitable Will by Mark K. Updegrove

    Favorite movie(s): I like too many of ’em. Last one I watched that I really loved was The Witch. Saw that tonight with my wife. Had to scoop my jaw up off the floor when we left the theater. Before that, Holy Mountain or maybe Badlands. Geez, I like too many of ’em.

    Favorite musician(s): Been listening to a lot of Disco Doom and Ghost these days. I always come back to Tom Waits, though. Who doesn’t?

    Favorite song: I can almost always to listen to “Angel of Death” by Slayer.

    Dream role: Hickey in The Iceman Cometh

    Favorite play(s): Most of Shakespeare. I wish I had some new cutting-edge play to plug here, but, dang, Billy Shakes is the best.

    Favorite musical(s): Maybe a Disney thing? Robin Hood? That whistling chicken is pretty cool!

    Favorite actors/actresses: I saw Brian Cox in Super Troopers, then in a Stoppard play, then in 25th Hour. That dude is a stone cold master. Yep, I’m going with Brian Cox.

    Favorite food: Cows. I wish that something with a soul didn’t have to die in order for me to have satisfying meal. But that’s just not true. Not now.

    Maybe one day I’ll grow to love kale smoothies and couscous. But that day is not today.

    Must-see TV show(s): Deadwood and Game of Thrones are probably my favorites. Love me some genre drama!

    Something most people don’t know about you: I had my own Taekwondo studio when I was 14. I was a black belt and everything!

    Place in the world you’d most like to visit: Gotta go to rural Japan sometime. Not robot-’splosion-future-Japan, but cherry-blossom-silent-shrine-Japan.

    Pre-show warm-up: I gotta stretch. Especially my spine. Then I do text from the play. I do jumping jacks and push-ups. And I gotta walk onstage and speak before the play, before the house is open. Oh! And coffee. Gotta have some coffee before the show.

    Favorite part about your current role: I like playing characters who own the world; they’re always at home. I also like playing characters who are backed into a corner; they’ll do anything to survive. LBJ is all of that stuff — and he’s funny to boot.

    Most challenging part about your current project: Doing the makeup before every show. I’m an actor, not a painter!

    Most embarrassing onstage mishap: This one time I was singing a song out in the house, and the crotch of my costume caught on the set. I turned to walk away and the entire front of my pants ripped away. I was both singing and flashing my underwear to audience members who were less than a foot away.

    I tried to run offstage singing with a smile on my face, but the fabric was still stuck to the set, so I was trapped. I had to sing and unsnag myself while the audience averted their eyes from my freshly exposed boxer briefs.

    Career you’d have if you weren’t in theater: Carpenter. I like working with my hands.

    Favorite post-show spot: Old Monk or up in that bed with my lady and my cat.

    Favorite thing about Dallas-Forth Worth: DFW is big enough and cosmopolitan enough that it competes on the national or global level in a variety of fields. But it’s not so huge that it feels anonymous or impersonal. That’s a tough balance.

    I’ve lived a few places, and DFW passes my Goldilocks test.

    Most memorable theater moment: I got to see James Gandolfini, Jeff Daniels, Hope Davis, and Marsha Gay Harden do God of Carnage. It was one of those unintentional master-class moments. That was when I realized that every actor has their own style, and that’s okay.

    ---

    All the Way plays March 3-April 3 at the Wyly Theatre.

    Brandon Potter stars at Lyndon Baines Johnson in All The Way at Dallas Theater Center.

    Brandon Potter in All The Way
    Photo by Karen Almond
    Brandon Potter stars at Lyndon Baines Johnson in All The Way at Dallas Theater Center.
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    A good listen

    Dallas Symphony and Fabio Luisi release landmark Wagner 'Ring Cycle' set

    Associated Press
    Jun 10, 2026 | 2:00 pm
    Fabio Luisi conducting the Dallas Symphony Orchestra
    Photo courtesy of Dallas Symphony Orchestra
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    Fabio Luisi wanted his Ring Cycle to be heard and not seen.

    Wagner’s four-opera epic Der Ring des Nibelungen, approaching the 150th anniversary of its premiere in 1876, has been reinterpreted and deconstructed by directors finding various meanings in the conflicts among gods, humans, giants and dwarfs.

    While most new recordings are on video, Luisi led his Dallas Symphony Orchestra in concert performances that were released on 13 compact discs by Delos on May 22 and are available on streaming services.

    “Wagner conceived this as a total immersion in visual and acoustic, but I could focus really only on the music, and this was the point actually — not to be distracted by staging and not to have to cope with maybe strange ideas of staging,” Luisi said. “I think the music tells everything.”

    Luisi became DSO music director in 2020 and broached the idea while dining two years later with (the now late) Morton H. Meyerson, a longtime board member.

    “Fabio came back from lunch sort of giddy but sort of sheepishly saying: `Do you think that this would ever be possible?” recalled Kim Noltemy, the Dallas CEO at the time. “So, I said, well, let’s give it a try. So, we called around to see if there were people who wanted to support it and did a budget.”

    After securing a waiver from the orchestra allowing for the needed rehearsals and performance length, recordings were made during four concerts from May 1-5 and six more from Oct. 5-20. Each opera was performed two or three times.

    Americans in cast fill big roles
    American singers featured prominently, with Mark Delavan as Wotan, Lise Lindstrom as Brünnhilde and Sara Jakubiak as Sieglinde, part of a cast that included Christopher Ventris (Siegmund), Daniel Johansson (Siegfried), Deniz Uzun (Fricka), Tómas Tómasson (Alberich), Michael Laurenz (Mime) and Stephen Milling (Hagen).

    Delavan sang Wotan at New York’s Metropolitan Opera in 2013 after Luisi took over from an ailing James Levine in Robert Lepage’s much-maligned production staged on a 45-ton set of 24 rotating planks.

    “We’re accessible and they know that we’re hungry and we have a chip on our shoulders,” Delavan said. “What conductors like about American singers is their technique is sound. Even a European conductor would say: Well, I’m going to give up some of the communication skills, only one degree of separation with the language, but I’m going to get a solid technique, and I’m going to get pretty good acting chops.”

    Lindstrom has been in Atlanta to sing in its production of “Götterdämmerung,” the concluding night of the tetralogy, leading to what is being billed as the first complete Ring Cycles in the America South in 2029.

    “The wonderful thing about it is the intimacy between the orchestra and us, because we’re not separated by a chunk of stage or a chunk a scenery or a chunk of concept,” she said of the Dallas performances. “And for people like me, who have had the opportunity to perform the role before, I have all those iterations to rely on for my portrayal that I can sort of filter myself through.”

    A younger Luisi listened to famous renditions
    Luisi, 67, first heard a Ring recording in Georg Solti’s famous studio set with the Vienna Philharmonic from 1958-65. He also admires Karl Böhm’s live recording from the 1967 Bayreuth Festival and Marek Janowski’s 1980-83 studio version with the Staatskapelle Dresden.

    He first conducted Ring when he was music director of Dresden’s Semperoper from 2007-10. Luisi’s Dallas performances include more legato and softer sound than his rendition a decade earlier at the Met. He tries to keep an arc from the first notes of “Das Rheingold” to the final strains of “Götterdämmerung.”

    “I have a deeper understanding about the meaning of this piece,” he said. “I consider the ring to be a big Bruckner symphony. So we have the introduction, then we have the first movement, this is “Walküre,” which happens to be a slow movement, and then we have the scherzo, which is “Siegfried,” of course, and then the long, long, last movement. There is a unity.”

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