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    Chef News

    Dallas chef Kenny Bowers does (charitable) painting on the side

    Steve Miller
    Jul 26, 2024 | 3:51 pm
    Kenny Bowers painting

    "Beginning to Find Direction" by Kenny Bowers

    dallas.culturemap.com

    When he was in elementary school in suburban Boston, Kenny Bowers — the chef and founder of Dallas restaurants such as Kenny's Wood Fired Grill and Kenny's Burger Joint — loved coloring time, when everyone got crayons and a book, with the wide white pages featuring outlined animals and landscapes.

    But he couldn’t color inside the lines.

    Decades later, Bowers still can’t keep his lines straight. But he’s used his love for art to launch a powerful enterprise, creating a series of paintings that are not only colorful and compelling, but have also earned $52,000 in donations to St. Jude Children's Research Hospital.

    Like many chefs, Bowers possesses a strong creative streak — but it took many years before he found an outlet in painting.

    Longtime Dallas diners remember Bowers' first days at restaurants such as Daddy Jack’s Lobster & Chowder House and Big Fish Little Fish. In 2006, he opened the phenomenally popular Kenny's Wood Fired Grill in Addison, spawning a Kenny's empire: Kenny’s Burger Joint, Kenny’s Italian Kitchen, and Kenny’s East Coast Pizza.

    But he always nurtured that passion for visual art.

    “I have a wild imagination and my mind works in pictures, it’s big-time visual,” Bowers says. “I used to collect art and go to galleries. I'd cooked for so long, and it didn’t light me up as it once did."

    He went to Michael’s and bought supplies, taking the same approach he'd taken with cooking, embarking with no formal training, but fueled by a passion: dabbing and musing, creating and savoring the purity of the experience.

    On a trip to the East Coast on Thanksgiving in 2018, he showed his work to a relative who had a background in art.

    "She said, 'This is very Pollock'," he says. "I had no idea what she was talking about."

    The compliment was lost on Bowers, who researched Jackson Pollock, the abstract expressionist painter known for his vivid canvases with pools and streaks of paint that convey movement and emotion.

    Encouraged, he converted an office in his house to a studio. Painting came to represent something he could do for himself and by himself — for a change.

    “In restaurants, everything you do is to please people,” he says. “It’s a bridge between what you like and what the public likes. There are very few chefs who are doing this for what only they want. But for art, I can do whatever I want. It’s so liberating; I only have to please myself.”

    His next step was to let people see the work, even if he felt certain any nonpartisan viewer would think “it looked like something a five-year-old would do.”

    In late 2020, he hung some of his work on a wall in his Kenny's Wood Fired Grill in Addison. His flagship eatery was upscale, had some room and he figured, correctly, that at least he would get the right eyeballs.

    He's now sold about 150 paintings. Buyers include customers, friends, restaurant industry colleagues, collectors.

    "I have a wall with three paintings hanging at a time," he says. "If people like the painting, they make a donation that goes straight to St. Jude's, and they take the painting home."

    A painting costs about $300 — "or best offer, so people can negotiate, because for some people, that's fun," he says.

    A dedicated website, Kenny Bowers Art, allows followers and collectors to check him out and buy work for sale. He paints every day — oil, acrylic, and mixed media, though mostly acrylic, and he loves nature, particularly flowers and butterflies, which are among his bestsellers.

    "Since I started, I've gone through different phases but I seem to always come back to florals," he says. "I love flowers and the colors, but I also love what they represent: They're resilient. They die, they come back — I've gone through challenges, and I love the idea that you just keep trying."

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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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