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Chef News

Dallas chef Kenny Bowers does (charitable) painting on the side

Steve Miller
Jul 26, 2024 | 3:51 pm
Kenny Bowers painting

"Beginning to Find Direction" by Kenny Bowers

dallas.culturemap.com

When he was in elementary school in suburban Boston, Kenny Bowers — the chef and founder of Dallas restaurants such as Kenny's Wood Fired Grill and Kenny's Burger Joint — loved coloring time, when everyone got crayons and a book, with the wide white pages featuring outlined animals and landscapes.

But he couldn’t color inside the lines.

Decades later, Bowers still can’t keep his lines straight. But he’s used his love for art to launch a powerful enterprise, creating a series of paintings that are not only colorful and compelling, but have also earned $52,000 in donations to St. Jude Children's Research Hospital.

Like many chefs, Bowers possesses a strong creative streak — but it took many years before he found an outlet in painting.

Longtime Dallas diners remember Bowers' first days at restaurants such as Daddy Jack’s Lobster & Chowder House and Big Fish Little Fish. In 2006, he opened the phenomenally popular Kenny's Wood Fired Grill in Addison, spawning a Kenny's empire: Kenny’s Burger Joint, Kenny’s Italian Kitchen, and Kenny’s East Coast Pizza.

But he always nurtured that passion for visual art.

“I have a wild imagination and my mind works in pictures, it’s big-time visual,” Bowers says. “I used to collect art and go to galleries. I'd cooked for so long, and it didn’t light me up as it once did."

He went to Michael’s and bought supplies, taking the same approach he'd taken with cooking, embarking with no formal training, but fueled by a passion: dabbing and musing, creating and savoring the purity of the experience.

On a trip to the East Coast on Thanksgiving in 2018, he showed his work to a relative who had a background in art.

"She said, 'This is very Pollock'," he says. "I had no idea what she was talking about."

The compliment was lost on Bowers, who researched Jackson Pollock, the abstract expressionist painter known for his vivid canvases with pools and streaks of paint that convey movement and emotion.

Encouraged, he converted an office in his house to a studio. Painting came to represent something he could do for himself and by himself — for a change.

“In restaurants, everything you do is to please people,” he says. “It’s a bridge between what you like and what the public likes. There are very few chefs who are doing this for what only they want. But for art, I can do whatever I want. It’s so liberating; I only have to please myself.”

His next step was to let people see the work, even if he felt certain any nonpartisan viewer would think “it looked like something a five-year-old would do.”

In late 2020, he hung some of his work on a wall in his Kenny's Wood Fired Grill in Addison. His flagship eatery was upscale, had some room and he figured, correctly, that at least he would get the right eyeballs.

He's now sold about 150 paintings. Buyers include customers, friends, restaurant industry colleagues, collectors.

"I have a wall with three paintings hanging at a time," he says. "If people like the painting, they make a donation that goes straight to St. Jude's, and they take the painting home."

A painting costs about $300 — "or best offer, so people can negotiate, because for some people, that's fun," he says.

A dedicated website, Kenny Bowers Art, allows followers and collectors to check him out and buy work for sale. He paints every day — oil, acrylic, and mixed media, though mostly acrylic, and he loves nature, particularly flowers and butterflies, which are among his bestsellers.

"Since I started, I've gone through different phases but I seem to always come back to florals," he says. "I love flowers and the colors, but I also love what they represent: They're resilient. They die, they come back — I've gone through challenges, and I love the idea that you just keep trying."

news/arts
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

amon carter museum exhibitions-visual-arts museums statue of liberty
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