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    But no Dracula

    Bold choices and a change of scenery mark the upcoming season at Dallas Theater Center

    Alex Bentley
    Mar 4, 2013 | 5:15 pm

    Dallas Theater Center is known for taking risks with its programming, whether presenting controversial productions, reimagining classics or staging all-new material. The just-announced 2013-2014 season continues that tradition. Four of the seven productions address race relations, one is a world premiere, and a Christmas classic gets a new home and a new adaptation.

    The most-recognizable production in the upcoming season is ​Les Misérables (June 27-August 10, 2014), which couldn't be more relevant because it was just made into a movie for the first time. This will be the first time DTC puts on the musical, and the intimate confines of the Wyly Theatre should make the show even more epic.

    With Fortress of Solitude, Dallas once again gets a leg up on New York in premiering a new musical.

    The four productions that touch on the theme of race relations include the classic A Raisin in the Sun, plus newer shows Clybourne Park, Fortress of Solitude and Oedipus El Rey.

    In fact, DTC is making a distinction between older and newer works, offering patrons the option of buying season tickets in a variety of packages. The full season, dubbed the Theater Lover's Series; the Classic Series, which includes Les Misérables, Sherlock Holmes: The Final Adventure, A Christmas Carol and A Raisin in the Sun; or the Contemporary Series, featuring only newer productions.

    Fortress of Solitude (March 7-April 6, 2014) is especially notable; Dallas once again gets a leg up on New York in premiering a new musical. Working with The Public Theater in New York, DTC presents the world premiere of a show that demonstrates how racial differences impact two close friends in 1970s Brooklyn. Their shared love of comic books helps them navigate the tricky world that they inhabit.

    A Raisin in the Sun (September 13-October 27, 2013) and Clybourne Park (October 4-27) are actually companion pieces. A Raisin in the Sun is partially the story of what happens when an African-American family moves into a predominantly white neighborhood in 1959 Chicago. That neighborhood is Clybourne Park. In the play of the same name — a 2011 Pulitzer Prize winner and the 2012 Tony Award winner for Best Play — the house the family moved into becomes the focus, dramatized in events prior to and after they live there.

    In a move that will perhaps cause the most outcry — at least among sentimentalists — Dallas Theater Center is moving its production of A Christmas Carol (November 21-December 24, 2013) from Kalita Humphreys Theater to the Wyly Theatre. Kalita Humphreys had continued to be the home of the DTC's classic holiday production, even after the center moved into the Wyly in 2009. The change of venue coincides with an all-new version of A Christmas Carol, which promises dramatic special effects and choreography by Joel Ferrell.

    Oedipus El Rey, a "sexy reboot of the legendary classical Greek tragedy" about a Chicano ex-con who sets out on a journey to become the king of South Central LA, runs January 16-March 2, 2014. Sherlock Holmes: The Final Adventure, about Holmes' ultimate confrontation with his adversary, Professor Moriarty, runs April 25-May 25 2014.

    Notably absent from next season's lineup is The Dracula Cycle, which was bumped from the 2012-13 season due to scheduling conflicts with playwright Robert Aguirre-Sacasa, who was busy working on Glee and a new screen version of Carrie. In a statement last fall, DTC artistic director Kevin Moriarty explained the situation thusly:

    In an effort to provide The Dracula Cycle with the utmost attention and care, and to give Roberto time to accomplish the many projects he has under way, we have decided to postpone its world premiere until next season. We are certain Dracula will thrill audiences in Dallas next season and then have a significant future life at theaters across the country for years to come.

    We will be waiting for the thrill.

    Dallas Theater Center will once again present A Christmas Carol, but it will be at the Wyly Theatre instead of Kalita Humphreys Theater.

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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