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    But no Dracula

    Bold choices and a change of scenery mark the upcoming season at Dallas Theater Center

    Alex Bentley
    Mar 4, 2013 | 5:15 pm

    Dallas Theater Center is known for taking risks with its programming, whether presenting controversial productions, reimagining classics or staging all-new material. The just-announced 2013-2014 season continues that tradition. Four of the seven productions address race relations, one is a world premiere, and a Christmas classic gets a new home and a new adaptation.

    The most-recognizable production in the upcoming season is ​Les Misérables (June 27-August 10, 2014), which couldn't be more relevant because it was just made into a movie for the first time. This will be the first time DTC puts on the musical, and the intimate confines of the Wyly Theatre should make the show even more epic.

    With Fortress of Solitude, Dallas once again gets a leg up on New York in premiering a new musical.

    The four productions that touch on the theme of race relations include the classic A Raisin in the Sun, plus newer shows Clybourne Park, Fortress of Solitude and Oedipus El Rey.

    In fact, DTC is making a distinction between older and newer works, offering patrons the option of buying season tickets in a variety of packages. The full season, dubbed the Theater Lover's Series; the Classic Series, which includes Les Misérables, Sherlock Holmes: The Final Adventure, A Christmas Carol and A Raisin in the Sun; or the Contemporary Series, featuring only newer productions.

    Fortress of Solitude (March 7-April 6, 2014) is especially notable; Dallas once again gets a leg up on New York in premiering a new musical. Working with The Public Theater in New York, DTC presents the world premiere of a show that demonstrates how racial differences impact two close friends in 1970s Brooklyn. Their shared love of comic books helps them navigate the tricky world that they inhabit.

    A Raisin in the Sun (September 13-October 27, 2013) and Clybourne Park (October 4-27) are actually companion pieces. A Raisin in the Sun is partially the story of what happens when an African-American family moves into a predominantly white neighborhood in 1959 Chicago. That neighborhood is Clybourne Park. In the play of the same name — a 2011 Pulitzer Prize winner and the 2012 Tony Award winner for Best Play — the house the family moved into becomes the focus, dramatized in events prior to and after they live there.

    In a move that will perhaps cause the most outcry — at least among sentimentalists — Dallas Theater Center is moving its production of A Christmas Carol (November 21-December 24, 2013) from Kalita Humphreys Theater to the Wyly Theatre. Kalita Humphreys had continued to be the home of the DTC's classic holiday production, even after the center moved into the Wyly in 2009. The change of venue coincides with an all-new version of A Christmas Carol, which promises dramatic special effects and choreography by Joel Ferrell.

    Oedipus El Rey, a "sexy reboot of the legendary classical Greek tragedy" about a Chicano ex-con who sets out on a journey to become the king of South Central LA, runs January 16-March 2, 2014. Sherlock Holmes: The Final Adventure, about Holmes' ultimate confrontation with his adversary, Professor Moriarty, runs April 25-May 25 2014.

    Notably absent from next season's lineup is The Dracula Cycle, which was bumped from the 2012-13 season due to scheduling conflicts with playwright Robert Aguirre-Sacasa, who was busy working on Glee and a new screen version of Carrie. In a statement last fall, DTC artistic director Kevin Moriarty explained the situation thusly:

    In an effort to provide The Dracula Cycle with the utmost attention and care, and to give Roberto time to accomplish the many projects he has under way, we have decided to postpone its world premiere until next season. We are certain Dracula will thrill audiences in Dallas next season and then have a significant future life at theaters across the country for years to come.

    We will be waiting for the thrill.

    Dallas Theater Center will once again present A Christmas Carol, but it will be at the Wyly Theatre instead of Kalita Humphreys Theater.

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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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