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    Secret Messages

    Go beneath the surface of Frida Kahlo's paintings with the DMA

    CultureMap Create
    Mar 23, 2021 | 2:07 pm
    "Frida Kahlo: Five Works" at DMA
    See the exhibition in person, then learn more online.
    Photo courtesy of Dallas Museum of Art

    Take an in-depth look at the works on view in "Frida Kahlo: Five Works" and discover more about this pioneering artist's life in the Dallas Museum of Art's new virtual gallery, featuring infrared photography and X-rays that reveal Kahlo's painting process.

    "Frida Kahlo: Five Works" offers a rare chance to explore a selection of works by acclaimed Mexican painter Frida Kahlo. Since Kahlo's death in 1954, her deeply emotional and vibrant paintings have garnered ever-increasing attention, transforming the celebrated artist into a global cultural phenomenon.

    This installation features four paintings and a drawing on loan from a private collection courtesy of the Galería Arvil in Mexico City. Each acts as a vehicle for understanding larger aspects of Kahlo's artistic practice, including her working methods and unique visual language. These works invite us to look closely, exploring their layered meanings and pondering their connections to Kahlo's adventurous life.

    Curated by Dr. Mark A. Castro, Jorge Baldor Curator of Latin American Art, the exhibition is included in the DMA's free general admission.

    Among the most exciting aspects of "Frida Kahlo: Five Works" is an examination of three of Kahlo's paintings conducted by Castro and the DMA's painting conservator, Laura Hartman, using non-invasive imaging techniques such as x-radiography and infrared photography.

    These techniques, which allow us to peer below the surface of Kahlo's works, will offer new insights into how she painted.

    Still Life with Parrot and Flag 1
    In Still Life with Parrot and Flag, an initial planning drawing done in both thin lines and wide ink strokes shows how Kahlo simplified compositional elements in the final painting, especially with regard to shifting the size and shape of the fruits.

    Still Life with Parrot and Flag 2
    The most labored part of the underdrawing shows several adjustments made to the parrot's wing and beak, and changes made to the adjacent mango. The underdrawing observed in each painting made clear that Kahlo had a strong vision for the overall composition of each work, regardless of the subtle changes made in the painting process.

    Diego and Frida
    Infrared photography revealed a small inscription on one of the shells attached to the frame on Diego and Frida. This inscription reads "Recuerdo de Veracruz" and was subsequently covered by red paint, probably by Kahlo herself. Frames like this one would have likely been found in the tourist market of Veracruz; here, it is a special hidden detail that gives us an intimate glimpse into the past life of the object.

    Sun and Life
    The X-ray taken of Sun and Life revealed an exciting evolution observed in the painting: although Kahlo's basic composition was generally set from the underdrawing to the early painting phase, the details evolved significantly in later phases of painting. The plant pods surrounding the sun, for example, largely began closed but opened gradually during the painting process.

    Another interesting discovery is the fetus-like element directly behind the sun, which emerged as Frida finalized the painting, in contrast to the X-ray that reveals a closed pod.

    ---

    "Frida Kahlo: Five Works" is on view at the Dallas Museum of Art through June 20, 2021, on the Atrium Overlook on level four.

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    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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