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    Male Bonding

    Bromance takes center stage at two Dallas theaters

    Lauren Smart
    Mar 28, 2013 | 12:30 pm

    Current productions at two Dallas theater companies cast the spotlight on male bonds, exploring the good, the bad and the awkward. Dallas Theater Center plays it safe with the classic Neil Simon comedy The Odd Couple, while the diamond-in-the-rough company Upstart Productions premieres Apartment Plays, two one-act plays by local director and playwright Bruce Coleman.

    Oscar and Felix have one of the most ubiquitous stage bromances of all time. The warm-and-fuzzy story about two recently divorced men who move in together and strike up a push-me, pull-you relationship remains one of the most highly produced works of contemporary theater nearly 50 years after its debut.

    Director Kevin Moriarty gives the piece a quick-witted treatment, conducting the actors into comedic unison. Not a single moment on stage is wasted. J. Anthony Crane as the masculine, slobby Oscar and Michael Mastro as the OCD, effeminate Felix form a spirited juxtaposition, but the characters to watch are in the supporting cast.

    In The Odd Couple, J. Anthony Crane and Michael Mastro form a spirited juxtaposition. But the characters to watch are in the supporting cast.

    The title character’s poker buddies — played here by Brierley Resident Acting Company members Hassan El-Amin, Chamblee Ferguson and Lee Trull — have enough dynamism to carry the entire show. In the play’s first act, these actors deliver more punch lines than allows an average person to catch a breath, and the entertainment continues for the entire two hours and 15 minutes. Tiffany Hobbs and Mia Antoinette Crowe, who come over for a double date with the boys, also deserve praise.

    Like most Simon plays, The Odd Couple caps off an entertaining night at the theater with a sincere message about humanity. When Oscar throws out Felix, there is a moment in which he seems to understand the value of their human connection — nothing sappy, but a quiet salute to the friendship.

    In the first installment of his Apartment Plays, Coleman attempts a similar moment of catharsis. In A Conversation with a (Potentially) Naked Man, Coleman contemplates a friendship between a gay artist and his straight, but dashingly handsome, nude subject. Although the dialogue is littered with touching moments of vulnerability, it’s overwhelmingly awkward to sit through.

    Actors Aaron Roberts and Marcus Stimac work through the stilted language valiantly, but they are directed at a meandering pace. There is also an inappropriate amount of physical distance between them for such an intimate space.

    By far the stronger piece of the evening, Larry Kramer Hates Me playfully explores gay relationships with a Dickensian twist. Actors Angel Velasco and Gregg Gerardi are at the center of this story of past relationships and social progress. Two weeks into a new relationship, ex-boyfriends begin literally popping up behind couches, like Scrooge’s “undigested bit of beef.”

    While more ex-boyfriends pop out of back rooms and closets, the most compelling character to show up on the scene is LGBT rights activist Larry Kramer (a smart performance by Rick Espaillat). His well-crafted character is given the most insightful monologue of the night, calling attention to the need for ever-more progress on the issues of civil rights.

    The night of plays ends with a beautiful moment between Gerardi and Velasco, where they dream of the life they will share. Although the dialogue in Coleman's plays lacks the polish and wit of Simon's Odd Couple, the underlying message bears as much weight. Both nights of theater explore the importance of friendships, human connection and learning to live with one another.

    ---

    The Odd Couple runs through April 14 at Wyly Theatre. Apartment Plays runs through April 6 at the Green Zone.

    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.

    The Odd Couple at Dallas Theater Center
    Photo courtesy of Dallas Theater Center
    J. Anthony Crane and Michael Mastro in The Odd Couple at Dallas Theater Center.
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    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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