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    New Theater Alert

    Dallas theater vets launch new nonprofit company with a classic twist

    Lindsey Wilson
    Apr 16, 2018 | 5:09 pm
    Gregory Patterson, Joey Folsom, and Bren Rapp for The Classics Theatre Project
    Gregory Patterson, Joey Folsom, and Bren Rapp are giving classics a fresh voice.
    Photo by Chuck Marcelo

    Three Dallas theater pros are determined to make classic works relevant to today's audiences with their new company, The Classics Theatre Project. The group, which will mount 19th and 20th century plays in a way that modern crowds will find accessible, is founded by Gregory Patterson, Joey Folsom, and Bren Rapp.

    Here's why you might know those names:

    • Patterson was a longtime presence at WaterTower Theatre, capping his 40-year career in nonprofit arts management as the Addison organization's managing director. At Classics, he'll serve as executive director.
    • Folsom is an acclaimed actor, producer, and director, known for tackling difficult roles and delivering raw performances. He'll serve as artistic director.
    • Rapp is one of the driving forces behind Fun House Theatre and Film, the youth company that churned out several of the area's best young actors (including current Nickelodeon star Lizzy Green and Rapp's own son, Doak). She'll serve as producing managing director.

    Most recently, Patterson and Rapp helped get a script by Fun House co-founder Jeff Swearingen to Off Broadway, with a presentation in New York. Rapp and Folsom toured Dallas, Chicago, and Los Angeles with the one-man show Lenny Bruce is Back.

    The new company stresses that it's not just for the theatrically savvy, but will focus on finding what is universal in great works and presenting them as publicly viable entertainment. That includes audiences rediscovering them or newcomers seeing them for the first time, and there is also talk of educational outreach.

    "As with all things in life, learning from the past is essential to how we move forward, whether that's listening to the lessons history teaches us or reflecting on the inspiration of great artists." says Patterson. "The classics are the foundation upon which all great pieces of theater find their inspiration, and these works time and time again have proven to have far-reaching relevance."

    The nonprofit group's first production will be an adaptation by local actor/playwright Ben Schroth of Anton Chekhov's The Cherry Orchard, running June 22-July 14 at the Trinity River Arts Center. The goal is mount three productions in its first year.

    "What you have in the leadership of this company are people who have the experience, reputation, and track record ... to launch the project at a starting point it takes some organizations a few years to get to," says Rapp. "That is exciting when at the core is a shared respect, reverence, and desire to honor the classic works that formed each of our, and many others', interest in the arts."

    theateropenings
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

    openingsmuseums
    news/arts

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