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    Season Announcement

    WaterTower Theatre finds a groove with musical-heavy 2019-20 season

    Lindsey Wilson
    Apr 23, 2019 | 12:00 pm
    Elizabeth Stanley and Andrew Samonsky in The Bridges of Madison County
    The musical The Bridges of Madison County is based on the bestselling novel.
    Photo by Matthew Murphy

    UPDATE: The final production will be a concert-style production of the 1960s musical Golden Boy, by Charles Strouse, Lee Adams, Clifford Odets, and William Gibson. It will run from August 20-30, 2020.

    ---

    Shane Peterman, the new artistic director of WaterTower Theatre, is making his love of musicals known. Shortly after replacing a play in the Addison theater's current season with Stephen Schwartz's Godspell, he has made sure that two of the company's five upcoming mainstage productions are musicals, along with another limited-run engagement musical to be announced later.

    The 2019-20 season is quite different from that which was planned by Joanie Schultz last year before she resigned. Peterman came to WaterTower from Lyric Stage, a company that focuses exclusively on musicals.

    "Our goal is simple: to build community through diverse storytelling that is both thought-provoking and entertaining," says Peterman. "Our 24th season focuses on unique stories across generations, emphasizing the importance of diverse backgrounds and the communities from which these stories are told."

    First up is the movie-turned-musical Sister Act, with music by Alan Menken, lyrics by Glenn Slater, and book by Cheri and Bill Steinkellner. This "divine musical comedy" follows disco diva Deloris Van Cartier, who witnesses a murder and is put in protective custody in the one place she won't be found: a convent. Cheryl Denson directs with Adam C. Wright music directing, and it runs October 24-November 10, 2019.

    A co-production with Lone Star Circus is next, just in time for the holidays. Incredible acts ranging from hula hoops to death-defying trapeze stunts are all tied together with a charismatic host and hilarious clowns for Cirque Holidays, running December 5-22, 2019.

    Mary Chase's Pulitzer Prize-winning play Harvey rings in 2020 under the direction of Dick Monday. It follows Elwood P. Dowd, whose best friend is a six-foot, three-and-one-half-inch invisible rabbit named Harvey. Naturally, this worries his socialite sister Veta, who tries to have Elwood committed but ends up in a doctor's care herself after recounting her brother's condition. It runs February 6-23, 2020.

    The astonishing true story of Charlotte von Mahlsdorf forms the basis for Doug Wright's I Am My Own Wife, directed by Ashley Puckett Gonzales. Using more than 30 characters, Wright pieces together Charlotte's captivating and controversial life as a 65-year old German transgender woman who managed to survive both the Nazi onslaught and the repressive East German Communist regime. The Pulitzer Prize-winning, one-person play runs April 16-May 3, 2020.

    Jason Robert Brown's The Bridges of Madison County finishes out the 2019-20 season, directed by John De Los Santos and music directed by Vonda K. Bowling. Based on the bestselling novel and with a book by Marsha Norman, the musical recalls the unexpected affair between Francesca Johnson, a devoted Italian-born housewife, and Robert Kincaid, a roving National Geographic photographer in 1965 Iowa. It runs June 11-28, 2020.

    Five-show season subscriptions range in price from $119-$175 and go on sale starting April 30. The renewal deadline for current subscribers is June 30. If you subscribe or renew by August 1, you can get up to $26 off.

    Individual tickets range from $33-$39 and go on sale in September. For more information, go online at www.watertowertheatre.org or call the box office at 972-450-6232.

    theatermusic
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts
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