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    Theater Shocker

    WaterTower Theatre's artistic director unexpectedly resigns after 2 years

    Lindsey Wilson
    Nov 6, 2018 | 10:21 am

    After only two seasons, Joanie Schultz has resigned as artistic director of WaterTower Theatre. The Addison theater company announced on November 5 that she tendered her resignation to the board of directors on October 23, and will remain in her position through December 31, 2018.

     

    Former longtime WaterTower Theatre artistic director Terry Martin, who resigned in 2016 to head up the fine arts department at Greenhill School, will help with the transition.

     

    "In my two years as artistic director, we have developed award-winning world premieres, produced regional premieres, and presented work that highlights voices of women, people of color, and Texas natives," says Schultz in the release. "WaterTower is a theater with robust community support and is full of promise, and I have decided at this time it is best that I step aside so that the board can reorganize in a way that is best for WTT's future. I am incredibly proud of my leadership, which resulted in the support of diverse artists creating innovative work that speaks to our community. I am thankful for the time I've had here in Addison and I'm grateful to theater practitioners of DFW, as I have cherished my collaboration with the inspiring artists and theaters here in this community."

     

    Schultz's departure is not without controversy. Some supporters found the two seasons that she planned for WaterTower to be too different from the theater's traditional programming.

     

    She began by replacing Stephen Sondheim's Sunday in the Park with George with Ike Holter's Hit the Wall, about the 1969 Stonewall Riots, at the end of the 2016-17 season. Her 2017-18 season included Robert Askins' Hand to God, which according to TheaterJones was the last straw for the Canterbury family, who were the named presenting sponsors of the main stage prior to Schultz's appointment. The theater was renamed the Terry Martin Main Stage at the beginning of October.

     

    At the end of August, managing director Nicholas Even also resigned; he had begun his position shortly after Schultz took up hers. This followed the departure of longtime WaterTower employee Gregory Patterson, who had been the first to fill the newly created MD position after serving as director of development and marketing.

     

    "We as a board have made a commitment to continue building on and protecting the theater's legacy, established in part by former producing artistic director Terry Martin," says board president Grace Daniels in the release. "Martin has graciously extended his willingness to offer guidance during the transition and to help us honor relationships with our long-standing supporters all while continuing to introduce the theater to new audience members. I would also like to thank the leadership of the town of Addison who continue to provide invaluable support and words of advice as we work through this time of transition."

     

    Schultz's own adaptation of Henrik Ibsen's A Doll's House, the first production of her 2018-19 season, closed on November 4.

     

    On her Facebook wall, Schultz wrote, "Nothing is permanent, everything changes, that is the only constant. Every relationship has a lifespan. It turned out that the amount of time I was meant to be Artistic Director of WaterTower Theatre was two years. That doesn’t mean it was a failure, my friends. NOT AT ALL. I’m quite proud of the successes of my time at WTT. Not only did we develop world premieres, new works, regional premieres, we highlighted the work of women and people of color on the WaterTower stage. We developed a community engagement program and a new work festival.

     

    "We created a supportive environment for theatre artists, and the work on our stage reflected that creative energy. And most importantly, I was introduced to the DFW Theatre Community, a well-kept secret of incredibly inspiring artists who are brave, dedicated, and people that I’m proud to call my collaborators and friends. Thank you to my old friends, my new friends, and everyone who have supported me through this journey from beginning to end. I’m grateful to be a theatre artist in this crazy world, to expand my theatre family, and for the adventures I am sure to encounter next!"

     

    Up next at WaterTower Theatre is the return of The Great Distance Home, a movement-based, ensemble-devised work that premiered during the 2017 holiday season.

    Joanie Schultz will leave WaterTower Theatre at the end of 2018.

    WaterTower Theatre artistic director Joanie Schultz
      
    Photo by Joe Mazza
    Joanie Schultz will leave WaterTower Theatre at the end of 2018.
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    Theater Critic Picks

    From Wilde to 'The Wiz': 8 unmissable July shows in North Texas

    Lindsey Wilson
    Jul 2, 2025 | 10:18 am
    Second Thought Theatre presents Your Wife’s Dead Body
    Photo courtesy of Second Thought Theatre
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    Your instinct during the summer might be to hide out in an air-conditioned theater, and there are plenty of options to do exactly this month. But we would be remiss if we didn't remind you about a North Texas tradition: Shakespeare under the stars. Pack a picnic, bring a blanket, and watch The Bard (and this year Oscar Wilde) at Samuell-Grand Amphitheater with Shakespeare Dallas. Both shows opened in June, but continue through most of July.

    Here are eight shows local shows, listed in order of start date:

    The Importance of Being Earnest
    Shakespeare Dallas, through July 18
    This witty romantic comedy by Oscar Wilde, first performed in 1895, tells the story of two men who assume the identities of a fictional man named Ernest. This leads them to each fall in love and encounter an assortment of comical problems along the way.

    Othello
    Shakespeare Dallas, through July 20
    In this Shakespearean tragedy, Othello is at the peak of his powers: not only Venice's greatest general but also husband to the noble and beautiful Desdemona. But he does not know that in passing over his servant Iago for promotion, he has created a deadly but brilliant enemy. This production is set in an alternate-history version of the 1990s in which the Venetian empire is the predominant political, military, and economic power.

    King Kirby
    American Chronicle Theatre Co., July 4-12
    This is the story of Jack "King of Comics" Kirby. The play follows him from the tough Jewish ghetto of Hell’s Kitchen in New York, to the harrowing battlefields of Normandy during WWII, to tense Senate hearings in the 1950s. Watch as he creates some of the most iconic heroes in pop culture: Captain America, Thor, the Fantastic Four, the X-Men, Iron Man, the New Gods, and countless others.

    Your Wife’s Dead Body
    Second Thought Theatre, July 9-26
    Written by Second Though Theatre artistic associate Jenny Ledel in her playwriting premiere, the play takes place in the near future, as Jane takes advantage of a new AI technology that would extend her lifespan ... even if she's not around to see it for herself.

    The Wiz
    Broadway at the Bass, July 15-20
    This all-new production of the groundbreaking, Tony Award-winning musical returns “home” in an all-new pre-Broadway tour, the first one in 40 years. The groundbreaking twist on The Wizard of Oz changed the face of Broadway, from its iconic score packed with soul, gospel, rock, and finger-snapping '70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.

    Noises Off
    Mainstage Irving-Las Colinas, July 18-August 2
    This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance towards the end of a debilitating run. Playwright Michael Frayn gives a window into the inner workings of theatre behind-the-scenes, progressing from flubbed lines and missed cues in the dress rehearsal to mounting friction between cast members in the final performance.

    Everybody's Talking About Jamie
    Uptown Players, July 18-August 3
    Inspired by true events, this musical tells the inspiring story of Jamie New, a 16-year-old boy from Sheffield who dreams of becoming a drag queen. His loving mom showers him with endless support but it's not all rainbows for Jamie as his deadbeat dad and some ignorant school kids attempt to rain on his sensational aspirations.

    Shucked
    Broadway at the Bass, July 29-August 3
    This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

    broadway at the bassmusicalsnational tourplayssecond thought theatreuptown playersshakespeare under starsshakespeare in the parktheater
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