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    Theater Shocker

    WaterTower Theatre's artistic director unexpectedly resigns after 2 years

    Lindsey Wilson
    Nov 6, 2018 | 10:21 am

    After only two seasons, Joanie Schultz has resigned as artistic director of WaterTower Theatre. The Addison theater company announced on November 5 that she tendered her resignation to the board of directors on October 23, and will remain in her position through December 31, 2018.

    Former longtime WaterTower Theatre artistic director Terry Martin, who resigned in 2016 to head up the fine arts department at Greenhill School, will help with the transition.

    "In my two years as artistic director, we have developed award-winning world premieres, produced regional premieres, and presented work that highlights voices of women, people of color, and Texas natives," says Schultz in the release. "WaterTower is a theater with robust community support and is full of promise, and I have decided at this time it is best that I step aside so that the board can reorganize in a way that is best for WTT's future. I am incredibly proud of my leadership, which resulted in the support of diverse artists creating innovative work that speaks to our community. I am thankful for the time I've had here in Addison and I'm grateful to theater practitioners of DFW, as I have cherished my collaboration with the inspiring artists and theaters here in this community."

    Schultz's departure is not without controversy. Some supporters found the two seasons that she planned for WaterTower to be too different from the theater's traditional programming.

    She began by replacing Stephen Sondheim's Sunday in the Park with George with Ike Holter's Hit the Wall, about the 1969 Stonewall Riots, at the end of the 2016-17 season. Her 2017-18 season included Robert Askins' Hand to God, which according to TheaterJones was the last straw for the Canterbury family, who were the named presenting sponsors of the main stage prior to Schultz's appointment. The theater was renamed the Terry Martin Main Stage at the beginning of October.

    At the end of August, managing director Nicholas Even also resigned; he had begun his position shortly after Schultz took up hers. This followed the departure of longtime WaterTower employee Gregory Patterson, who had been the first to fill the newly created MD position after serving as director of development and marketing.

    "We as a board have made a commitment to continue building on and protecting the theater's legacy, established in part by former producing artistic director Terry Martin," says board president Grace Daniels in the release. "Martin has graciously extended his willingness to offer guidance during the transition and to help us honor relationships with our long-standing supporters all while continuing to introduce the theater to new audience members. I would also like to thank the leadership of the town of Addison who continue to provide invaluable support and words of advice as we work through this time of transition."

    Schultz's own adaptation of Henrik Ibsen's A Doll's House, the first production of her 2018-19 season, closed on November 4.

    On her Facebook wall, Schultz wrote, "Nothing is permanent, everything changes, that is the only constant. Every relationship has a lifespan. It turned out that the amount of time I was meant to be Artistic Director of WaterTower Theatre was two years. That doesn’t mean it was a failure, my friends. NOT AT ALL. I’m quite proud of the successes of my time at WTT. Not only did we develop world premieres, new works, regional premieres, we highlighted the work of women and people of color on the WaterTower stage. We developed a community engagement program and a new work festival.

    "We created a supportive environment for theatre artists, and the work on our stage reflected that creative energy. And most importantly, I was introduced to the DFW Theatre Community, a well-kept secret of incredibly inspiring artists who are brave, dedicated, and people that I’m proud to call my collaborators and friends. Thank you to my old friends, my new friends, and everyone who have supported me through this journey from beginning to end. I’m grateful to be a theatre artist in this crazy world, to expand my theatre family, and for the adventures I am sure to encounter next!"

    Up next at WaterTower Theatre is the return of The Great Distance Home, a movement-based, ensemble-devised work that premiered during the 2017 holiday season.

    Joanie Schultz will leave WaterTower Theatre at the end of 2018.

    WaterTower Theatre artistic director Joanie Schultz
    Photo by Joe Mazza
    Joanie Schultz will leave WaterTower Theatre at the end of 2018.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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