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Theater Shocker

WaterTower Theatre's artistic director unexpectedly resigns after 2 years

Lindsey Wilson
Nov 6, 2018 | 10:21 am

After only two seasons, Joanie Schultz has resigned as artistic director of WaterTower Theatre. The Addison theater company announced on November 5 that she tendered her resignation to the board of directors on October 23, and will remain in her position through December 31, 2018.

Former longtime WaterTower Theatre artistic director Terry Martin, who resigned in 2016 to head up the fine arts department at Greenhill School, will help with the transition.

"In my two years as artistic director, we have developed award-winning world premieres, produced regional premieres, and presented work that highlights voices of women, people of color, and Texas natives," says Schultz in the release. "WaterTower is a theater with robust community support and is full of promise, and I have decided at this time it is best that I step aside so that the board can reorganize in a way that is best for WTT's future. I am incredibly proud of my leadership, which resulted in the support of diverse artists creating innovative work that speaks to our community. I am thankful for the time I've had here in Addison and I'm grateful to theater practitioners of DFW, as I have cherished my collaboration with the inspiring artists and theaters here in this community."

Schultz's departure is not without controversy. Some supporters found the two seasons that she planned for WaterTower to be too different from the theater's traditional programming.

She began by replacing Stephen Sondheim's Sunday in the Park with George with Ike Holter's Hit the Wall, about the 1969 Stonewall Riots, at the end of the 2016-17 season. Her 2017-18 season included Robert Askins' Hand to God, which according to TheaterJones was the last straw for the Canterbury family, who were the named presenting sponsors of the main stage prior to Schultz's appointment. The theater was renamed the Terry Martin Main Stage at the beginning of October.

At the end of August, managing director Nicholas Even also resigned; he had begun his position shortly after Schultz took up hers. This followed the departure of longtime WaterTower employee Gregory Patterson, who had been the first to fill the newly created MD position after serving as director of development and marketing.

"We as a board have made a commitment to continue building on and protecting the theater's legacy, established in part by former producing artistic director Terry Martin," says board president Grace Daniels in the release. "Martin has graciously extended his willingness to offer guidance during the transition and to help us honor relationships with our long-standing supporters all while continuing to introduce the theater to new audience members. I would also like to thank the leadership of the town of Addison who continue to provide invaluable support and words of advice as we work through this time of transition."

Schultz's own adaptation of Henrik Ibsen's A Doll's House, the first production of her 2018-19 season, closed on November 4.

On her Facebook wall, Schultz wrote, "Nothing is permanent, everything changes, that is the only constant. Every relationship has a lifespan. It turned out that the amount of time I was meant to be Artistic Director of WaterTower Theatre was two years. That doesn’t mean it was a failure, my friends. NOT AT ALL. I’m quite proud of the successes of my time at WTT. Not only did we develop world premieres, new works, regional premieres, we highlighted the work of women and people of color on the WaterTower stage. We developed a community engagement program and a new work festival.

"We created a supportive environment for theatre artists, and the work on our stage reflected that creative energy. And most importantly, I was introduced to the DFW Theatre Community, a well-kept secret of incredibly inspiring artists who are brave, dedicated, and people that I’m proud to call my collaborators and friends. Thank you to my old friends, my new friends, and everyone who have supported me through this journey from beginning to end. I’m grateful to be a theatre artist in this crazy world, to expand my theatre family, and for the adventures I am sure to encounter next!"

Up next at WaterTower Theatre is the return of The Great Distance Home, a movement-based, ensemble-devised work that premiered during the 2017 holiday season.

Joanie Schultz will leave WaterTower Theatre at the end of 2018.

WaterTower Theatre artistic director Joanie Schultz
Photo by Joe Mazza
Joanie Schultz will leave WaterTower Theatre at the end of 2018.
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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