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    Season Announcement

    Dallas' Lyric Stage surprises with a season full of change

    Lindsey Wilson
    Apr 28, 2017 | 4:04 pm
    The Hunchback of Notre Dame at La Jolla Playhouse
    Lyric Stage will produce the regional premiere of Disney's The Hunchback of Notre Dame.
    Photo by Kevin Berne

    On the same day that it opens its much-discussed world-premiere musical Quanah, Lyric Stage has announced a new season that's chock full of changes.

    First, founding producer Steven Jones is stepping down and former associate producer Shane Peterman is taking the reins. Peterman is a co-founder, along with his wife, Erica, and Kellie Caroll of the Acting Studio, North Texas' largest independently owned children's theater program. Before that, he worked with theaters all over the country as an actor, director, educator, and producer.

    "Shane has done an outstanding job as associate producer throughout the past three seasons, and I know he will continue as he guides Lyric Stage into the future," says Jones in a release.

    The second bit of news is that Lyric's home this year will not be the Irving Arts Center, but both the Morton H. Meyerson Symphony Center and the Majestic Theatre. The Meyerson makes sense in context of Lyric's first 2017-18 show: Dallas Divas and the Dallas Winds. The world-renowned Winds make their home at the Meyerson, and they will be joined after a 10-year hiatus by the Divas, some of Dallas' best singers. The one-night only show will be September 29, 2017.

    Then Lyric will then move to the Majestic for the regional premiere of Disney's The Hunchback of Notre Dame. Based on Victor Hugo's epic novel, and with a score from the Oscar-winning team of Alan Menken and Stephen Schwartz, the stage version of Disney's animated feature will run November 17-19, 2017.

    An intimate and lovely gem of a musical is next, playing at the Majestic from January 19-21, 2018. Daddy Long Legs is based on the classic novel (which inspired the 1955 movie starring Fred Astaire) about a young orphaned woman and the mysterious benefactor who changes her life.

    Guys and Dolls is the final show of the season, running June 8-10, 2018, at the Majestic. It's also the most traditionally "Lyric" offering, with its classic American Broadway cred and a Frank Loesser score that's just begging for a big orchestra (there is no mention of celebrated music director Jay Dias, and if he will continue under the new leadership).

    Season subscriptions are $175 until June 1, and $195 after that date. Visit www.lyricstage.org or call 972-594-1904 for more information.

    "I’m very grateful to Steven and the community for shaping one of the country’s most prominent musical theater companies," says Peterman in the release. "Not only has Lyric Stage earned a stellar national reputation by holding to its mission, Lyric Stage has also paved the way for many current and future artists with its annual Schmidt & Jones Awards program honoring excellence in high school musical theater. I’m excited to lead this institution as we continue to explore new works and endeavor to restore this uniquely American art form."

    Lyric Stage was founded in 1993 and is dedicated to the development and preservation of the American musical. It gained national fame for its restorations of The King and I, West Side Story, Gypsy, Show Boat, Funny Girl, Bye Bye Birdie, and The Most Happy Fella.

    Further accolades include producing 21 world premiere musicals and two Off-Broadway productions, as well as the first full-length professional recording of The Golden Apple.

    Lyric's production of Carousel, the first to feature a 40-piece orchestra playing the original orchestrations since the original Broadway production closed in 1947, led to Lincoln Center’s Broadway revival of South Pacific with a 30-piece orchestra the following year. Lyric Stage’s restoration of West Side Story was the basis of the 2010 Broadway revival.

    theater
    news/arts

    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

    theaterperforming-arts
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