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    Larger than Life

    Iconic Dallas waterfall billboard gets a backside update from local artist

    Kendall Morgan
    kendall Morgan
    May 17, 2017 | 2:32 pm

    Graphic designer-turned-muralist Kyle Steed has expanded his practice in every sense of the word. Self-employed for the past six years, he has quickly evolved from small projects such as windows at the now-defunct Knox-Henderson boutique Milk & Honey to paintings growing ever larger in scale and ambition.

    Most recently, he crowned the Plaza of the Americas building with a 110 x 30-foot splash of swirling color. So, when Steed was approached to create a piece of art for the backside of Dallas' iconic Coors Light waterfall billboard, he was more than ready for the challenge.

    “I think scale has always drawn me,” says the artist, who also has created murals on the Trinity Strand Trail and in the Bishop Arts District. “I’ve always been drawn to doing stuff larger than outside of a piece of paper or on a computer screen. I also had an appreciation for graffiti growing up in high school — there’s a little bit of a rebellious streak in me that wants to defy the norm.”

    Self-taught, Steed took a circuitous route to becoming a full-time artist. After moving to Texas post-graduation in 2000, he scored a graphic design internship but ultimately decided to enter the military.

    While serving in the Air Force, he indulged his creative impulse with photography, painting, and drawing. Time spent in Japan gave him an appreciation for minimalism and simplicity, hallmarks of his work today. When his time was done in 2007, he moved to Texas with his wife and began exploring the web design world while building a presence for his fine art work on social media platforms like Twitter (where he has 12,000 followers) and Instagram (where he has 150,000).

    He attributes the upward trajectory of his career to “a snowball effect. People see that thing and want you to do something for them.”

    The latest in line was Dustin Lovingood, the vice president of marketing for Monogram Residential Trust, who needed something on the rear side of Harry Hines’ classic waterfall billboard, to brighten the view for residents of the new luxury complex The Alexan.

    “People would say the Coors Light billboard is an icon in the city of Dallas,” Lovingood explains. “We’ve got apartments facing the backside, and that’s not attractive. But then you’ve got the weight of this icon and how do we do it right? There were several artists I considered, but Kyle has such a following and wasn’t intimidated by the scale of this project.”

    For Steed, who spent his childhood in Alabama and North Carolina, the famous billboard was an instant reminder of visiting his father during the Texas summers.

    Since the final piece will be the main view for many of The Alexan’s residents, Steed wanted it to have a special significance. “I was trying to get in touch with these memories I had as a child, and what this billboard meant to me, so I used all these icons and we went through four or five versions of artwork.”

    Ultimately, he landed on an idea inspired by the dichotomy of keeping a sense of peace in a driven, competitive city. The work, printed on vinyl to survive the elements, features figures in red, white, and blue tumbling across a black background, representing two opposing forces meeting in the middle.

    “It’s like Rothko — you look at a piece of his painting that’s minimal, but if you read about what he was dealing with [while] making it, it’s very heady,” Steed says of his work’s layered meaning.

    Being revealed at a private event on May 18, the billboard is visible for non-residents at the intersection of the Trinity Strand Trail with the Katy Trail. Eventually, Lovingood says a restaurant going in that spot will give visitors another reason to stop and take in Steed’s vision.

    As for Steed, he hopes his latest undertaking will have the same effect on its viewers that his other murals have achieved.

    “Art is very subjective, but I hope I get somebody that stops and wants to take a minute to pause and reflect on what it means in their life. Maybe that’s what I hope to do in all my work — give people a moment of pause.”

    Local artist Kyle Steed is producing a billboard that will be visible from the apartments at The Alexan.

    Kyle Steed
    Courtesy photo
    Local artist Kyle Steed is producing a billboard that will be visible from the apartments at The Alexan.
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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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