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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for June

    Lindsey Wilson
    Jun 2, 2022 | 9:15 am
    Shakespeare Dallas presents A Midsummer Night's Dream
    See A Midsummer Night's Dream under the stars at Shakespeare Dallas.
    Photo by Linda Blase

    UPDATE: Kitchen Dog Theater's High Five has new performance dates, June 16-26. Who's Afraid of Virginia Woolf at Theatre Three has been postponed to July 7-17.

    ---

    As summer begins, you are presented with a choice: Escape to the crisp air conditioning of the theater, or pack your blanket, wine, and picnic and head outdoors for Shakespeare Dallas' 50th anniversary season.

    In order of start date, here are 13 local shows to watch this month:

    Marie Antoinette
    Amphibian Stage, June 3-26
    Spun-sugar wigs and a candy-coated sheen can’t cloak the terror bubbling underneath this surreal and witty comedy from Guggenheim Award-winning playwright David Adjmi. Extravagance, artifice, and one neurotically affectionate sheep accompany the queen as the chants of “Liberté, Egalité, Fraternité!” grow too loud to ignore in this modern, satirical spin on the young, doomed Queen of France.

    Pinocchio Commedia
    Hip Pocket Theatre, June 3-26
    Johnny Simons' whimsical adaptation of the Carlo Collodi classic is presented in the style of the Italian commedia dell'arte, replete with character masks, slapstick, and puppetry while featuring a cast of Hip Pocket veterans.

    Under the Moon
    Ochre House Theatre, through June 4
    The fourth and final In the Garden show is about an old wizard who, along with the help of his cuckoo bird apprentice and captive angel, attempts one last work of magic: to marry the moon.

    Newsies
    Casa Mañana, June 4-12
    Based on the 1992 motion picture and inspired by a true story,  this is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged “newsies” in New York City at the turn of the 20th century. When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right.

    Oklahoma!
    Broadway Dallas, through June 12
    Broadway at the Bass, June 21-26

    Stripped down to reveal the darker psychological truths at its core, Daniel Fish’s production tells a story of a community circling its wagons against an outsider, and the frontier life that shaped America. Upending the sunny romance of a farmer and a cowpoke, this Oklahoma! allows the classic musical – and the country – to be seen in a whole new light.

    Broadway Our Way
    Uptown Players, June 9-12
    The Uptown Players divas return for another entertaining weekend of Broadway music with plenty of twists, laughs, and surprises. The evening features many favorite actors from past Uptown Players seasons performing selections from Broadway shows, both past and present, all done with an Uptown Players spin.

    Cabaret
    Lyric Stage, June 9-12
    Set in Berlin as the 1920s draw to a close, Cabaret focuses on the hedonistic nightlife at the seedy Kit Kat Klub while exploring the dark and tumultuous life in Germany as the Third Reich ascends to power. This fully staged concert production is directed and choreographed by Penny Ayn Maas, while the 13-piece, all-female orchestra is led by music director Vonda K. Bowling.

    Into the Breeches!
    Stage West, June 9-July 3
    It’s 1942, and there’s a problem at the Oberon Playhouse. With the director and leading men all off at war, it looks like the season will be cancelled. That is, until a determined group of ladies rally the troops at home to mount an all-female production. The hilariously unexpected team comes together, united by their determination that the show must go on.

    Who's Afraid of Virginia Woolf?
    Theatre Three, June 9-July 3
    Late one evening, after an alcohol-fueled university faculty party, middle-aged couple Martha and George receive an unwitting younger couple, Nick and Honey, as late-evening guests. They draw them into their bitter and frustrated marital love-hate ambivalence and pummel each other senseless in a verbal slugfest. T3 artistic director Jeffrey Schmidt and associate artistic director Christie Vela take on the roles of George and Martha.

    High Five
    Kitchen Dog Theater, June 9-26
    To close its its 31st season, Kitchen Dog Theater is presenting the world premiere of High Five by Midgalia Cruz, Matt Lyle, Allison Moore, Jonathan Norton, and Regina Taylor. These five short plays each shine a spotlight on one of the five senses: taste, touch, vision, hearing, and smell.

    A Midsummer Night's Dream
    Shakespeare Dallas, June 15-July 23
    Four Athenians run through the forest pursuing each other while Puck, a mischievous fairy, helps his master play a trick on the fairy queen. This production plays in repertory with The Tempest.

    Young Frankenstein
    Circle Theatre, June 16-July 23
    From the creators of the Broadway sensation The Producers comes this monstrously mad musical. Frederick Frankenstein reluctantly inherits his infamous family’s estate in Transylvania. Urged on by a hunchbacked sidekick, Igor, and a leggy lab assistant, Inga, Frederick finds himself fulfilling his grandfather’s corpse-raising legacy.

    The Tempest
    Shakespeare Dallas, June 22-July 22
    Prospero, a magician, creates a vast magical storm, wrecking the ship of his enemies and leaving them to wash up on shore. When they wake, they find themselves lost on a fantastical island where nothing is as it seems. Plays in repertory with A Midsummer Night's Dream.

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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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