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    Dance news

    Ben Stevenson exits spotlight as Texas Ballet Theater artistic director after 2 decades

    Stephanie Allmon Merry
    Jun 7, 2022 | 4:20 pm
    Karen Kain and Ben Stevenson
    Ben Stevenson (with Karen Kain) at a TBT Opening Night Dinner in 2019.
    Photo by Andy Keye

    Texas Ballet Theater is lifting the curtain on a significant change of artistic leadership: Ben Stevenson, O.B.E., the company's artistic director of nearly two decades, will transition to a new role as artistic director laureate starting July 1. TBT associate artistic director Tim O’Keefe will serve as acting artistic director while the board of governors searches for a permanent hire.

    TBT, Dallas-Fort Worth's premier ballet company, announced the moves in a June 7 news release.

    Stevenson joined the company July 2003 and has been the longest-serving artistic director in its history; the new title is meant to honor of his accomplishments during his lengthy tenure, they say.

    In addition, TBT's 2022-2023 season will celebrate his work, they say, beginning with his new, family-friendly production Cirque du Ballet, and ending with his renowned production of Alice in Wonderland. The nonprofit dance company's new season also will include a world premiere, mixed repertoire performances, and of course, Ben Stevenson's The Nutcracker — spread out, per tradition, across Fort Worth and Dallas.

    As artistic director laureate — a lifetime appointment — he will continue to be in the studio, working with the dancers as he sets his ballets the company performs next season, a spokeswoman explains. Texas Ballet Theater will continue to program his works and will always consider him part of the TBT family, she says.

    “Ben Stevenson is one of the great storytellers of ballet who has brought magic to the stages of Dallas and Fort Worth," says Anne Bass, TBT board of governors chairman, in a statement. "It is impossible to overstate his importance in elevating our company to the internationally acclaimed ensemble that it is today.”

    Stevenson, who hails from Portsmouth, England, began his training at the Arts Education School in London. The release notes that he appeared with the Sadler’s Wells Royal Ballet and English National Ballet where, as a principal dancer, he performed leading roles in all the classics.

    He has received numerous awards for his choreography throughout his long career, including three gold medals at the International Ballet Competitions of 1972, 1982, and 1986. Queen Elizabeth II named Stevenson an Officer of the Order of the British Empire in December 1999.

    Today, his choreography is performed by ballet companies around the globe.

    Incoming acting artistic director O'Keefe has been with TBT since 2002. The release notes that he began his professional ballet career at Houston Ballet in 1982. In 1997, he originated the titular role in Stevenson’s Dracula. At TBE, he has choreographed such acclaimed works such as Love Thing, Ragtime Dance, and Violin Concerto in D.

    “We are extraordinarily fortunate to have someone with the talent and experience of Tim O’Keefe to serve as Acting Artistic Director," Bass says. "Tim has been a key part of this company for nearly two decades, and we are looking forward to his leadership.”

    dance
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts
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