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    Actor Spotlight

    New resident Dallas actress can knock you out in more ways than one

    Lindsey Wilson
    Jun 16, 2016 | 1:07 pm

    It's been a big couple of years for Tiana Kaye Johnson. The recently graduated SMU master's student moved seamlessly from college performances to two spotlight roles on the mainstage at Dallas Theater Center, and she will now join DTC's resident acting company beginning with the 2016-17 season.

    Those two big roles — sweet, young Lily in The Book Club Play and mysterious Lorraine Motel maid Camae in The Mountaintop — no doubt helped Johnson's ascent at DTC, but the young actress had already booked another role by the time her residency was announced.

    Johnson will be appearing in Dreamgirls, DTC's sparkly production of the 1981 musical inspired by the backstage drama of Motown girl group The Supremes. Before the show officially opens on June 17 (running through July 24 at the Wyly Theatre), Johnson took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Tiana Kaye Johnson

    Role in Dreamgirls: Ensemble

    Previous work in the DFW area: At SMU, Look Homeward Angel; Progress Theatre, The Burnin’​; Dallas Theater Center, The Book Club Play and The Mountaintop

    Hometown: Dallas

    Where you currently reside: Dallas

    First theater role: An ensemble role in a musical called Open a New Window at the Black Academy of Arts and Letters

    First stage show you ever saw: I don’t remember the name, but it was a fabulous one-man show in a theater in Dallas.

    Moment you decided to pursue a career in theater: My senior year in college, I knew I had a choice between teaching high school or going to graduate school, and I decided to go to grad school and get the training I needed to be a working actor.

    Most challenging role you’ve played: Characters named Boo and MayBee in The Burnin’ by Cristal C. Truscott

    Special skills: Boxing, color guard

    Something you’re really bad at: Math

    Current pop culture obsession: Beyoncé

    Last book you read: Ebony and Ivy by Craig Steven Wilder

    Favorite movie(s): The Lion King

    Favorite musician(s): Erykah Badu

    Favorite song: "Tokyo" by Lianne La Havas

    Dream role: Anita in Jelly’s Last Jam

    Favorite play(s): The Colored Museum

    Favorite musical(s): Jelly’s Last Jam, Into the Woods

    Favorite actors/actresses: Michael Fassbender, Sarah Paulson, Joe Morton, Viola Davis

    Favorite food: Italian

    Must-see TV show(s): Roots, Underground, Game of Thrones, Peaky Blinders, Jane the Virgin

    Something most people don’t know about you: I’ll can go on eating the same thing almost every day. If it’s good, of course.

    Place in the world you’d most like to visit: Ghana

    Pre-show warm-up: Whatever fuels me that day

    Favorite part about your current role: I get to play so many different people in a two-hour time slot.

    Most challenging part about your current project: Keeping up with all the moving parts of this play.

    Most embarrassing onstage mishap: Stuttering onstage because I can’t get the word out.

    Career you’d have if you weren’t in theater: Journalist

    Favorite post-show spot: My bed

    Favorite thing about Dallas-Forth Worth: It’s home.

    Most memorable theater moment: Performing the role of a lifetime in The Mountaintop

    Tiana Kaye Johnson in The Mountaintop at Dallas Theater Center.

    Tiana Kaye Johnson in Dallas Theater Center's The Mountaintop
    Photo by Karen Almond
    Tiana Kaye Johnson in The Mountaintop at Dallas Theater Center.
    interviewqatheater
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
    news/arts
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