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Your Show of Shows

Gallery picks of the month: Word play, outsider art and drawing the line

Kendall Morgan
kendall Morgan
Jun 28, 2013 | 6:00 am

A fresh exploration of outsider art, a three-dimensional artist’s statement in colorful resin, and drawings that line up some top contemporary talent: These are just a few of the reasons to visit our top art gallery picks in the coming month.

THOMAS KENNAUGH: Solo Exhibition at Photographs Do Not Bend
Opening reception:
June 29, 5-8 pm

Exhibition dates: June 29-August 3

Generally defined as art created outside the boundaries of official culture, outsider art encompasses works from the naïve, the untrained, the visionary, and the mentally or emotionally challenged. Having curated artists of this genre in Columbus, Ohio, Thomas Kennaugh was inspired to create his own compelling collages and sculptures.

A buyer and seller of fine art and photography since 1974, Kennaugh draws on his vast archives to make each of his multilayered pieces, which have more than a little in common with the likes of Joseph Cornell and Peter Blake. Now based in Denton, he reveals his latest collages in his first Texan exhibition at PNDB.

The “Victorian futurism” explored in the steampunk movement also has an influence on Kennaugh, who cites sources such as Norman Brosterman’s Out of Time: Designs for the Twentieth-Century Future — featuring visions of the flying cities and bubble-topped cars from the 19th and 20th centuries — as an ongoing inspiration. 



“It’s a great book, and it’s pretty steampunk before that term came out,” says Kennaugh. “I was a picker of images for [Brosterman], and that started my interest in those kinds of images. It’s interesting to see how confusing technology is and the wonder of where we’re going.”

Needless to say, for Kennaugh the future is “wow.”

WORD PLAY: Simeen Farhat, at Cris Worley Fine Arts
Opening reception:
June 29, 6-8 pm

Exhibition dates: June 29-August 3

In Simeen Farhat’s hands, words are much more than type on a page. In her vibrant exhibition opening June 29 at Cris Worley, the Pakistan-born, Dallas-based artist turns everything from snippets of poetry to her own artist’s statement into textural, abstract sculptures of cast resin.

Sometimes you have to leave your home base to get the attention you deserve, and Farhat’s 2010 exhibition at Xerxes Fine Arts in London led to group and solo appearances in Austria, Bahrain, Dubai, Germany, Kuwait, Pakistan and Switzerland. Her Cris Worley exhibit is a homecoming of sorts, and the pieces shown in “Word Play” have an intimate focus not found in her earlier work.

Says Worley, “She’s using text from actual email correspondence and other specific, personal things. They’re magic words that are shaped like a genie emerging from an oil lamp. It has that feel from her culture, and you get bits from her cultural references without it being so obvious.”

According to Farhat, her sculpture speaks “eloquently about life, death, love, freedom of thoughts, and philosophy.” The fact that it does so without ever shouting at the viewer makes the medium and the message equally important.

ON DRAWING: LINE, various artists, at Holly Johnson Gallery
Opening reception:
June 29, 6-8 pm

Exhibition dates: June 29-August 17

In the art world, two heads can be often be better than one. Dallas gallerist Holly Johnson took this approach for her latest exhibition, teaming up with colleague Devin Borden to curate the best in works on paper from 11 established artists. After its Dallas run, the show will travel to Borden’s eponymous gallery in Houston through September and October.

Friends for 20 years, the duo’s “On Drawing: Line” might just be the first in a series of collaborations; if all goes well, they’re planning another dual show with a different theme next year. For this summer’s team effort, painters, sculptors and installation artists have all taken their turn with pen, pencil and paper, and Johnson says the results are more complex than they may first appear.

“Some are more minimal and obsessive, other are more abstract expressionism,” she says. “They’re challenging in the way they’re made — almost every [piece] is like a little jewel.”

Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.

DO NOT USE - Thomas Kennaugh at Photographs Do Not Bend Gallery
Photo courtesy of PDNB Gallery
Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.
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news/arts

RIP, Irma

Dallas actress and 'Soul Food' star Irma P. Hall passes away at 91

Stephanie Allmon Merry
Nov 11, 2026 | 2:37 pm
Irma P. Hall
Courtesy photo

Irma P. Hall

Dallas actress and longtime resident Irma P. Hall, best known for playing Big Mama Jo in the 1997 film Soul Food, died Tuesday, November 10, surrounded by loved ones, according to an announcement from her family. She was 91.

Hall built a nearly five-decade career in film, television, and theater, earning an NAACP Image Award for Soul Food and a Jury Prize at the 2004 Cannes Film Festival for her performance in The Ladykillers.

"Her commanding presence and remarkable ability to bring depth and authenticity to every character made her one of Hollywood's most respected and recognizable character actresses and a cultural icon," her family says in a statement.

Before becoming a familiar face on movie screens, Hall spent more than 20 years teaching English and foreign languages in Dallas public schools. She maintained her ties to her native Texas throughout her Hollywood career.

Born Irma Dolores Player on June 3, 1935, in Beaumont, Hall grew up in Chicago before returning to Texas to attend Texas College in Tyler. Her path to acting began unexpectedly when actor and director Raymond St. Jacques discovered her talent during a poetry reading in Dallas, her family says.

She made her film debut in Book of Numbers in 1973, launching a second career that would take her from Dallas stages to Tinseltown sets.

Hall became widely recognized for her portrayal of Big Mama Jo in Soul Food, the 1997 film about a close-knit family whose Sunday dinners bring generations together. She starred alongside stars Vanessa Williams, Vivica A. Fox, Nia Long, and Michael Beach.

"One of the most iconic mother roles in film history, "A Song for Mama" by Boyz II Men was written and produced by Kenneth 'Babyface' Edmonds, specifically centering on Irma P. Hall's character in Soul Food," the family statement says. "Decades after its original release, this song is still one of the most popular and enduring Mother's Day anthems of all time."

Hall's other credits included A Family Thing (1996), Midnight in the Garden of Good and Evil (1997), Beloved (1998), Patch Adams (1998), The Ladykillers (2004), Collateral (2004), and Tyler Perry's Meet the Browns (2008). She also reprised her role as Mama Joe in the television series based on the film.

Hall's performance in Soul Food earned her an NAACP Image Award for outstanding supporting actress in a motion picture. In 2004, she shared a Jury Prize at Cannes for The Ladykillers, in which she starred opposite Tom Hanks. She also received honors from the Chicago and Kansas City film critics associations for A Family Thing and was inducted into the Texas Film Hall of Fame.

Irma P. Hall

Courtesy photo

Irma P. Hall stayed connected to the Dallas arts and theater community throughout her life.

Hall remained connected to Dallas and its arts community her whole life, her family says. She co-founded the Dallas Minority Repertory Theatre in 1973. Her contributions are also remembered through the Irma P. Hall Black Theatre Awards, known as The Irmas, an annual celebration of performing and technical theater talent across Dallas-Fort Worth, founded in 2015.

Education remained another lifelong passion. Hall received an honorary doctorate in Fine Arts and Education from Texas College in recognition of her work in the arts and education. At Inspiring Body of Christ Church in Dallas, where she was a longtime member and cherished Church Mother, she regularly visited the church's University of Dreams school to read to children and share her love of storytelling. She also participated in the church's theater ministry.

“Today, we celebrate the extraordinary life of a woman whose faith, wisdom and love touched so many," senior pastor Rickie G. Rush says in a statement. "Our beloved Church Mother, Irma P. Hall, has taken her final bow on the stage of life and stepped into eternity.”

Hall is survived by her only daughter, Irma Hall Crayton, who remembered her mother's influence as both an educator and a mentor.

“She started as a teacher in the classroom but ended up being a teacher to the world,” Crayton says. “My mom used to always say, ‘To the world you may be one person, but to one person you may be the world.’ And she was just that to many people.”

Funeral services and memorial arrangements will be announced at a later date.

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