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    Actor Spotlight

    Invincible Dallas stage fighter Jeffrey Colangelo spars about martial arts and Shakespeare

    Lindsey Wilson
    Jul 8, 2015 | 1:33 pm

    At this year’s Festival of Independent Theatres, held at the Bath House Cultural Center from July 10-August 1, there’s a good chance you’ll see some pretty sweet swordplay. That's because Jeffrey Colangelo, one of the area’s most respected stage combat experts and movement choreographers, is presenting Renaissance Fighters with Dean Wray and Caitlin Galloway, with collaboration from SCDallas. (It plays on July 11, 12, 16, 25 and 26.)

    Colangelo is one of the founders of SCDallas, a company that was formed in 2012 to safely teach and oversee stage combat in Dallas-Fort Worth. He’s also the co-founder of PrismCo, a performance group that presents experimental movement pieces. (Their Galatea was recognized by the DFW Critics Forum in 2014.)

    Before he picks up his sword for FIT Fest, Colangelo took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jeff Colangelo

    Participation in the Festival of Independent Theatres: Actor, fight director and writer of Renaissance Fighters

    Previous work in the DFW area: Acting: PrismCo (Prism and Galatea) Shakespeare in the Bar (A Midsummer Night’s Dream, Love’s Labour’s Lost, Much Ado About Nothing), Cara Mia (Zoot Suit, Romeo and Julieta). Fight direction: DTC, Trinity Shakespeare, Shakespeare Dallas, Theatre Three, Cara Mia, Water Tower, Undermain and PrismCo. Co- founded PrismCo with Katy Tye, and co-founded SCDallas with Ashley White and Brandon Sterret.

    Hometown: Orlando, Florida

    Where you currently reside: Dallas

    First theater role: First professional role was a Volsce Lieutenant in Shakespeare Dallas' Coriolanus.

    First stage show you ever saw: The Lion King on Broadway

    Moment you decided to pursue a career in theater: It was in middle school. I was really hoping for a career as an animator or scientist, but then I got hooked by the drama club.

    Most challenging role you’ve played: Michael in The Pillowman. Getting inside the head of the character took me basically the moment before opening to even come close to figuring him out.

    Special skills: Fight direction, martial arts, juggling, clowning and mime

    Something you’re really bad at: I am so, so, so bad at singing. There are professional singers who think that being tone-deaf is just a myth and after working with me, they have quickly changed their minds.

    Current pop culture obsession: Any of the Batman Arkham games, Fallout and anything Guillermo del Toro has worked on.

    Last book you read: Don’t judge me, but Abraham Lincoln: Vampire Hunter is the last book I’ve read cover to cover.

    Favorite movie(s): Pacific Rim, Old Boy, Black Swan, Stranger than Fiction

    Favorite musician(s): Skrillex, Ludivico, Tribe Called Red, The Avett Brothers, Yo Yo Ma. Basically anything that helps me choreograph movement.

    Favorite song: "Short Change Hero" by The Heavy. It sounds like a cowboy ballad, and I respect it for that.

    Dream role: Mercutio, Caliban, Old Capulet — just throw me some good Shakespeare roles, and I’m down.

    Favorite play(s): Almost anything by Shakespeare, Sleep No More, True West, The Pillowman

    Favorite musical(s): Bloody Bloody Andrew Jackson, Stagger Lee, The 25th Annual Putnam County Spelling Bee, Spring Awakening

    Favorite actors/actresses: Robin Williams, Robert Downey Jr., Jennifer Lawrence. I deeply admire a lot of our local actors and actresses.

    Favorite food: Sushi, hummus, pasta, and tortas. There’s this great place on Jefferson that I’m addicted to called Tortas Las Tortugas.

    Must-see TV show(s): Breaking Bad, Game of Thrones, Sherlock, Attack on Titan, Dragon Ball Z, Arrested Development, Important Things by Dimitri Martin

    Something most people don’t know about you: Despite my profession, I’ve never broken a bone in my body.

    Place in the world you’d most like to visit: Italy (all of it)

    Pre-show warm-up: Trying to forget there’s a show coming up (keeps my nerves down).

    Favorite part about your current role: My purple sash, and some of the ridiculous monologues I get to say.

    Most challenging part about your current project: It is most definitely doing the sword fight choreography in such a confined space; it requires a lot of precision to make sure the fight looks good and is safe.

    Most embarrassing onstage mishap: One time I was onstage as Donalbain, and I bent over and boom, my pants ripped. I had to do the rest of the scene with a huge tear on my butt. It was not fun.

    Career you’d have if you weren’t in theater: I would probably be teaching at a martial arts studio, doing stunts for film work or freelance writing.

    Favorite post-show spot: It used to be called Nandina’s, but now I think its called Sunny’s. It's open until 3 am and they’ve got amazing Thai teas. Best place to go after a show with your cast.

    Favorite thing about Dallas-Forth Worth: There is so much potential here. Space is cheap, and the theater atmosphere is dying for some growth and innovative new ideas. It’s really an exciting time to make theater in Dallas.

    Most memorable theater moment: Doing Galatea with the movement theater company I co-founded: PrismCo. That show was just so incredibly magical and fun to do. We knew we were changing people’s lives when they came to see that show, and it was a great way to start off our work as a company.

    Jeffrey Colangelo co-founded PrismCo, which produced the paint-splattered Prism earlier this year.

    PrismCo presents Prism in Dallas
    Photo courtesy of FIT
    Jeffrey Colangelo co-founded PrismCo, which produced the paint-splattered Prism earlier this year.
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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