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    Theater Review

    Dallas theater could have given this hot-button topic a second thought

    Lindsey Wilson
    Jul 15, 2016 | 2:46 pm
    A Kid Like Jake at Second Thought Theatre
    Kia Boyer as the nurse and Jenny Ledel as Alex.
    Photo by Karen Almond

    Daniel Pearle's A Kid Like Jake initially seems like an anecdote we've heard over and over: Uptight Manhattan parents stress about getting their toddler into the "right" school, jumping through the ridiculous hoops of applications, essays, interviews, and backbiting fellow parents.

    But a few more minutes into the play and we see that Alex (Jenny Ledel) and Greg (Ian Ferguson) aren't trying to prove that their son is special — quite the opposite, in fact. They're trying to get everyone to look past what makes him unique.

    Jake likes dress-up and princesses, something his father, a psychologist, has no problem embracing, but his mother doesn't want Jake to indulge it outside the home. Judy (Christie Vela), a family friend who's an education advisor and helps families match with schools, encourages the couple to let Jake be himself (or herself, if he prefers). Diversity is the trump card of applications, after all. But Alex is hesitant to label Jake so early and trap him into a decision she thinks he's too young to make.

    Pearle further pads the story with marital strife between Alex and Greg, which isn't helped by an unintended pregnancy and Jake's angry outbursts. While Jake is never seen, the story is less about him and more about how society is currently reacting to the heightened visibility of the queer and transgender population. Rather than shoving a truck in his son's hands, Greg is fine to let him treasure a Cinderella figurine. But will he be bullied? Alex wonders. Will he become the bully?

    Ferguson and Ledel engage our loyalties in a tug-of-war. Sometimes it feels Greg is in the right; other times Alex is the rational one. The only characterization that doesn't ring true, and it's more Pearle's fault than anyone's, is how Greg's psychological expertise is continually dismissed. Ignored, even, though he thoughtfully suggests Jake might benefit from therapy. Alex thinks her son shouldn't air their family's private issues with a stranger, even though that's the premise of her husband's livelihood.

    Director Matthew Gray smoothly moves the action from Greg and Alex's apartment to Judy's office to a doctor's office, where a nurse (Kia Boyer) tracks Alex's pregnancy progress and acts as her own de facto therapist. Gray also designed the set and sound, and both work well with Aaron Johansen's layered lighting to move in and out of reality.

    The play avoids preachiness while still addressing a hot-button topic. It also avoids conclusion, which is good for the conversation but perhaps not so much for the play.

    ---

    Second Thought Theatre's production of A Kid Like Jake runs at Bryant Hall through July 23.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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