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In Memoriam

Katherine Owens, co-founder of Dallas' Undermain Theatre, has passed away

Lindsey Wilson
Jul 23, 2019 | 10:43 am
Katherine Owens
Undermain Theatre artistic director and co-founder Katherine Owens.
Photo by Stephen Webster

A light has gone out for the Dallas theater scene, as Undermain Theatre co-founder and artistic director Katherine Owens has passed away.

One of Dallas' most fearless and pioneering theater artists, Owens turned what many would consider an impossible space — a subterranean theater underneath Main Street, complete with low ceiling and giant, immovable concrete pillars — into a home for avant garde storytelling.

"She helped spark the alternative theater scene in Deep Ellum," says Kateri Cale, actor and artistic director of Echo Theatre. Cale was a member of the Undermain ensemble for 10 years, and worked closely with Owens and co-founder Raphael Parry (who now runs Shakespeare Dallas).

Over the past 35 years, Owens built a reputation that extended far beyond Dallas. She and husband Bruce DuBose — who would become the theater's executive producer and star in many of its shows — took several shows to New York, and Owens also directed in Macedonia and Yugoslavia.

In 2018, she directed the world premiere of Lonesome Blues, a play about legendary blues singer Blind Lemon Jefferson, that ran Off Broadway at the York Theatre. In all, she directed well over a hundred productions in her career.

New, and especially risky, work was a specialty. Owens maintained a relationship with playwright Len Jenkin that resulted in Undermain producing many of his world premieres, and in recent years, Undermain debuted a reading series devoted to new American plays called Whither Goest Thou America?. The last show Owens worked on was the final installment of Matthew Paul Olmos' so go the ghosts of méxico trilogy in April.

Of Owens and Undermain, Jenkin has said, "I love their work, and I think they are a great American theater. Kat Owens is a marvelous director. She runs on a powerful combination of great theatrical instinct and a wonderfully wide and deep knowledge of literature and human nature, and she loves and understands actors and directors, which is best of all."

In 2014, Undermain premiered Gordon Dahlquist's trippy sci-fi play Tomorrow Come Today, which went on to win a major international drama prize. Dahlquist returns this September with another world premiere, Red Chariot.

"Katherine Owens was one of the great visionaries in Texas theater history," says Dallas Theater Center artistic director Kevin Moriarty. "Her work had international impact and will live on in Deep Ellum at Undermain Theatre, which so perfectly housed Kat's vision and artistry. She was also one of the most warm, open-hearted theater leaders I've ever known. All of us at Dallas Theater Center are heartbroken by her passing. She will be dearly missed."

Personally, it will be difficult to visit Undermain and not see Owens making her rounds before a show, shaking the hands of subscribers and new patrons alike, and welcoming everyone to whichever magical world she had constructed this time: a Chekhovian forest, a tropical beach, a New England family home, or a setting we couldn't even yet imagine.

Owens passed away on July 21, after battling lymphoma for the past five months. She was 61. She is survived by DuBose, her sister Kimberley Owens, and her brother Carl Owens. DuBose will continue their work at Undermain as producing artistic director, and lead Undermain in accordance with her artistic vision.

Throughout Undermain's 2019/2020 season, there will be a celebration of Owens' work in an exhibition of her watercolor paintings, drawings, and photographs, as well as her notebooks in the Undermain lobby.

"She was and is the heart and soul of the Undermain Theatre and will be greatly missed," the theater says in a statement announcing her death. "We dedicate this and all of our seasons to her."

Owens' funeral will be held at Church of the Incarnation, 3966 McKinney Ave. in Dallas on Wednesday, August 7, at 11 am. Flowers can be sent to the Church of the Incarnation beginning August 6.

A statement from Undermain Theatre reinforces that "Undermain was Katherine's passion and life's work. If you would like to send a donation in her memory to the theater where her legacy will continue, please go to www.undermain.org. Bruce and the Undermain family are continually grateful for your ongoing love and support."

theater deaths
news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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