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    In Memoriam

    Katherine Owens, co-founder of Dallas' Undermain Theatre, has passed away

    Lindsey Wilson
    Jul 23, 2019 | 10:43 am
    Katherine Owens
    Undermain Theatre artistic director and co-founder Katherine Owens.
    Photo by Stephen Webster

    A light has gone out for the Dallas theater scene, as Undermain Theatre co-founder and artistic director Katherine Owens has passed away.

    One of Dallas' most fearless and pioneering theater artists, Owens turned what many would consider an impossible space — a subterranean theater underneath Main Street, complete with low ceiling and giant, immovable concrete pillars — into a home for avant garde storytelling.

    "She helped spark the alternative theater scene in Deep Ellum," says Kateri Cale, actor and artistic director of Echo Theatre. Cale was a member of the Undermain ensemble for 10 years, and worked closely with Owens and co-founder Raphael Parry (who now runs Shakespeare Dallas).

    Over the past 35 years, Owens built a reputation that extended far beyond Dallas. She and husband Bruce DuBose — who would become the theater's executive producer and star in many of its shows — took several shows to New York, and Owens also directed in Macedonia and Yugoslavia.

    In 2018, she directed the world premiere of Lonesome Blues, a play about legendary blues singer Blind Lemon Jefferson, that ran Off Broadway at the York Theatre. In all, she directed well over a hundred productions in her career.

    New, and especially risky, work was a specialty. Owens maintained a relationship with playwright Len Jenkin that resulted in Undermain producing many of his world premieres, and in recent years, Undermain debuted a reading series devoted to new American plays called Whither Goest Thou America?. The last show Owens worked on was the final installment of Matthew Paul Olmos' so go the ghosts of méxico trilogy in April.

    Of Owens and Undermain, Jenkin has said, "I love their work, and I think they are a great American theater. Kat Owens is a marvelous director. She runs on a powerful combination of great theatrical instinct and a wonderfully wide and deep knowledge of literature and human nature, and she loves and understands actors and directors, which is best of all."

    In 2014, Undermain premiered Gordon Dahlquist's trippy sci-fi play Tomorrow Come Today, which went on to win a major international drama prize. Dahlquist returns this September with another world premiere, Red Chariot.

    "Katherine Owens was one of the great visionaries in Texas theater history," says Dallas Theater Center artistic director Kevin Moriarty. "Her work had international impact and will live on in Deep Ellum at Undermain Theatre, which so perfectly housed Kat's vision and artistry. She was also one of the most warm, open-hearted theater leaders I've ever known. All of us at Dallas Theater Center are heartbroken by her passing. She will be dearly missed."

    Personally, it will be difficult to visit Undermain and not see Owens making her rounds before a show, shaking the hands of subscribers and new patrons alike, and welcoming everyone to whichever magical world she had constructed this time: a Chekhovian forest, a tropical beach, a New England family home, or a setting we couldn't even yet imagine.

    Owens passed away on July 21, after battling lymphoma for the past five months. She was 61. She is survived by DuBose, her sister Kimberley Owens, and her brother Carl Owens. DuBose will continue their work at Undermain as producing artistic director, and lead Undermain in accordance with her artistic vision.

    Throughout Undermain's 2019/2020 season, there will be a celebration of Owens' work in an exhibition of her watercolor paintings, drawings, and photographs, as well as her notebooks in the Undermain lobby.

    "She was and is the heart and soul of the Undermain Theatre and will be greatly missed," the theater says in a statement announcing her death. "We dedicate this and all of our seasons to her."

    Owens' funeral will be held at Church of the Incarnation, 3966 McKinney Ave. in Dallas on Wednesday, August 7, at 11 am. Flowers can be sent to the Church of the Incarnation beginning August 6.

    A statement from Undermain Theatre reinforces that "Undermain was Katherine's passion and life's work. If you would like to send a donation in her memory to the theater where her legacy will continue, please go to www.undermain.org. Bruce and the Undermain family are continually grateful for your ongoing love and support."

    theaterdeaths
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts
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