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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas-Fort Worth theater for August

    Lindsey Wilson
    Aug 1, 2019 | 4:17 pm

    UPDATE: AT&T Performing Arts Center announced that Charlie & the Chocolate Factory will now have a shortened run, from August 22-25.

    ---

    Do you like new work? Do you like lots of new work? Then August is a good month for you, as there are not one, but two, festivals showcasing pieces written by local and visiting playwrights and tackling everything from healthcare to the border crisis. There are also two new full-length plays written by locals, as well as beloved classics like the universal story of family that pays a visit to both Dallas and Fort Worth.

    Here are the 10 shows to see in order by start date:

    Kentucky
    Imprint Theatreworks, August 2-17
    Leah Nanako Winkler, recipient of the 2018 Yale Prize for Drama, explores identity, religion, and love in this coming-of-age story with a kick (complete with a chorus and a talking cat). Hiro is an Asian-American, self-made woman making it in New York. She is also estranged from her dysfunctional family in Kentucky. When her little sister, a born-again Christian, decides to marry at 22, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had for her sister's future.

    Fiddler on the Roof
    Dallas Summer Musicals, August 7-18
    Broadway at the Bass, August 20-25

    Rich with musical hits you know and love, including "Tradition," "Sunrise, Sunset," "If I Were A Rich Man," "Matchmaker, Matchmaker," and "To Life (L'Chaim!)," this heartwarming story of fathers and daughters; husbands and wives; and life, love, and laughter has been a crowd-pleaser since 1964.

    Broadway or Bust
    Pegasus Theatre, August 8-24
    In a converted strip-mall carpet store somewhere in Dallas, The Plush Pile Players are primed to stage Dicky Steinberg's Off-Off-Broadway flop Broadway Glitz when director Jan Flaggit trips on a toaster and breaks her ankle. A lifeline comes in the shape of bona fide Broadway director Percy Scott, but Jan's eccentric ensemble soon learn that their new messiah may not be all he seems.

    One-Minute Play Festival
    Kitchen Dog Theater, August 10-12
    America's largest and longest running grassroots theater event investigates the zeitgeist of different communities through a performance of 50-100 short moments generated by local playwrights of all ages, genders, races, cultures, and points in career.

    The Cake
    Uptown Players, August 9-25

    Bekah Brunstetter's new comedy focuses on North Carolina baker Della, who is overjoyed when her best friend's daughter returns from New York to get married and asks Della to make her wedding cake. Della, a sweet-natured Christian, is forced to re-examine her deeply held beliefs and her own marriage when she realizes there is not one bride, but two.

    Latinidades: A Festival of Solo Shows
    Cara Mía Theatre Co., August 15-September 8
    The festival will open with Puerto Rican poet, singer, and actor Flaco Navaja's love letter to salsa and the Bronx, Evolution of a Sonero (August 15-18), and continues with Your Healing is Killing Me, a play about healthcare, nutrition, and traumatic stress for people of color by Virginia Grise (August 22-25). It finishes with Ursula, a border experience through the eyes of child by CMT artistic ensemble member Frida Espinosa-Müller (August 29-September 8).

    As You Like It
    Dallas Theater Center, August 16-18
    The Public Works collaboration with Southern Methodist University's Meadows School of the Arts and AT&T Performing Arts Center is back with its groundbreaking community engagement and participatory theater project designed to deliberately blur the line between professional artists and Dallas community members. The production features 200 actors and community members, only five being professional actors. Featuring an original folk-pop score by Shaina Taub and running 90 minutes long, As You Like It is appropriate for all audiences and groups.

    A 3D Adventure
    Circle Theatre, August 15-September 14
    A small theater troupe's madcap production goes inexplicably, spectacularly off the rails in Matt Lyle's latest comedy. The actors find themselves cast into a strange, surreal world resembling some of your most beloved films.

    Charlie & the Chocolate Factory
    AT&T Performing Arts Center, August 20-September 1
    Willy Wonka is opening his marvelous and mysterious chocolate factory to a lucky few, and that includes Charlie Bucket, whose bland life is about to burst with color and confection beyond his wildest dreams. He and four other golden ticket winners will embark on a mesmerizing joyride through a world of pure imagination. Get ready for Oompa Loompas, incredible inventions, the great glass elevator, and more, more, more at this everlasting showstopper.

    What We Were
    Second Thought Theatre, August 28-September 21
    Following 2017's The Necessities and 2018's Enemies/People, Second Thought presents its third world premiere from acclaimed local playwright Blake Hackler. It tells the story of Carlin, Nell, and Tessa, three sisters who suffered a childhood of abuse. Now adults, each lives in some degree of denial, but the lies are starting to become more unbearable than the truth.

    The national tour of Charlie and the Chocolate Factory sweetens up the Winspear.

    Touring cast of Charlie and the Chocolate Factory
    Photo by Jeremy Daniel
    The national tour of Charlie and the Chocolate Factory sweetens up the Winspear.
    openingsmusicfestivalstheater
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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