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    Theater Review

    Addison theater company treats audiences to Broadway-caliber comedy

    Lindsey Wilson
    Aug 11, 2016 | 3:27 pm

    Before he became a late-night talk show host and the king of Carpool Karaoke, James Corden earned a Tony Award for his energetic lead performance in One Man, Two Guvnors. Waiting in the wings was his understudy, Dallas native Brian Gonzales, who went on for Corden a handful of times as the overstretched assistant Francis Henshall.

    Although only a couple of Broadway audiences got to see Gonzales perform, North Texas theatergoers have the extraordinary chance to see him step into the role again. Not only that, but Gonzales happens to be smack in the middle of a silly and slick production, one that exemplifies WaterTower Theatre at its best.

    Richard Bean's update of the commedia dell'arte standard The Servant of Two Masters mixes slapstick with sophisticated comedy. It's a relentless onslaught of sight gags, puns, pratfalls, and clever wordplay that feels light and fluffy — a testament to how finely tuned the show actually is. There is also much breaking of the fourth wall, a device that this time inspires fizzy anticipation instead of the usual dread.

    Gonzales is the linchpin as Francis, an affable chap whose grumbling tummy propels him to seek extra employment. He finds not one but two bosses and proceeds to juggle their demands, which intertwine crazily and challenge Francis to be extra quick on his feet.

    The rest of the plot is best kept under wraps, partly because it sounds convoluted when spelled out but mostly because the delightful surprises sprinkled throughout are some of the show's greatest joys.

    Director Terry Martin does well unraveling the complicated knot Francis finds himself in, keeping the message clear and simple despite the chaos swirling about. Chris Pickart's set is functional, while Sylvia Fuhrken's Mad Men-esque costumes make the actors extra jaunty.

    Joining Gonzales from New York — he's generously on loan from the Broadway production of Disney's Aladdin — is his wife, Ashley Puckett Gonzales. The fellow North Texas native vamps it up as Dolly, a curvy feminist who is eager to take advantage of all the freedom 1960s England has to offer. It's no surprise that the air sizzles between the couple.

    She's the perfect opposite to Allison Bret as the dimwitted Pauline, whose cluelessness is endearing rather than annoying. Despite her character's duplicitous plans, Alexandra Lawrence mostly settles into the straight man role, though she's hampered by an unsightly wig.

    John-Michael Marrs is a worthy opponent to Gonzales as the preppy Stanley Stubbers, finding comedy gold without going too broad. And there's no one more suited to the role of Alfie, a surprisingly spry elderly waiter, than local fight choreographer Jeff Colangelo.

    Keeping things ticking along is a Beatles-like quartet comprising Ian Ferguson, Alan Murphy, Sara Bollinger, and Alan Pollard. Come early to enjoy a free mini concert and truly get in the mood for the upcoming antics.

    ---

    WaterTower Theatre's production of One Man, Two Guvnors runs through August 28.

    Brian Gonzales and Ashley Puckett Gonzales as Francis and Dolly.

    One Man, Two Guvnors at WaterTower Theatre
      
    Photo by Karen Almond
    Brian Gonzales and Ashley Puckett Gonzales as Francis and Dolly.
    theaterreviews
    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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