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    Actor Spotlight

    Invincible Dallas stage fighter Jeffrey Colangelo spars about martial arts and Shakespeare

    Lindsey Wilson
    Jul 8, 2015 | 1:33 pm

    At this year’s Festival of Independent Theatres, held at the Bath House Cultural Center from July 10-August 1, there’s a good chance you’ll see some pretty sweet swordplay. That's because Jeffrey Colangelo, one of the area’s most respected stage combat experts and movement choreographers, is presenting Renaissance Fighters with Dean Wray and Caitlin Galloway, with collaboration from SCDallas. (It plays on July 11, 12, 16, 25 and 26.)

    Colangelo is one of the founders of SCDallas, a company that was formed in 2012 to safely teach and oversee stage combat in Dallas-Fort Worth. He’s also the co-founder of PrismCo, a performance group that presents experimental movement pieces. (Their Galatea was recognized by the DFW Critics Forum in 2014.)

    Before he picks up his sword for FIT Fest, Colangelo took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jeff Colangelo

    Participation in the Festival of Independent Theatres: Actor, fight director and writer of Renaissance Fighters

    Previous work in the DFW area: Acting: PrismCo (Prism and Galatea) Shakespeare in the Bar (A Midsummer Night’s Dream, Love’s Labour’s Lost, Much Ado About Nothing), Cara Mia (Zoot Suit, Romeo and Julieta). Fight direction: DTC, Trinity Shakespeare, Shakespeare Dallas, Theatre Three, Cara Mia, Water Tower, Undermain and PrismCo. Co- founded PrismCo with Katy Tye, and co-founded SCDallas with Ashley White and Brandon Sterret.

    Hometown: Orlando, Florida

    Where you currently reside: Dallas

    First theater role: First professional role was a Volsce Lieutenant in Shakespeare Dallas' Coriolanus.

    First stage show you ever saw: The Lion King on Broadway

    Moment you decided to pursue a career in theater: It was in middle school. I was really hoping for a career as an animator or scientist, but then I got hooked by the drama club.

    Most challenging role you’ve played: Michael in The Pillowman. Getting inside the head of the character took me basically the moment before opening to even come close to figuring him out.

    Special skills: Fight direction, martial arts, juggling, clowning and mime

    Something you’re really bad at: I am so, so, so bad at singing. There are professional singers who think that being tone-deaf is just a myth and after working with me, they have quickly changed their minds.

    Current pop culture obsession: Any of the Batman Arkham games, Fallout and anything Guillermo del Toro has worked on.

    Last book you read: Don’t judge me, but Abraham Lincoln: Vampire Hunter is the last book I’ve read cover to cover.

    Favorite movie(s): Pacific Rim, Old Boy, Black Swan, Stranger than Fiction

    Favorite musician(s): Skrillex, Ludivico, Tribe Called Red, The Avett Brothers, Yo Yo Ma. Basically anything that helps me choreograph movement.

    Favorite song: "Short Change Hero" by The Heavy. It sounds like a cowboy ballad, and I respect it for that.

    Dream role: Mercutio, Caliban, Old Capulet — just throw me some good Shakespeare roles, and I’m down.

    Favorite play(s): Almost anything by Shakespeare, Sleep No More, True West, The Pillowman

    Favorite musical(s): Bloody Bloody Andrew Jackson, Stagger Lee, The 25th Annual Putnam County Spelling Bee, Spring Awakening

    Favorite actors/actresses: Robin Williams, Robert Downey Jr., Jennifer Lawrence. I deeply admire a lot of our local actors and actresses.

    Favorite food: Sushi, hummus, pasta, and tortas. There’s this great place on Jefferson that I’m addicted to called Tortas Las Tortugas.

    Must-see TV show(s): Breaking Bad, Game of Thrones, Sherlock, Attack on Titan, Dragon Ball Z, Arrested Development, Important Things by Dimitri Martin

    Something most people don’t know about you: Despite my profession, I’ve never broken a bone in my body.

    Place in the world you’d most like to visit: Italy (all of it)

    Pre-show warm-up: Trying to forget there’s a show coming up (keeps my nerves down).

    Favorite part about your current role: My purple sash, and some of the ridiculous monologues I get to say.

    Most challenging part about your current project: It is most definitely doing the sword fight choreography in such a confined space; it requires a lot of precision to make sure the fight looks good and is safe.

    Most embarrassing onstage mishap: One time I was onstage as Donalbain, and I bent over and boom, my pants ripped. I had to do the rest of the scene with a huge tear on my butt. It was not fun.

    Career you’d have if you weren’t in theater: I would probably be teaching at a martial arts studio, doing stunts for film work or freelance writing.

    Favorite post-show spot: It used to be called Nandina’s, but now I think its called Sunny’s. It's open until 3 am and they’ve got amazing Thai teas. Best place to go after a show with your cast.

    Favorite thing about Dallas-Forth Worth: There is so much potential here. Space is cheap, and the theater atmosphere is dying for some growth and innovative new ideas. It’s really an exciting time to make theater in Dallas.

    Most memorable theater moment: Doing Galatea with the movement theater company I co-founded: PrismCo. That show was just so incredibly magical and fun to do. We knew we were changing people’s lives when they came to see that show, and it was a great way to start off our work as a company.

    Jeffrey Colangelo co-founded PrismCo, which produced the paint-splattered Prism earlier this year.

    PrismCo presents Prism in Dallas
    Photo courtesy of FIT
    Jeffrey Colangelo co-founded PrismCo, which produced the paint-splattered Prism earlier this year.
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

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