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Ch-ch-changes

Artistic staff changes shake up 2 Dallas theater companies

Lindsey Wilson
Aug 18, 2022 | 2:03 pm
Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre
Natalie Hebert and Drew Wall in Incognito at Second Thought Theatre.
Photo by Karen Almond

Change is in the air, at least for Undermain Theatre and Second Thought Theatre. The two Dallas companies have announced the departure of some key artistic staff members, one of whom has been on board for the last 15 years.

Effective August 1, Danielle Georgiou left her role as associate artistic director at Undermain, a position she has held since 2019.

In addition to helping the Deep Ellum company navigate the challenges of COVID-19, she further developed its Equity, Diversity, and Inclusion principles and culture and initiated the Undermain Workshop and Education series.

Along with her own company, The Danielle Georgiou Dance Group (DGDG), she brought two productions to the Undermain streaming series: The Savage Seconds and Things Missing/Missed.

In the fall of 2021, she devised and directed Stronger Than Arms, a co-production between DGDG and Undermain that ushered in the theater's return to live performance.

Prior to her term as associate artistic director, Georgiou served as choreographer on the productions Three Sisters and so go the ghosts of méxico, part 2, and many others.

She made her Undermain performing debut in How Is It That We Live, or Shakey Jake + Alice and co-directed so go the ghosts of méxico, part 3 with Undermain's late co-founder, Katherine Owens.

Georgiou currently serves as choreographer for the Undermain production of Lonesome Blues, playing September 1-18, 2022.

"At Undermain, we’re appreciative of Dr. Georgiou’s contributions to our company and look forward to her continuing work with her own company, DGDG, as well as her influence and presence in the performing arts in North Texas and beyond as a director, choreographer, educator, and dynamic creator of theater," says Undermain's producing artistic director Bruce DuBose.

Also stepping down is producing artistic associate Jake Nice, who has held that position with Undermain Theatre since 2019.

In addition to operations duties, Nice directed the 2021 streaming video production of David Rabe’s Suffocation Theory and Blake Hackler’s Bright Boys in the virtual reading series. He also produced the InConcert Undermain series, as well as this spring’s Whither Goest Thou America reading series.

"We wish him well in his new endeavors and thank him for his work and influence here with us during this challenging time," says DuBose. "We’ve enjoyed working with Jake and admire his dedication and commitment and look forward to his future work in the performing arts."

Over at Second Thought Theatre, director of operations Drew Wall is saying farewell after 15 years with the company.

"I moved to Dallas in the summer of 2007 and could never have imagined finding such a long-lasting artistic home so quickly in my professional journey," Wall writes in his resignation letter, which STT made public. "I joined the Second Thought Ensemble soon after my first show in the fall and by the summer of 2008, had joined the Executive Ensemble. 15 years later I hardly recognize the same company that stands before us now."

Besides handling the theater's operations duties and being a key component to many set builds, Wall was often in the spotlight. Memorable turns onstage include the solo shows Goat Song and Nocturne, Belleville and Empathitrax (co-starring with Jenny Ledel), plus the more ensemble-based Straight White Men and Incognito.

"We cannot convey the gratitude and appreciation we have for all he's done, and we can't wait to see the amazing things he will do everywhere he goes," reads a statement from Second Thought Theatre.

Danielle Georgiou

Danielle Georgiou
Photo courtesy of Undermain Theatre
Danielle Georgiou
theater
news/arts
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

amon carter museum exhibitions-visual-arts museums statue of liberty
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