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    Season Announcement

    Striking Dallas theater co. raises the mercury with its 2018-19 season

    Lindsey Wilson
    Aug 27, 2018 | 9:33 pm
    Lizzie at Firebrand Theatre in Chicago
    A scene from Lizzie at Firebrand Theatre in Chicago.
    Photo by Marisa KM

    In its inaugural season, Imprint Theatreworks covered an American classic, a hard-rock tale of lust and murder, a historical dramedy, and a West End musical hit, along with its First Impressions local playwrights festival. For its second season, audiences can expect a contemporary classic, a hard-rock tale of wrath and murder, a quirky comedy, and an immersive song cycle. Hey, if it works, don't change it.

    Three of the company's shows will be regional premieres and another three are world premieres by local playwrights, helmed by participants in the new Directors Development Program. The entire season, branded "Mercury Rising," is inspired by local and national events and focuses on women taking charge of their own destinies.

    "Our second season gives the microphone to women and it demands we are heard," says co-founder and co-artistic director Ashley H. White. "It speaks bold stories of self-discovery and awakening. It weeps when we wrong our loved ones. It laughs as we are forced to turn the mirror on ourselves. It screams when it's pushed too far. It has a voice that is loud and clear and that voice is saying: you are your own before you are anyone else's."

    First up is In the Next Room (or The Vibrator Play), Sarah Ruhl's comedy about intimacy, awakening, and, most importantly, equality. Set in the 1880s at the dawn of the age of electricity, the play centers on a doctor and his wife and how new office therapy — using "devices" to treat women for imagined hysteria — affects their entire household. Marianne Galloway directs at the Bath House Cultural Center from January 11-26, 2019

    The second annual First Impressions Festival for Local Playwrights returns to the Bath House Cultural Center on February 20-23, 2019, giving DFW-area scribes the chance to have their works read and enjoyed by audiences, directors, and producers. The festival will also feature panels, talk-back sessions, cocktail hours, and networking opportunities geared toward providing awareness, opportunities, and support for those playwrights we have right here at home. Submissions will begin being accepted in the fall.

    Dave Malloy's musical song cycle Ghost Quartet is next, making its area premiere after the tour stopped in DFW as part of Off Broadway on Flora in 2016. Malloy is the creator of the recent Broadway sensation Natasha, Pierre, and the Great Comet of 1812, and this intimate piece is just as immersive and unusual. Four friends drink and tell interwoven narratives spanning seven centuries, following Rose Read and Pearl White, who repeatedly cross paths — sometimes as strangers, sometimes as sisters, sometimes as lovers, sometimes as mother and daughter — in an experience that questions love and defines forgiveness and regret. White directs, with Adam C. Wright as music director, at the Bath House Cultural Center May 24-June 8, 2019.

    Kentucky is a biting comedy from a distinctive new voice in theater: Leah Nanako Winkler, recipient of the 2018 Yale Prize for Drama. The themes of identity, religion, and love collide in this coming-of-age story with a kick, complete with a chorus and a talking cat. Hiro is an Asian-American, self-made woman in New York. She is also estranged from her dysfunctional family in Kentucky. When her little sister, a born-again Christian, decides to marry at 22, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had for her sister's future. Imprint co-founder and co-artistic director Joe Messina directs, with assistant direction by Christopher Lew, August 2-17, 2019, at a space to be announced.

    Three plays from the 2018 and 2019 First Impressions Festivals will be mounted as full productions for the Mainstage Showcase, with workshopping and development opportunities in between. In addition, the new Director Development Program will provide three new directors with opportunities to network with and be mentored by established Dallas directors from various theaters, shadow rehearsals, workshop their chosen scripts, and ultimately direct their Dallas debuts with each world premiere. That will all take place September 13-27, 2019.

    The season closes out with Lizzie, a musical by Steven Cheslik-DeMeyer, Tim Maner, and Alan Stevens Hewitt that reimagines the bloody legend of Lizzie Borden with four women fronting a rock band and set to a blistering score with rage, sex, betrayal, and bloody, bloody murder. White directs, with musical direction by Rebecca Lowrey, October 25-November 9, 2019.

    "Our first season was a season of dreamers and warriors," says Messina. "Women and men longing for what they loved and the life they so fiercely felt they deserved. We strove to tell stories that ignited dialogue about our place in history, where we stood today, and then how we will play a role in the future. We believe 2019 will continue that journey, with our provocative and bold second season."

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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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