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    Theater Critic Picks

    These are the 11 can't-miss shows in Dallas-Fort Worth theater for September

    Lindsey Wilson
    Sep 5, 2019 | 3:28 pm

    It's still festival time in both Dallas and Fort Worth, along with a few familiar titles from a certain ALW (that's Andrew Lloyd Webber to most). Some recent Broadway hits are also making their way to local stages in regional productions, as are one or two brand-new works showcasing native talent.

    Here are the 11 shows to see in order by start date:

    Cats
    The Firehouse Theatre, September 5-22

    Set among a larger-than-life junkyard playground, Cats is alive with purr-fect felines, including Rum Tum Tugger, Mr. Mistoffelees, Macavity, Jennyanydots, Old Deuteronomy, Skimbleshanks, and Grizabella. The all-singing, all-dancing Tony-winning musical spectacular has music by Andrew Lloyd Webber and additional material written by Trevor Nunn and Richard Stilgoe, and is based on Old Possum's Book Of Practical Cats by T.S. Eliot.

    Fort Worth Fringe Festival
    Fort Worth Community Arts Center, September 6-8
    Fourteen different shows over three days on two stages. Bump from Buckle Up Theatre is the headliner, supported by performances from Proper Hijinx, The Maverick Theatre Company, Drag Strip Courage, and others.

    Buddy: The Buddy Holly Story
    Casa Mañana, September 7-15
    Don your black-rimmed glasses and celebrate Buddy Holly's meteoric rise to fame and the top of the record charts with the "World's Most Successful Rock Musical." Set during the golden days of rock 'n' roll, Buddy Holly will have audiences dancing in the aisles to rousing hits such as "Peggy Sue," "That'll be the Day," and "Rave On." The last half of the show re-enacts his last night 60 years ago: the concert at the Surf Ballroom in Clear Lake, Iowa, complete with performances from Ritchie Valens and the Big Bopper.

    Pete: A New Dance Musical
    Dark Circles Contemporary Dance, September 12-15
    Conceived and choreographed by internationally award-winning choreographer and founder of DCCDUSA Joshua L. Peugh, this original 90-minute dance musical is inspired by J. M. Barrie's iconic novel Peter Pan. Responding to the narrative of the classic story, Pete: A New Dance Musical takes an adventurous, playful, and creative approach to not only explore the intersecting themes of childhood, freedom, and mortality, but to reflect on issues of race, gender, sexuality, and privilege.

    First Date
    Stage West and Theatre TCU, September 12-October 13
    When tightly-wound Aaron (Seth Womack) is set up with laid-back Casey (Amber Marie Flores) on a blind date, a casual drink turns into an uproarious high-stakes dinner. As the date unfolds, this mismatched pair's inner critics take on a life of their own, as other patrons transform into supportive best friends, manipulative exes, and protective parents.

    First Impressions Mainstage Showcase
    Imprint Theatreworks, September 13-29
    Three local plays from the 2018 and 2019 First Impressions Festivals were chosen to be mounted as full productions, led by three new directors from the Director Development Program.

    Red Chariot
    Undermain Theatre, September 18-October 13
    What if tarot cards could actually affect your future? And you could use that tarot deck to control other's destinies as well? And what if the Internet created that tarot deck? This world premiere science fiction thriller is set amid the downfall of civilization after the Internet has created a mysterious tarot deck that, when read, can actually affect the past, present, and future. Gordon Dahlquist takes us on a journey though time as we explore the chaotic effects of new technological advancements and the role humans have, or haven't, played in stopping that chaos.

    In the Heights
    Dallas Theater Center, September 21-October 20
    Conceived and with music and lyrics by Lin-Manuel Miranda, In the Heights is the universal story of a vibrant community in New York's Washington Heights neighborhood. A place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music, it's a community on the brink of change, full of hopes, dreams, and pressures, where the biggest struggles can be deciding which traditions you take with you and which ones you leave behind.

    Evita
    Lyric Stage, September 20-22
    This seven-time Tony Award-winning musical tells the passionate and unforgettable story of Eva Duarte de Perón, and her meteoric climb from the slums of Argentina to one of the most powerful women in the world as the first lady of Argentina. The international hit musical is by Andrew Lloyd Webber and Tim Rice.

    The Phantom of the Opera
    Broadway at the Bass, September 24-October 5
    Cameron Mackintosh's spectacular new production of Andrew Lloyd Webber's musical makes its triumphant return to Fort Worth, boasting new scenic and lighting designs, new staging, new choreography, and the legendary chandelier.

    What We Were
    Circle Theatre, September 26-October 19
    This world premiere from acclaimed local playwright Blake Hackler is done in collaboration with Dallas' Second Thought Theatre. It tells the story of Carlin, Nell, and Tessa, three sisters who suffered a childhood of abuse. Now adults, each lives in some degree of denial, but the lies are starting to become more unbearable than the truth.

    Dallas Theater Center presents Lin-Manuel Miranda's In the Heights.

    Xavier Cano and cast of Dallas Theater Center's In the Heights
    Photo by Karen Almond
    Dallas Theater Center presents Lin-Manuel Miranda's In the Heights.
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    news/arts

    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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