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    Larry McMurtry Honored

    Iconic author of Texas' greatest novel receives prestigious White House honor

    Clifford Pugh
    Sep 6, 2015 | 10:45 am

    Acclaimed novelist Larry McMurtry, whose canon is predominantly set in the Old West or in contemporary Texas, will receive a 2014 National Humanities Medal for outstanding achievement at the White House this week.

    President Obama will present the award to the 79-year-old author and nine other noted Americans, including food writer and activist Alice Waters and architect/preservationist Everett L. Fly, during a ceremony on September 10. “Mr. McMurtry’s work evokes the character and drama of the American West with stories that examine quintessentially American lives,” the White House stated in the citation announcing his selection.

    McMurtry is the prolific author of 29 novels — including the Pulitzer Prize-winning Lonesome Dove and The Last Picture Show — three memoirs, two collections of essays, and more than 30 screenplays — among them the Academy Award-winning adapted screenplay for Brokeback Mountain.

    “I don’t remember either of my parents ever reading me a story — perhaps that’s why I’ve made up so many,” he wrote in his first memoir, Books.

    The current issue of Entertainment Weekly picks the one work of fiction that best defines each state, and for Texas, it’s Lonesome Dove. “Everything is bigger in Texas, including this novel’s ambition," the writers state, adding that the “cattle-drive epic features some of the most beautifully descriptive prose put to paper.”

    McMurtry, who received a master’s degree from Rice University in 1961 and was a lecturer of freshman English and creative writing, set several of his best-selling books, including Terms of Endearment, in Houston. The novel, which was made into an Academy-Award winning movie, was part of a trilogy that includes Moving On and All My Friends Are Going to be Strangers.

    McMurtry also set three other books in modern-day Houston: Somebody’s Darling, Some Can Whistle, and The Evening Star.

    He was one of the country’s most accomplished book collectors, with stores in his hometown of Archer City, Houston, and Washington, D.C. at various points in his life, until he sold most of his prized books in 2012.

    The award honors an individual or organization whose work has “deepened the nation’s understanding of the human experience, broadened citizens’ engagement with history and literature, or helped preserve and expand Americans’ access to cultural resources,” according to the National Endowment for the Humanities. Previous recipients include authors Joan Didion, Frank Deford, Phillip Roth, Joyce Carol Oats, and playwright Anna Deavere Smith.

    “No other author has captured the spirit and imagination of his home state and the American West more than Larry McMurtry,” Rice President David Leebron said in a statement. “His work speaks to people and their challenges everywhere. We are proud of Larry’s extraordinary body of work and join President Obama in celebrating his remarkable legacy.”

    Larry McMurtry taught at Rice University in the early 1960s.

    Larry McMurtry at Rice University in the early 1960s
    Courtesy of Rice University
    Larry McMurtry taught at Rice University in the early 1960s.
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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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