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    Hello, Dali!

    Meadows Museum doubles the fun for Dallas fans of Salvador Dalí

    Stephanie Allmon Merry
    Sep 7, 2018 | 2:00 pm

    UPDATE: The Meadows Museum’s exhibition "Dalí: Poetics of the Small, 1929-1936" has been extended through January 6, 2019, the museum has announced.

    ---

    Admirers of Spanish artist Salvador Dalí have twice the reason to visit Meadows Museum this fall. The museum on the SMU campus is mounting not one but two exhibitions concurrently that will give insight into different aspects of the artist's work. Both open September 9.

    With "Dalí: Poetics of the Small, 1929-1936," Meadows is organizing the first in-depth exploration of the artist’s small-scale paintings — some measuring just over a foot, and others as tiny as 3 by 2 inches. An important part of the artist’s output during the early part of his Surrealist period (1929-1936), these miniature works reflect Dalí’s precise style of painting, the museum says.

    Painted at the time in Dali's career when nearly half of the works he produced were cabinet-sized paintings, these jewel-sized pieces have never been studied or exhibited as a cohesive group, the museum says. Plans for the exhibition began after the Meadows acquired Dalí’s small-scale painting The Fish Man (L’homme poisson, 1930) in 2014, and asked the conservation department at the Kimbell Art Museum in Fort Worth to conduct technical analysis of the work.

    Meadows will be the only venue for this exhibition of about two dozen works, which runs through December 9.

    The second exhibition, "Dalí’s Aliyah: A Moment in Jewish History," will display a rare, complete set of the lithographs created by the artist to celebrate 1968 as the 20th anniversary of the founding of the State of Israel. These works reveal a different aspect of Dalí’s artistic practice, the museum says, with images that are large in scale and painted in a loose, expressionistic style that is the opposite of the precise technique displayed in the small-scale Surrealist works.

    Inspired by the historic challenges and post-World War II renewal of the Jewish people, Dalí created a series of 25 mixed-media paintings on paper that loosely trace major moments in Jewish history — both the tragic and the joyous — culminating in the creation of Israel in 1948, the museum says. From the paintings, Shorewood Publishers produced a limited edition of 250 sets of 25 lithographs, with each set accompanied by a letter of introduction from David Ben-Gurion, the founding Prime Minister of Israel.

    The title, Aliyah, comes from the Hebrew word “to rise or ascend,” and is commonly used to describe migration to Israel, a process that many Jews see as stepping up to their homeland, Meadows says. This display will be on view through January 13, 2019.

    The Dalí exhibitions are an extension of Meadows' mission to study and present the art of Spain.

    “Despite Salvador Dalí’s global reputation, there is much still to learn about his artistic development and output,” says Mark Roglán, the Linda P. and William A. Custard Director of the Meadows Museum, in a release. “In producing so many small-scale paintings, it is clear that the artist saw their size as important, recognizing that within a constrained frame the viewer’s eyes are drawn to details differently.

    "By contrast, the large-format lithographs Dalí created for his Aliyah commission demonstrate an understanding of a different set of traditional artist’s skills, using art to capture and present history and the people involved in shaping it.”

    Meadows will celebrate the new exhibit at its inaugural Masterpiece Gala on October 13 at the museum.

    Salvador Dali, The Accommodations of Desire, 1929.

    Salvador Dali, The Accommodations of Desire
      
    Photo courtesy of Meadows Museum
    Salvador Dali, The Accommodations of Desire, 1929.
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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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