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    Hot Tickets

    Conjoined twins, wrestlers and the Addams Family: 6 must-see shows in Dallastheater

    Lindsey Wilson
    Sep 25, 2012 | 6:00 am

    We may be heading into the final stretch of 2012, but there are still plenty of plays packed into the remaining months to satisfy our theater cravings. Mark your calendar for these six can’t-miss shows, which represent the best of local theater through December.

    Side Show, Pfamily Arts
    September 27-October 6
    There have been stranger concepts for a musical than conjoined twins, but few have managed to reach the emotional depth of this 1997 cult show. Based on the true story of Violet and Daisy Hilton, sisters joined at the hip who went from traveling circus freaks to Depression-era superstars, the show offers an appealing mix of exoticism and grounded sentiment. Director William Park was a member of the original Broadway workshop, so his deep understanding of the show should translate well with this production. Lyricist/librettist Bill Russell is also expected to drop by, perhaps to gather ideas before his revised version of the musical debuts in California and Washington, D.C., in 2014.

    An Iliad, Undermain Theatre
    September 29-October 27

    You might know Denis O’Hare as True Blood’s vampire king Russell or as disfigured murderer Larry Harvey from the first season of American Horror Story, but did you also know he’s a writer? He co-authored with Lisa Peterson this one-man retelling of Homer’s famous poem, which gets its regional premiere under the direction of Katherine Owens. The press release promises a “radical new vision,” but I’m most curious about seeing the Trojan War wind its way around Undermain’s pillared basement performance space.

    The Addams Family, Dallas Summer Musicals
    October 2-21
    
Hearing Lurch sing may not be on your bucket list, but seeing Douglas Sills as Gomez and Sara Gettelfinger as Morticia should be. The role of the mustachioed, macabre Casanova is right in Sills’ wheelhouse: He’s a Broadway vet known for expertly tiptoeing the line between ridiculous farce and suave leading man. Gettelfinger, hysterical as a kooky Okie in Broadway’s Dirty Rotten Scoundrels and heartbreaking as mad socialite Little Edie in the world premiere production of Grey Gardens, should bring a sexy authority to Morticia’s skin-tight gown. And I bet Thing does a fabulous jazz hand.

    The Elaborate Entrance of Chad Deity, Dallas Theater Center
    October 19-November 25

    A Pulitzer Prize finalist, rave reviews from practically every major media outlet, and it’s a play about … professional wrestling? The WWE lampoon seems to be the hot new property in regional theater, and playwright Kristoffer Diaz has been commissioned by DTC artistic director Kevin Moriarty to write two more plays for the company. The Wyly will also be transformed into a wrestling area, and if the inventive staging from previous shows (The Wiz, Cabaret) is any indication, this means something incredible.

    The Beauty Queen of Leenane, Kitchen Dog Theater
    November 9-December 8

    Dallas is no stranger to the works of Martin McDonagh. His dark plays The Pillowman and The Lieutenant of Inishmore each have been staged locally within the past five years, and this isn’t the first Beauty Queen to come our way either. But the claustrophobic, tense, sometimes horrifying black comedy about a seriously unhealthy mother-daughter relationship set in the mountains of Galway, Ireland, is one that I’m ready to revisit. And I’m excited to see the stamp director and KDT member Cameron Cobb puts on this version.

    A Christmas Carol, Dallas Theater Center
    November 25-December 24

    
The yearly tradition is about to undergo a major shakeup. After this season, the Christmas classic will bid adieu to the Kalita Humphreys Theater and take up residence in the Wyly; it’s also the last year the company will use the current production adapted by Richard Hellesen and directed by Joel Ferrell. If you’re yearning for one last festive hit of nostalgia, catch this show before DTC reinvents it all over again next year.

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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

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