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    Hot Tickets

    Conjoined twins, wrestlers and the Addams Family: 6 must-see shows in Dallastheater

    Lindsey Wilson
    Sep 25, 2012 | 6:00 am

    We may be heading into the final stretch of 2012, but there are still plenty of plays packed into the remaining months to satisfy our theater cravings. Mark your calendar for these six can’t-miss shows, which represent the best of local theater through December.

    Side Show, Pfamily Arts
    September 27-October 6
    There have been stranger concepts for a musical than conjoined twins, but few have managed to reach the emotional depth of this 1997 cult show. Based on the true story of Violet and Daisy Hilton, sisters joined at the hip who went from traveling circus freaks to Depression-era superstars, the show offers an appealing mix of exoticism and grounded sentiment. Director William Park was a member of the original Broadway workshop, so his deep understanding of the show should translate well with this production. Lyricist/librettist Bill Russell is also expected to drop by, perhaps to gather ideas before his revised version of the musical debuts in California and Washington, D.C., in 2014.

    An Iliad, Undermain Theatre
    September 29-October 27

    You might know Denis O’Hare as True Blood’s vampire king Russell or as disfigured murderer Larry Harvey from the first season of American Horror Story, but did you also know he’s a writer? He co-authored with Lisa Peterson this one-man retelling of Homer’s famous poem, which gets its regional premiere under the direction of Katherine Owens. The press release promises a “radical new vision,” but I’m most curious about seeing the Trojan War wind its way around Undermain’s pillared basement performance space.

    The Addams Family, Dallas Summer Musicals
    October 2-21
    
Hearing Lurch sing may not be on your bucket list, but seeing Douglas Sills as Gomez and Sara Gettelfinger as Morticia should be. The role of the mustachioed, macabre Casanova is right in Sills’ wheelhouse: He’s a Broadway vet known for expertly tiptoeing the line between ridiculous farce and suave leading man. Gettelfinger, hysterical as a kooky Okie in Broadway’s Dirty Rotten Scoundrels and heartbreaking as mad socialite Little Edie in the world premiere production of Grey Gardens, should bring a sexy authority to Morticia’s skin-tight gown. And I bet Thing does a fabulous jazz hand.

    The Elaborate Entrance of Chad Deity, Dallas Theater Center
    October 19-November 25

    A Pulitzer Prize finalist, rave reviews from practically every major media outlet, and it’s a play about … professional wrestling? The WWE lampoon seems to be the hot new property in regional theater, and playwright Kristoffer Diaz has been commissioned by DTC artistic director Kevin Moriarty to write two more plays for the company. The Wyly will also be transformed into a wrestling area, and if the inventive staging from previous shows (The Wiz, Cabaret) is any indication, this means something incredible.

    The Beauty Queen of Leenane, Kitchen Dog Theater
    November 9-December 8

    Dallas is no stranger to the works of Martin McDonagh. His dark plays The Pillowman and The Lieutenant of Inishmore each have been staged locally within the past five years, and this isn’t the first Beauty Queen to come our way either. But the claustrophobic, tense, sometimes horrifying black comedy about a seriously unhealthy mother-daughter relationship set in the mountains of Galway, Ireland, is one that I’m ready to revisit. And I’m excited to see the stamp director and KDT member Cameron Cobb puts on this version.

    A Christmas Carol, Dallas Theater Center
    November 25-December 24

    
The yearly tradition is about to undergo a major shakeup. After this season, the Christmas classic will bid adieu to the Kalita Humphreys Theater and take up residence in the Wyly; it’s also the last year the company will use the current production adapted by Richard Hellesen and directed by Joel Ferrell. If you’re yearning for one last festive hit of nostalgia, catch this show before DTC reinvents it all over again next year.

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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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