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    Theater Review

    Physical Dallas theater company strikes onstage gold with lyrical myth

    Lindsey Wilson
    Oct 11, 2016 | 4:44 pm

    The term "audience participation" probably triggers a cold sweat, but tell me the last time it meant having a bow and arrow aimed at you during the show.

    With its newest theatrical piece, Midas, movement company PrismCo. creates an atmosphere for its audience that is unsettling, enchanting, and refreshingly different. It's an immersive, wordless retelling of the Greek myth that leads its voyeuristic viewers through a living museum of the lonely king's life, showing how this man ended up rich but heartbreakingly alone.

    It's also one of PrismCo.'s most emotionally successful pieces to date, blending story with dance, sword fighting, clowning, and magic tricks to achieve a balanced result. Company co-founder Katy Tye shaped the story — like most PrismCo. shows there is no traditional dialogue, just grunts and whimpers and gibberish that are translated through facial expressions and body language — and it's the thread that ties all the movement together and gives it purpose.

    Director Jeffrey Colangelo stages Midas in two rooms at the Oak Cliff Cultural Center, with artwork on the walls from My Possibilities students, giving audiences a chance to experience 360-degree theater. Rafael Tamayo, sporting a gold-painted suit jacket and leaning on a gold cane, welcomes his guests in the lobby, taking special care not to shake their hands. He's jocular, shepherding everyone inside to a table set for a feast.

    Some sleight of hand helps turn the grapes and wine to heavy gold (Trigg Watson consulted on the magic, and it's performed flawlessly, even right up close), and flashes of annoyance begin to crack Tamayo's facade. Once it's clear his party is a bust, he moves over to a lamé-draped figure.

    Ky Cassandra is revealed, coated entirely in shimmery gold and frozen with her arms raised and eyes closed. A tender tune begins to play, and we see the couple's courtship as they waltz through the crowd and around the room. Jake Nice's music is evocative throughout, and Jonah Gutierrez's lighting helps distinguish between flashbacks and present day.

    In the next room we meet Midas' sons, one (Gutierrez) a strapping warrior and the other (Samuel Cress) a playful trickster. With Gutierrez, Tamayo throws aside his cane and brandishes a sword, flattening the audience to the edges of the room as they duel. With Cress, there's juggling and a fair bit of humorous miming, showing how the younger son keeps the king grounded.

    This all makes revisiting the first room even harder, because it's then that we witness Midas' cursed touch come into effect. No explanation is given for how he acquired it, nor do we really need one. It's enough to watch his family (including the late-emerging Debbie Crawford) fall victim to his greed and his realization at all he has lost. And you might just find yourself edging away from Tamayo as he careens around the room in grief — just in case.

    ---

    PrismCo.'s production of Midas runs through October 23.

    Rafael Tamayo and Ky Cassandra in Midas.

    PrismCo Midas
    Photo by Zack Huggins
    Rafael Tamayo and Ky Cassandra in Midas.
    theaterreviews
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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