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Theater Review

Theatre Three's Little Shop of Horrors blooms with sci-fi camp

Lindsey Wilson
Oct 13, 2021 | 4:45 pm

If you got really into plants during the pandemic, now's the time to go make sure that none of them are actually bloodthirsty aliens in disguise.

Consider this an urgent reminder from Theatre Three, which is currently staging Howard Ashman and Alan Menkin's campy horror musical Little Shop of Horrors au natural at Samuell-Grand Amphitheater.

Perhaps you grew up watching the 1986 Rick Moranis/Ellen Greene film on VHS, or maybe this is your first run-in with Audrey II — no matter. Director Joel Ferrell and his wonderfully diverse cast ensure that all audience members have so much fun visiting Skid Row that they feel comfortable enough to shout, "Don't do it, girl!" at pivotal moments.

This sense of polished relaxation infuses the entire production, which is staged on Shakespeare Dallas' Romeo & Juliet set with modifications designed by Jeffrey Schmidt. The production also makes excellent use of Aaron Johansen's creepy lighting design and Natalie Rose Mabry's tattered and tacky (that's a compliment) costumes.

The cast is having fun, and it shows. Lee Walter is an inspired choice as Audrey, the shop girl with terrible taste in men. They ground the show with Alajeandro Saucedo as the sweet and meek Seymour, a "lucky" schmuck who happens on a strange and interesting new plant species during a random total eclipse, whom he names for his crush.

The flytrap-looking plant begins to bring Seymour good fortune, propping up the grimy flower shop he toils away at and prompting admiring glances from Audrey, his dream girl.

But of course there is a price, and that price is blood. Human blood, specifically, and when Seymour becomes too anemic to feed the plant himself he gets tangled up in murder as a means to keep his lucky streak alive.

At first, opportunities present themselves almost too easily. First down the hatch is Audrey's odious boyfriend, a maniacal dentist played with slick sadism by Parker Gray. The always-impressive Gray makes several cameos throughout the show, each more hilarious and unique than the last.

But when the evil plant chows down on Seymour's boss and adoptive father, Mr. Mushnik (Bob Reed), the morals start a-rumblin'.

All of this is commented upon in harmony by a street-wise Greek chorus of Nikka Morton, Cherish Robinson, and Audra Scott, who wow with vocals as strong as their improv choices.

Also to be vocally commended is Rodney M. Morris, the velvet tongue behind Audrey II, who is controlled at ever-growing sizes by puppeteer Ben Stegmair.

Music director Cody Dry, who wowed with his talent and versatility in Theatre Three's The Music Man, here leads an onstage band that's equal parts punk, rock, and game-for-anything inclusion in the action.

At a swift two hours (including intermission), the production delivers all the vicious vibes an audience could want around Halloween. Just remember: don't feed the plants.

---

Theatre Three's production of Little Shop of Horrors runs at Samuell-Grand Amphitheater through October 31.

Alejandro Saucedo as Seymour and Ben Stegmair and Rodney M. Morris as Audrey II.

Ben Stegmair, Rodney M. Morris, Alejandro Saucedo in Little Shop of Horrors at Theatre Three
Photo by Jeffrey Schmidt
Alejandro Saucedo as Seymour and Ben Stegmair and Rodney M. Morris as Audrey II.
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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