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    Theater Shocker

    WaterTower Theatre's artistic director unexpectedly resigns after 2 years

    Lindsey Wilson
    Nov 6, 2018 | 10:21 am

    After only two seasons, Joanie Schultz has resigned as artistic director of WaterTower Theatre. The Addison theater company announced on November 5 that she tendered her resignation to the board of directors on October 23, and will remain in her position through December 31, 2018.

    Former longtime WaterTower Theatre artistic director Terry Martin, who resigned in 2016 to head up the fine arts department at Greenhill School, will help with the transition.

    "In my two years as artistic director, we have developed award-winning world premieres, produced regional premieres, and presented work that highlights voices of women, people of color, and Texas natives," says Schultz in the release. "WaterTower is a theater with robust community support and is full of promise, and I have decided at this time it is best that I step aside so that the board can reorganize in a way that is best for WTT's future. I am incredibly proud of my leadership, which resulted in the support of diverse artists creating innovative work that speaks to our community. I am thankful for the time I've had here in Addison and I'm grateful to theater practitioners of DFW, as I have cherished my collaboration with the inspiring artists and theaters here in this community."

    Schultz's departure is not without controversy. Some supporters found the two seasons that she planned for WaterTower to be too different from the theater's traditional programming.

    She began by replacing Stephen Sondheim's Sunday in the Park with George with Ike Holter's Hit the Wall, about the 1969 Stonewall Riots, at the end of the 2016-17 season. Her 2017-18 season included Robert Askins' Hand to God, which according to TheaterJones was the last straw for the Canterbury family, who were the named presenting sponsors of the main stage prior to Schultz's appointment. The theater was renamed the Terry Martin Main Stage at the beginning of October.

    At the end of August, managing director Nicholas Even also resigned; he had begun his position shortly after Schultz took up hers. This followed the departure of longtime WaterTower employee Gregory Patterson, who had been the first to fill the newly created MD position after serving as director of development and marketing.

    "We as a board have made a commitment to continue building on and protecting the theater's legacy, established in part by former producing artistic director Terry Martin," says board president Grace Daniels in the release. "Martin has graciously extended his willingness to offer guidance during the transition and to help us honor relationships with our long-standing supporters all while continuing to introduce the theater to new audience members. I would also like to thank the leadership of the town of Addison who continue to provide invaluable support and words of advice as we work through this time of transition."

    Schultz's own adaptation of Henrik Ibsen's A Doll's House, the first production of her 2018-19 season, closed on November 4.

    On her Facebook wall, Schultz wrote, "Nothing is permanent, everything changes, that is the only constant. Every relationship has a lifespan. It turned out that the amount of time I was meant to be Artistic Director of WaterTower Theatre was two years. That doesn’t mean it was a failure, my friends. NOT AT ALL. I’m quite proud of the successes of my time at WTT. Not only did we develop world premieres, new works, regional premieres, we highlighted the work of women and people of color on the WaterTower stage. We developed a community engagement program and a new work festival.

    "We created a supportive environment for theatre artists, and the work on our stage reflected that creative energy. And most importantly, I was introduced to the DFW Theatre Community, a well-kept secret of incredibly inspiring artists who are brave, dedicated, and people that I’m proud to call my collaborators and friends. Thank you to my old friends, my new friends, and everyone who have supported me through this journey from beginning to end. I’m grateful to be a theatre artist in this crazy world, to expand my theatre family, and for the adventures I am sure to encounter next!"

    Up next at WaterTower Theatre is the return of The Great Distance Home, a movement-based, ensemble-devised work that premiered during the 2017 holiday season.

    Joanie Schultz will leave WaterTower Theatre at the end of 2018.

    WaterTower Theatre artistic director Joanie Schultz
    Photo by Joe Mazza
    Joanie Schultz will leave WaterTower Theatre at the end of 2018.
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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