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    You will be found

    Provocative Dear Evan Hansen sheds light on stigmas during Dallas run

    Meredith Rainey
    Meredith Rainey
    Nov 21, 2019 | 2:36 pm
    Stephen Christopher Anthony and the North American Company of Dear Evan Hansen
    The national tour comes to Dallas Summer Musicals November 26-December 8.
    Photo by Matthew Murphy

    Surviving the social ails of high school is a feat in itself. Many can relate to having some level of anxiety and feeling like an outsider during those sometimes challenging adolescent years (and those that follow).

    It’s in part those relatable feelings that have led Dear Evan Hansen to becoming an award-winning Broadway phenomenon, spurring conversations about important topics commonly shied away from, including depression, anxiety, and suicide. The national tour of the hit musical is showing Dallas audiences what the buzz is all about during the Texas leg of a national tour that also includes stops in Houston, Austin, and San Antonio.

    Stephanie La Rochelle is looking forward to the show’s Dallas run at the Music Hall at Fair Park, November 26-December 8. La Rochelle, an aspiring country music singer from Ottawa, Canada, joined the show in September as Zoe, Evan’s love interest (this is only her second professional theater credit). La Rochelle is one of four Canadians in the onstage cast of eight.

    “I wasn’t focused on theater, but this popped up and I went for it,” she explains. “The show is so intimate, it almost feels like a film on stage. It’s very raw and the music is very pop-heavy so it’s something I was very interested in.”

    For all its rawness, Dear Evan Hansen is not likely to be dubbed the feel-good musical of the year. It’s known for eliciting visceral responses from the audience and has a reputation for its "squirm in your chair, cringe-worthy moments."

    The crux of the story is that Evan, a lonely and socially awkward high school senior, tells a lie to help a grieving family after their son commits suicide. Evan’s misrepresentation of the truth spirals out of control while earning Evan the adulation and acceptance he’s always longed for. Although his intentions are good, Evan’s deception opens a can of worms and he’s eventually overcome with guilt.

    Evan's actions help make him a social media sensation, and the multiple screens around the stage displaying social media feeds and images add a modern storytelling twist and a hypnotic visual.

    “Social media almost plays a character in the production,” explains La Rochelle. “For Evan, things quickly spiral out of hand on social and I think a lot of young people can relate."

    The show’s spotlight on social media has spurred online activity offstage. La Rochelle says Dear Evan Hansen has a huge fan following that has sprouted a number of social media communities in which people share their struggles and offer support.

    “There are people who have found friendships online as fans of the show… I think the show is just lighting a fire under people — they feel like it’s a safe community to speak up in and it’s really, really special.”

    La Rochelle, who delivers a gorgeous vocal on “Only You” (a duet with castmate Stephen Christopher Anthony, who plays Evan) describes the music in Dear Evan Hansen as "contemporary" and "fabulous."

    “I’m just so proud to be part of something that is so moving, and I think all the songs really help tell the story. It’s really inspiring and exciting to be part of something that is generating conversations about mental health and helping erase that stigma ... and I’m so proud to be part of it,” she explains.

    The song “You Will Be Found” has become an anthem for people who are struggling and serves to remind people that they are not alone. La Rochelle thinks what makes Dear Evan Hansen so special is that most people can identify with at least one of the characters, whether or not they are facing challenges themselves. She says at its core, the show is about relationships, and it affects everyone in a very individual way.

    “Overall, it has an uplifting message and everyone walks away feeling something different," she says. "I think that’s what’s great about it and that is what is sparking those important conversations.”

    ---

    Dallas Summer Musicals presents Dear Evan Hansen at the Music Hall at Fair Park from November 26 to December 8.

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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