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    Culture on the Cheap

    Arts enthusiasts should plan ahead for TodayTix's Cyber Monday sale

    CultureMap Create
    Nov 23, 2018 | 11:01 am

    Those who don't want to brave the crowded stores on Black Friday wait to score their deals on Cyber Monday, and now arts lovers can get in on the holiday savings.

    On November 26, TodayTix is offering its best discounts of the year. You can save up to 50 percent on tickets to shows at AT&T Performing Arts Center, Dallas Theater Center, Dallas Opera, and more.

    Here are the top 11 theater, opera, and classical music deals in Dallas-Fort Worth during the TodayTix Cyber Monday sale:

    1. AT&T Performing Arts Center
    Close out 2018 with some awesome savings on big-name musicals, namely A Christmas Story, The Musical (December 12-16, $24 or 30 percent off); Chicago (December 18-23, $24 or 30 percent off); and A Bronx Tale (December 6-January 6, 2019, $41 or 20 percent off). Non-planners can still score $25 day-of rush tickets to these shows and the rest of ATTPAC's full season by checking TodayTix.

    2. Casa Mañana
    Seeing a show here is like sitting inside a giant holiday ornament, which makes things even more festive for Twas the Night Before Christmas (November 23-December 23, $15 or 30 percent off). Grease is the word March 2-10, with tickets only costing $25 (50 percent off). Follow the yellow brick road April 19-May 12 when The Wizard of Oz plays, with tickets that are $15 (or 30 percent off). The reigning Tony winner for most awards, The Producers, unveils its scheme June 1-9, with $25 tickets (50 percent off). Two productions from Casa Mañana's children's theater finish off the deals: The Emperor's Groovy New Clothes (February 1-17) at $10 (or 40 percent off) and Jason Bishop: The Illusionist (March 22-April7 7) for $15 (or 30 percent off).

    3. Circle Theatre
    The opening show of this Fort Worth theater's 2019 season is Thornton Wilder's iconic Our Town, about the importance of living in the moment. You'll have plenty of chances to see it from January 31-March 9, especially because tickets are only $15 (50 percent off).

    4. Dallas Theater Center
    Intrigued by DTC's latest season? Good news: you can see nearly all of it at a major discount of $30, or 40 percent off. It starts with Kevin Moriarty's adaptation of Charles Dickens' classic A Christmas Carol, which runs November 21-December 30. Running nearly simultaneously from December 5-January 13 in the Wyly's Studio Theatre is Fetch Clay, Make Man by DTC playwright-in-residence Will Power. Sarah DeLappe's Pulitzer Prize finalist The Wolves is next, March 6-April 14, followed by Shakespeare's Twelfth Night March 29-April 28. Real Women Have Curves by Josefina López runs April 26-May 19 at the Kalita Humphreys Theater, and local playwright Jonathan Norton debuts his new work Penny Candy June 5-July 14. Non-planners can still score $20 day-of rush tickets to these shows and the rest of DTC's full season by checking TodayTix.

    5. Stage West
    Scrooge's ghostly associate gets to tell his side in Jacob Marley's Christmas Carol, a season extra that runs December 6-23. Popular playwright Brandon Jacobs-Jenkins returns with Everybody, running December 27-January 27. Both have tickets priced at $17.50, or 50 percent off.

    6. The Cliburn
    It exists to advance classical piano music and is considered by many to be a depository of the best talent in the world. Experience some of it for yourself, including concerts by Leonidas Kavakos (violin) and Enrico Pace (piano) from January 31-February 1 ($44, or 20 percent off); The Naughtons, twin pianists performing on March 7 ($33.75, or 25 percent off); and Broadway: My Favorite Things, an all-piano love fest of popular Broadway tunes ($10, or 50 percent off).

    7. Theatre Three
    Solstice, one of last season's most original holiday offerings, returns — with some retooling from Jonathan Norton, Cherish Robinson, and Janielle Kastner — December 6-30. Another new work, The Manufactured Myth of Eveline Flynn by Ian Ferguson and Michael Federico, plays January 31-February 24, while the musical Foxfire (by Susan Cooper, Hume Cronyn, and Jonathan Holtzman) runs March 14-April 7. Each is only $10 (33 percent off).

    8. Undermain Theatre
    Bruce DuBose and Paul Semrad are remounting their critically acclaimed production of An Iliad from February 7-March 3, and you can see it for only $10 (50 percent off). Also be sure to catch the third and final installment of Matthew Paul Olmos' so go the ghosts of méxico when it plays April 12-May 5, because it's also only $10 (or 50 percent off).

    9. Ochre House Theatre
    The latest in original, avant-garde works from the creative crew at Ochre House is surrounded by secrecy, but the price for Doom McCoy & the Death Nugget is a shout-it-on-the-street-corner $10 (or 50 percent off).

    10. Dallas Opera
    Feel fancy at the opera without the fancy price. Manon Lescaut (March 1, 3, 6, and 9) is priced at $19 (10 percent off), La Bohème (May 15, 17, 20, 23, 29, and 31) is $28 (10 percent off), and Falstaff (April 26 and 28, May 1 and 4) is $25 (20 percent off).

    11. Fort Worth Opera
    The delightfully wicked world premiere opera by composer-librettist Rachel J. Peters, Companionship, follows aspiring baker named Leslie Sinclair as she sets out to bake the perfect baguette (following a nervous breakdown), when one attempt comes to life right before her eyes. Tickets are $37.50, or 17 percent off.

    Dallas Theater Center's A Christmas Carol returns this holiday season.

    Dallas Theater Center presents A Christmas Carol
    Photo by Paxton Maroney
    Dallas Theater Center's A Christmas Carol returns this holiday season.
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    A good listen

    Dallas Symphony and Fabio Luisi release landmark Wagner 'Ring Cycle' set

    Associated Press
    Jun 10, 2026 | 2:00 pm
    Fabio Luisi conducting the Dallas Symphony Orchestra
    Photo courtesy of Dallas Symphony Orchestra
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    Fabio Luisi wanted his Ring Cycle to be heard and not seen.

    Wagner’s four-opera epic Der Ring des Nibelungen, approaching the 150th anniversary of its premiere in 1876, has been reinterpreted and deconstructed by directors finding various meanings in the conflicts among gods, humans, giants and dwarfs.

    While most new recordings are on video, Luisi led his Dallas Symphony Orchestra in concert performances that were released on 13 compact discs by Delos on May 22 and are available on streaming services.

    “Wagner conceived this as a total immersion in visual and acoustic, but I could focus really only on the music, and this was the point actually — not to be distracted by staging and not to have to cope with maybe strange ideas of staging,” Luisi said. “I think the music tells everything.”

    Luisi became DSO music director in 2020 and broached the idea while dining two years later with (the now late) Morton H. Meyerson, a longtime board member.

    “Fabio came back from lunch sort of giddy but sort of sheepishly saying: `Do you think that this would ever be possible?” recalled Kim Noltemy, the Dallas CEO at the time. “So, I said, well, let’s give it a try. So, we called around to see if there were people who wanted to support it and did a budget.”

    After securing a waiver from the orchestra allowing for the needed rehearsals and performance length, recordings were made during four concerts from May 1-5 and six more from Oct. 5-20. Each opera was performed two or three times.

    Americans in cast fill big roles
    American singers featured prominently, with Mark Delavan as Wotan, Lise Lindstrom as Brünnhilde and Sara Jakubiak as Sieglinde, part of a cast that included Christopher Ventris (Siegmund), Daniel Johansson (Siegfried), Deniz Uzun (Fricka), Tómas Tómasson (Alberich), Michael Laurenz (Mime) and Stephen Milling (Hagen).

    Delavan sang Wotan at New York’s Metropolitan Opera in 2013 after Luisi took over from an ailing James Levine in Robert Lepage’s much-maligned production staged on a 45-ton set of 24 rotating planks.

    “We’re accessible and they know that we’re hungry and we have a chip on our shoulders,” Delavan said. “What conductors like about American singers is their technique is sound. Even a European conductor would say: Well, I’m going to give up some of the communication skills, only one degree of separation with the language, but I’m going to get a solid technique, and I’m going to get pretty good acting chops.”

    Lindstrom has been in Atlanta to sing in its production of “Götterdämmerung,” the concluding night of the tetralogy, leading to what is being billed as the first complete Ring Cycles in the America South in 2029.

    “The wonderful thing about it is the intimacy between the orchestra and us, because we’re not separated by a chunk of stage or a chunk a scenery or a chunk of concept,” she said of the Dallas performances. “And for people like me, who have had the opportunity to perform the role before, I have all those iterations to rely on for my portrayal that I can sort of filter myself through.”

    A younger Luisi listened to famous renditions
    Luisi, 67, first heard a Ring recording in Georg Solti’s famous studio set with the Vienna Philharmonic from 1958-65. He also admires Karl Böhm’s live recording from the 1967 Bayreuth Festival and Marek Janowski’s 1980-83 studio version with the Staatskapelle Dresden.

    He first conducted Ring when he was music director of Dresden’s Semperoper from 2007-10. Luisi’s Dallas performances include more legato and softer sound than his rendition a decade earlier at the Met. He tries to keep an arc from the first notes of “Das Rheingold” to the final strains of “Götterdämmerung.”

    “I have a deeper understanding about the meaning of this piece,” he said. “I consider the ring to be a big Bruckner symphony. So we have the introduction, then we have the first movement, this is “Walküre,” which happens to be a slow movement, and then we have the scherzo, which is “Siegfried,” of course, and then the long, long, last movement. There is a unity.”

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